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*So which characters in the show owned slaves?*

Most of them, actually. In one of the Cabinet rap battles, Jefferson extols
the South’s agrarian economy, and Hamilton slaps back. “Yeah, keep ranting.
We know who’s really doing the planting,” he sneers, dismissing Jefferson’s
argument as “a civics lesson from a slaver.”

But slavery was hardly just a Southern affair. In 1790, about 40 percent of
households immediately around New York City included enslaved people. Most
of Hamilton’s associates who toast freedom early in the show were
slaveowners, including Aaron Burr and Hercules Mulligan (whose enslaved
servant Cato
<https://www.thedailybeast.com/hercules-mulligan-the-spy-who-saved-george-washingtontwice>
worked
alongside him in an anti-British spy ring).

The Schuylers, the prominent family Hamilton marries into, were major
slaveholders. In fact, the mayor of Albany announced last month that the
city would remove a statue of Philip Schuyler
<https://www.dailyfreeman.com/news/local-news/albany-mayor-orders-schuyler-statue-removed/article_0ebc72a2-af11-11ea-80e9-cf47038bd106.html>,
Hamilton’s father-in-law, who at various points owned as many as 27 slaves.


Angelica Schuyler and her husband also owned slaves, and Hamilton, who was
a lawyer, helped them with their slavery-related transactions, including
the $225 purchase of a mother and child.

*Wait. Did Hamilton himself own slaves?*

Possibly. When his mother died in 1768, she left Hamilton and his brother
an enslaved boy but they were not able to inherit since they had been born
out of wedlock.

And there is some documentation suggesting that Hamilton may have owned
slaves later, after his marriage to Elizabeth Schuyler. The historian
Michelle DuRoss, in a 2010 paper, noted that Hamilton’s grandson had said
Hamilton owned slaves
<https://www.varsitytutors.com/earlyamerica/early-america-review/volume-15/hamilton-and-slavery>,
citing references in family ledgers.

But the evidence is ambiguous. Ankeet Ball, in a paper for the Columbia &
Slavery research project
<https://columbiaandslavery.columbia.edu/content/ambition-bondage-inquiry-alexander-hamilton-and-slavery>
, noted an 1804 letter
<https://columbiaandslavery.columbia.edu/content/ambition-bondage-inquiry-alexander-hamilton-and-slavery#/_ftn1>
from
Angelica Schuyler regretting that Elizabeth and Alexander did not have any
enslaved servants to help them with a party.

Ball, echoing many other scholars, pointed out that Hamilton, however much
he may have hated slavery, acquiesced to it. “Hamilton ultimately accepted
protecting slavery in the Constitution to solidify the union of the North
and the South, which was crucial to the financial growth that Hamilton
envisioned,” Ball wrote.


*Was Hamilton pro-immigrant?*

“Immigrants, we get the job done,” sung by Hamilton (who was born in Nevis)
and the Marquis de Lafayette during the Battle of Yorktown, quickly emerged
as one of the biggest applause lines
<https://www.nytimes.com/2015/11/14/theater/immigration-a-hard-line-in-politics-but-an-applause-line-on-broadway.html>
in
the show. And while Hamilton, as a subject of the British crown moving from
one British colony to another, was not an immigrant in the contemporary
sense, he did see himself (and was sometimes seen by others) as an outsider.

As far as I know neither Jefferson nor Madison ever held Hamilton's status
as an immigrant against him. Hamilton, however, was part of what became a
pretty virulently anti-immigrant coalition of Federalists. #HATM
<https://twitter.com/hashtag/HATM?src=hash&ref_src=twsrc%5Etfw>

— Seth Cotlar (@SethCotlar) July 4, 2020
<https://twitter.com/SethCotlar/status/1279215099740164096?ref_src=twsrc%5Etfw>

But his views of immigrants and how they fit into America were complicated.
As the historian Joanne Freeman has pointed out
<https://slate.com/culture/2015/11/how-lin-manuel-miranda-used-real-history-in-writing-hamilton.html>,
he wanted immigrant workers to fuel the manufacturing economy he
envisioned, but he worried about their impact on the nation.

In 1798, in the middle of naval hostilities with revolutionary France,
Hamilton and other Federalists supported the Alien and Sedition Acts
<https://guides.loc.gov/alien-and-sedition-acts#:~:text=Passed%20in%201798%2C%20the%20Alien,websites%2C%20and%20a%20print%20bibliography.>,
which extended the length of time immigrants had to wait to apply for
citizenship and allowed the president to deport immigrants deemed “enemies.”

Backlash against the laws, which were designed to weaken Jefferson’s
Democratic-Republican Party, contributed to Jefferson’s victory in 1800.
After the election, when Jefferson proposed loosening citizenship
requirements, Professor Freeman wrote, “Hamilton protested, fretting about
the corruption of national character.” He even suggested that if only
“native citizens” had been allowed to vote, Jefferson would not have become
president.

*But Hamilton, who started out as a penniless orphan, was a champion of the
little guy, right?*

Even before the musical (and the Ron Chernow biography that inspired it),
Hamilton had a resurgence of popularity
<http://bostonreview.net/hogeland-inventing-alexander-hamilton>, driven in
part by conservatives and centrists who saw him as an avatar of capitalism
<https://www.nytimes.com/2004/04/25/books/creating-capitalism.html> and a
strong national government.

And Hamilton, many historians have pointed out, was hardly an
up-by-the-bootstraps populist. He was an unabashed elitist who had proposed
that senators serve for life and the president be an “elective monarch.” He
also had a sometimes iffy relationship with representative democracy.


Hamil-skeptics point to episodes like the Newburgh Conspiracy of 1783, when
forces within the Continental Army who were frustrated over lack of pay and
other issues argued that the army should challenge the authority of
Congress. In a confidential letter
<https://founders.archives.gov/?q=Hamilton%20%20%20%22take%20the%20direction%22&s=1111311111&sa=&r=9&sr>,
Hamilton, then a congressman, urged George Washington to “take the
direction of” the army’s grievances, without appearing to — advice some
scholars have interpreted as urging a military coup.

Later, Hamilton dreamed of invading Florida and Louisiana (which were still
under the control of Spain). He even floated the idea of deploying the army
to Virginia to crush political opposition. And then there’s his (likely
apocryphal <https://www.h-net.org/reviews/showrev.php?id=7291>) quotation,
relayed by Henry Adams (the great-grandson of his nemesis John Adams):
“Your people sir — your people is a great beast.”

*Sheesh, chill out. “Hamilton” is a work of fiction, right?*

The renewed critical commentary on Hamilton the man has prompted no
shortage of eye-rolling, including from some historians. “Guys, I don’t
think that’s how the Battle of Yorktown really went,” the historian Kevin
Gannon tweeted
<https://twitter.com/TheTattooedProf/status/1279238036321075200?s=20> during
the #HATM watch. “I mean, I’m sure there was at least one more unit of
dancers.”

For some historians, one of the most thrilling things about the show is the
way it plays with the tension between history and memory
<https://twitter.com/kawulf/status/1279234656706191360?s=20>, the biases of
sources and the importance of who tells the story
<https://www.youtube.com/watch?v=_gnypiKNaJE>. And Miranda’s musical, for
all its phenomenal success, may not have the last word.

One of the last times A.Ham was prominently on Broadway, in Sidney Kingsley
1943 play “The Patriots,”
<https://www.nytimes.com/1976/05/26/archives/tv-kingsleys-patriots-washington-jefferson-and-hamilton-depicted-by.html>
America
was deep in a global fight for democracy. Hamilton wasn’t a populist hero,
but a borderline fascist trying to impose a moneyed aristocracy on America.
Jefferson, with his vision of self-governing common folk, was the champion
of democracy.

The next time around, who knows?
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