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For most film buffs, the movie “Taxi Driver” and the name Martin Scorsese are inextricably linked. But for me, the essence of a film is the screenplay. It all goes back to Aristotle who in defining tragedy in “Poetics” placed plot and character at the top of the six necessary ingredients (the other four are diction, thought, spectacle, and melody). Martin Scorsese did not write the screenplay for “Taxi Driver”. It was written by Paul Schrader, who also wrote “Raging Bull”. If there is anything that defines these masterpieces, it is the brilliant storytelling (plot) and character development of the screenplay (think Travis Bickle and Jake LaMotta). Scorsese deserves credit for helping Robert De Niro fully realize two memorable characters and creating the spellbinding background against which they stand (think of spectacle as cinematography and melody as film score) but without Schrader’s screenplay, it would have been all for naught.

In addition to being a screenwriter, Schrader was also a director—sometimes with mixed results. I am pleased to report that his latest film that opens nationwide today is not only his greatest achievement but one of the great American films of the decade. “First Reformed” tells the story of Toller (Ethan Hawke), the grief-stricken pastor of the eponymous upstate N.Y. Protestant church who delivers sermons to less than ten people on an average Sunday. The drawing card for the church is not spirituality, but its status as a landmark building that draws tourists, including some that can be persuaded to buy a coffee cup, baseball cap or t-shirt from the church’s tiny souvenir shop.

full: https://louisproyect.org/2018/05/18/first-reformed/
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