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On the surface, both Watchmen projects have the same arc: a murder prompts an investigation of the hero’s past that reveals that there’s no form of heroism—not even a knightly fantasy of law and order—that isn’t drenched in blood. As a young girl, Angela identifies the terrorist who bombed her parents, then asks to listen when he gets shot by the cops. She’s rewarded with a badge and a future job offer. As a cop in Vietnam, she falls in love with Dr. Manhattan, knowing he committed the genocide that motivated that man’s act of terrorism. As Sister Night, she beats suspects during interrogation. As a mother, she reminds her adopted son that they live in a black-and-white moral universe. The show seems to justify Angela’s violence with her identity and her history as a black American woman. What if it had been bold enough to say outright: she too is a monster? What if we’d been asked to see her—as we are asked to see every superhero in the comic—as an antihero?

https://www.nybooks.com/articles/2020/04/09/watchmen-time-of-monsters/

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