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If victorious strikes by teamsters in Minneapolis in 1934, by San Francisco dockworkers the same year and auto workers three years later in Flint define the rise of the American working class as a powerful force to be reckoned with, three confrontations between labor and capital in our lifetime mark its retreat.
In 1981 Ronald Reagan fired 11,000 airline controllers who had gone out on strike as a signal that the partnership between labor and capital was a thing of the past. Four years later, the meatpacking workers organized as P-9 struck Hormel in an effort to maintain the good-paying jobs with generous benefits that were seen as essential for a decent middle-class existence. With the defeat of P-9, jobs at Hormel and other meatpacking jobs became non-union, low-paying and dangerous with a predominantly immigrant workforce made up in large part of vulnerable undocumented workers.
While not a strike as such, the union-led struggle in Madison, Wisconsin of 2011 was launched to prevent teachers and other public service employees from being “Hormelized”. When Governor Scott Walker introduced a bill in January of that year that would cut wages, benefits and eliminate dues checkoff—a mechanism that is essential to keeping a union functioning in a closed shop environment—over 100,000 people took part in a “kill the bill” movement that adopted many of the tactics of the Occupy Wall Street movement that erupted a couple of months later.
For those not old enough to have bitter memories of the P-9 strike, I recommend tracking down Barbara Kopple’s 1990 film “American Dream” that unfortunately is nowhere to be seen on VOD but that can be borrowed as a DVD from better libraries, such as Columbia University’s. Kopple is also the director of “Harlan County, USA”, another documentary about labor struggles, in that case a 1973 strike by coal miners in the legendary pro-union county that voted 8-1 for Donald Trump in November.
Kopple has declined in recent years, stooping so low as to make a documentary about Woody Allen in 1997 and following up with a docudrama about the Hamptons in 2002 that was a Yankee version of British soap operas like Upstairs/Downstairs or Downton Abbey.
Fortunately for us, a new Barbara Kopple has emerged, namely Katherine M. Acosta, the sociologist and obviously politically advanced director of “Divided We Fall”, a film about the Wisconsin labor struggle that I had the good fortune to watch yesterday. For now, the film has not found a distributor and hopefully this review will inspire some enterprising party to invest in this film that is equal to Kopple at her best and moreover a story that demands the attention of everybody trying to understand how we have ended up with an orange-haired baboon in the White House determined to throw us back to the 1880s. Essentially, the defeat of the public workers struggle in Wisconsin involved all of the players and all of the contradictions that led to the defeat of Hillary Clinton and the nightmare we are now living with.
full: https://louisproyect.org/2017/01/29/divided-we-fall/ _________________________________________________________ Full posting guidelines at: http://www.marxmail.org/sub.htm Set your options at: http://lists.csbs.utah.edu/options/marxism/archive%40mail-archive.com
