New Yorker Magazine, 03/24/2003

THE HISTORICAL ROMANCE
by LOUIS MENAND
Edmund Wilson’s adventure with Communism.

The idea for "To the Finland Station" came to Edmund Wilson while he was 
walking down a street in the East Fifties one day, in the depths of the 
Great Depression. Wilson was in his late thirties. He had established 
himself as a critic and reporter with the publication of "Axel’s 
Castle," a study of modernist writers, in 1931, and "The American 
Jitters," a collection of pieces based on visits he made to mines and 
factories, in 1932. His ambition, though, was to write a novel. (An 
early effort, "I Thought of Daisy," had appeared in 1929; it was not a 
success.) So he was a little surprised to find himself contemplating an 
ambitious history of socialist and communist thought, from the French 
Revolution to the Russian Revolution. But he plainly saw something 
novelistic in the subject. "I found myself excited by the challenge," he 
said later, "and there rang through my head the words of Dedalus at the 
end of Joyce’s 'Portrait'"—"I go to encounter for the millionth time the 
reality of experience and to forge in the smithy of my soul the 
uncreated conscience of my race." He took the title from a novel, 
Virginia Woolf's "To the Lighthouse."

Wilson had been witness to the condition of workers in Appalachia and 
Detroit—after bringing relief supplies to striking miners in Pineville, 
Kentucky, he was run out of town by the local authorities—and although 
he was suspicious of the Communist Party, he welcomed the Crash as a 
portent of the death of capitalism, and he embraced Marxism. He voted 
for the Communist candidate, William Z. Foster, in the 1932 presidential 
election; the same year, he signed a manifesto calling for "a temporary 
dictatorship of the class-conscious workers." He was never a Communist, 
but he did believe that only the Communists were genuinely trying to 
help the working class. In 1935, after he began work on "To the Finland 
Station," he tried to persuade his friend John Dos Passos, whose 
radicalism had begun to cool, that Stalin was a true Marxist, "working 
for socialism in Russia."

full: http://www.newyorker.com/critics/atlarge/?030324crat_atlarge


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