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A few weeks back, I had a posting noting that Christopher Hitchens was not
exactly being accurate when he claimed that nobody had previously recognised
that there was no Lenin character in George Orwell's Animal Farm. I've done
a little research, and I have written up my findings in a short piece which
should be going in the next issue of New Interventions.

Paul F

+++++++++++++++++++++++++

Hitched On His Own Petard

Writing about George Orwell's Animal Farm in the Guardian on 17 April 2010,
Christopher Hitchens loudly proclaimed:

'There is a Stalin pig and a Trotsky pig, but no Lenin pig. ... Nobody
appears to have pointed this out at the time (and if I may so, nobody but
myself has done so since; it took years to notice what was staring me in the
face).'

A little research would not have gone amiss. Nobody noticed at the time?
Someone did. Writing in The Nation on 7 September 1946, the US left-winger
Isaac Rosenfeld reviewed Orwell's tale, explaining that Snowball was
'Trotsky, with a soupçon of Lenin -- for simplicity's sake, Vladimir Ilyich
is left out of the picture, entering it only as a dybbuk who shares with
Marx old Major's identity, and with Trotsky, Snowball's'. This review is
reproduced in Jeffrey Meyers' collection George Orwell: The Critical
Heritage (London, 1975).

Twenty or so years later, BT Oxley wrote in his brief George Orwell (London,
1967) that 'there is no figure corresponding to Lenin (Major dies before the
rising takes place)'; and another decade down the line Alex Zwerdling, in
his major study Orwell and the Left (New Haven, 1978), wrote about the
discrepancies between the course of the Russian Revolution and the events in
Orwell's fable, and informed us:

'The most striking of these is the omission of Lenin from the drama.
Major... is clearly meant to represent Marx, while Napoleon and Snowball act
out the conflict in the post-revolutionary state between Stalin and
Trotsky.'

David Wykes' A Preface to Orwell (Harlow, 1987) also clearly indicated the
absence of a Lenin parallel in Animal Farm.

A decade ago, this magazine published a pamphlet by the present author, 'I
Know How But I Don't Know Why': George Orwell's Conception of
Totalitarianism (Coventry, 1999, reprinted 2000); and a revised version of
it was published in the collection George Orwell: Enigmatic Socialist
(London, 2005). Once again, Lenin's absence was noted: 

'Some of the characters are eponymous. The taciturn, devious and ambitious
Napoleon is clearly Stalin, and the more inventive and vivacious Snowball is
an equally obvious Trotsky... There is, however, no porcine Lenin, as Major
(Marx) dies just before the animals take over the farm, although the
displaying of Major's skull is reminiscent of the rituals around the
embalmed Bolshevik leader.'

Many other authorities have attempted to find Lenin somewhere in the
piggery. Jenni Calder's 'Animal Farm' and 'Nineteen Eighty-Four' (Milton
Keynes, 1987) claimed that 'Major is a composite of Marx and Lenin'; a view
that also appeared in Averil Gardner's George Orwell (Boston, 1987), Jeffrey
Meyers' A Reader's Guide to George Orwell (London, 1984), Brodies Notes
(London, 1976), and York Notes (Harlow, 1980).
 
On the other hand, Robert Lee's Orwell's Fiction (London, 1969) and Ruth Ann
Lief's Homage to Oceania (Ohio, 1969) both reckoned that Major was Lenin.
Finally, in International Socialism, no 44 (Autumn 1989), John Molyneux took
a quite different viewpoint:

'It is clear that Napoleon represents Stalin, just as Old Major is Marx and
Snowball is Trotsky. Who then represents Lenin? Since Orwell depicts the
Rebellion as led by two pigs, Napoleon and Snowball, one is forced to the
conclusion that Napoleon also represents Lenin. Thus in Animal Farm the
figures of Lenin and Stalin are merged into one character.'

So the absence in Animal Farm of a pig representing Lenin, or of a character
that at least partly represented him, has been discussed by a wide variety
of writers over no less a time than six decades. Hitchens' unique discovery
is thus nothing but a hollow boast, one based equally upon arrogance and
ignorance. I will not say that nobody has praised Christopher Hitchens for
his modesty. But I doubt if many people have.

Paul Flewers






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