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NY Times, August 11 2017
Eduardo del Río, Political Cartoonist Known as Rius, Dies at 83
By SAM ROBERTS
Eduardo del Río in 2010. Credit Hector Vivas/Jam Media, via Getty Images
Eduardo del Río, a self-taught Mexican caricaturist who weaponized his
pen to mock politicians, imperialism, religion, corruption, consumerism
and carnivores — getting himself kidnapped and excommunicated and also
becoming immensely popular in the process — died on Tuesday at his home
in Tepoztlán, about 50 miles south of Mexico City. He was 83.
His death, from complications of prostate cancer, was announced by Gov.
Graco Ramírez of Morelos State.
Mr. del Río, a lapsed seminarian who adopted the pen name Rius, drew
thousands of editorial cartoons. He also published humor magazines and
more than 100 graphic nonfiction books.
“The only revenge we have as Mexicans,” he often said, “is to laugh at
the powerful.”
His books, many with provocative titles, included “Marx for Beginners,”
“The Dictionary of Human Stupidity,” “The True History of Uncle Sam,”
“100 Proposals to Save What Is Left of Mexico,” “Hitler for Masochists,”
“The Stomach Is First” and “Would Jesus Christ Have Been Catholic?”
Among his most sarcastic and successful satires were the comic books Los
Supermachos, which chronicled small-town politics, and Los Agachados
(The Underdogs or, literally, The Stooped Ones).
He also worked for publications of various political persuasions, among
them the Mexico City dailies La Jornada and El Universal.
At the newspaper Ovaciones, he told The New York Times in 1979, “I’d
have to do two or three cartoons each day before the editor would accept
one that was bland enough.” He lasted 14 months. Ovaciones was one of
five papers that fired him.
“With the death of Rius,” Mexico’s culture secretary, María Cristina
García Cepeda, said this week, “a period of political caricature and
popularization has come to an end.”
Mr. del Río was an early supporter of Fidel Castro’s Cuban revolution,
but soured on the regime’s repression and corruption. He was a
card-carrying Communist for seven years until 1968, when he renounced
his membership to protest the Soviet invasion of Czechoslovakia.
But he reserved his most splenetic rants for the political shenanigans
and growing materialism he found at home. A society’s degree of
civilization, he said acerbically, could be measured by the numbers in
four categories: cars, televisions, heart attacks and cancer patients.
Eduardo Humberto del Río García was born on June 20, 1934, in Zamora, an
epicenter of conservative Roman Catholicism in southwestern Mexico.
Before he was six months old, he recalled, his father died after
squandering what little money the family had on gambling.
His widowed mother moved with her two sons to Mexico City, where Eduardo
secretly devoured comic books, consumed the classics at a secondhand
bookstore and completed his secondary school education at a seminary run
by the Salesian order.
He worked as a messenger and a cashier, sold soap and finally landed a
job answering phones in a funeral home, where he had plenty of time to
practice his drawing. (His older brother was a commercial artist.) He
was recruited by Ja Ja, a humor magazine, after his doodles were noticed
by a mourner who was familiar with the magazine’s editor.
A self-described Marxist-masochist, Mr. del Río founded the Mexican
Workers Party’s magazine Popular Insurgency. He Latinized his surname to
Rius, he said, in case his family considered his irreverent cartoons too
incendiary.
Indeed, his work was so caustic that it caused him to be kidnapped.
Grabbed by the police in 1969, he was turned over to soldiers, who, he
later told The Times, “took me up a mountain and stood me next to an
open grave.”
He continued: “‘We’re going to kill you now,’ they said. ‘You’re an
enemy of Mexico.’ ”
He said he was freed only after the soldiers learned that he was related
to a former Mexican president.
Years later, the publication of his book “The Manual of the Perfect
Atheist,” in 1980, got him excommunicated from the church, he said,
because it not only challenged God’s existence but also suggested, as
one chapter title put it, “the exploitation of Christ by man.”
“I have to thank God, who made me an atheist and the Catholic Church,
which made me anticlerical,” he told La Jornada.
His “Marx for Beginners” was praised by the political scientist Andrew
Hacker in The Times Book Review as “a superb little book” peppered with
“beguiling illustrations.”
His latest book, “Los Presidentes Dan Pena” (“The Pitiful Presidents”),
published this year, is another barbed history lesson about Mexico,
which he once said was submerged in the “ignominy of pedagogical
mediocrity” — despite his relentless efforts to enlighten his fellow
Mexicans.
As the author Carlos Monsiváis once said, there were three major
departments of education in Mexico: the Ministry of Public Education,
the multimedia conglomerate Televisa, and Rius.
Mr. Del Río’s survivors include his wife, Micaela Flores, and his
daughter, Citlali del Río Flores.
While Mr. del Río was a militant humorist (and a vegetarian), he was
also considered a public intellectual. He said that his messages
penetrated more deeply because they were both visual and jocular.
“The great philosophers are very serious,” he said. “Sometimes it is
hard to understand everything they say. Humor, on the other hand, is
what makes people laugh, and that gives a lot of envy to philosophers,
similar to what happens with painters toward caricaturists.”
Elisabeth Malkin contributed reporting from Mexico City.
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