[MCN-L] IP SIG: Open Position- Harvard U Art Musuems Rights and Licensing Specialist

1970-01-09 Thread David Sturtevant
With apologies for cross-posting, please see the job announcement below:


http://jobs.harvard.edu/jobs/summ_req?in_post_id=32348



Requisition Number  28846
Title   Coordinator (Rights and Licensing Specialist)
School / Unit   Art Museums
Department  Digital Imaging  Visual Resources
LocationCambridge
Full Or Part Time   Full-Time
Hours Per Week  35
Days And Hours  Monday 9:00 AM - 5:00 PM
Tuesday 9:00 AM - 5:00 PM
Wednesday 9:00 AM - 5:00 PM
Thursday 9:00 AM - 5:00 PM
Friday 9:00 AM - 5:00 PM
Days OffSunday
Saturday
Salary Grade055
Union   HUCTW

Eligible for Overtime
Date Posted 01/04/2007

Duties And Responsibilities Responsible for administrative duties of 
the Digital Imaging  Visual Resources Department. Serve as primary 
contact for external requests for images from the HUAM collections. 
Assess customer needs, determine and collect appropriate fees. Work with 
curatorial departments to approve reproduction and publishing 
permissions. Monitor compliance of agreements between HUAM and outside 
clients. Coordinate and manage rights and licensing policy for 
publication of images. Monitor changes to copyright laws, revise 
contracts and copyright forms, and negotiate licensing of HUAM images. 
Acquire copyright permission agreements for permanent object records. 
Serve as primary contact for outside licensing agreements and assist in 
the development of new agreements. Maintain collection of film archive 
including negatives, transparencies and slides including filing, 
labeling, database entry and housing (until archive is removed) and work 
with online repository of images. May oversee work of support staff, 
students, and temporary workers.

Required Education, Experience and Skills   Basic Requirements: BA 
degree; 5+ years of related experience, especially administrative and 
project management experience. Additional requirements: understanding of 
copyright law related to museums; knowledge of art and art history; 
familiarity with photography and digital imaging; competency with 
computer applications, including FileMaker Pro; excellent communication 
skills; meticulous organizational skills; ability to multitask, 
prioritize, and complete tasks in a timely manner; must be able to work 
independently and without supervision.

*Required Screening *   Harvard University requires pre-employment 
reference and background screening.

Harvard University is an Affirmative Action/Equal Opportunity Employer.




[MCN-L] IP SIG: Princeton Univ./Microsoft IP conference webcast

1970-01-09 Thread Diane M. Zorich
Although this IP conference (sponsored by Princeton University's 
Center for Arts and Cultural Policy Studies) took place many months 
ago, I just stumbled upon the webcast.  For those interested, see:

http://www.princeton.edu/~pumipc/panels.shtml


Several sessions are relevant for MCN folk, among them:

- Larry Lessig's presentation on the read/write culture in the Keynote Panel
- Compulsory Licensing:  A Solution to Multiple-rights-induced 
Gridlock? (Panel 3b)
- The Construction of Authorship (Panel 1b)
- Tacit Knowledge and the Pragmatics of Creative Work:  Can IP Law 
Keep Up?  (Panel 2b) (I particularly recommend Jessica Litman's 
presentation in this panel)

Diane


-- 
Diane M. Zorich
Information Management Services for Cultural Organizations
113 Gallup Road
Princeton, NJ 08542 USA
Voice: 609-252-1606
Fax: 609-252-1607
Email:  dzorich at mindspring.com



[MCN-L] CAL SIG: Workshop in LA and Conference in Berkeley

1970-01-09 Thread Kendrick, Margaret
A couple items of interest...

ROUND TABLE WORKSHOP FOR EMERGING PROFESSIONALS TO BE HELD FEBRUARY 27
IN LOS ANGELES
The Young and Emerging Professionals Round Table will be held from
9:30-12:00 on February 27th at the California Association of Nonprofits'
offices in Downtown Los Angeles. This Round Table, titled Connecting the
Next Generation, will discuss the challenges facing young and emerging
professionals. Emerging professionals in the nonprofit sector are
encouraged to take advantage of this excellent networking opportunity to
develop strong social and professional contacts. This event will be the
first of several meetings held throughout the year. Continental
breakfast will be provided. Registration is free of charge, but space is
limited. To register, please send an email entitled Emerging
Professionals Round Table to Suling Miller at smiller at canonprofits.org
or by phone at (213) 347-2070, ext. 205.

SAVE THE DATE! 2007 STATE OF THE ARTS CONFERENCE, MAY 18-19
The University of California Institute for Research in the Arts (UCIRA)
is pleased to announce the second annual State of the Arts Conference,
to be held May 18-19 at the Berkeley Art Museum and Pacific Film Archive
on the UC Berkeley Campus. This year's conference will focus on new
media arts and consider their impact on the research functions and
modalities of arts practice. The conference will also explore the
digital mediation of performance, space, sound, and other experiences,
and will showcase faculty and graduate student research projects that
exemplify interdisciplinary and intermedia arts practices. For more
information, visit http://www.ucira.ucsb.edu/conference

 

Margaret Kendrick

Documentation Specialist

Collections Information  Access

SFMOMA

(415) 538-2681

mkendrick at sfmoma.org

 


The information contained in this electronic mail message (including any 
attachments) is confidential information that may be covered by the Electronic 
Communications Privacy Act, 18 USC Sections 2510-2521, intended only for the 
use of the individual or entity named above, and may be privileged.  If the 
reader of this message is not the intended recipient, you are hereby notified 
that any dissemination, distribution, or copying of this communication, or the 
taking of any action based on it, is strictly prohibited.  If you have received 
this communication in error, please immediately notify me and delete the 
original message.  Thank you




[MCN-L] Photo Management Methods

1970-01-09 Thread Janet Manahan
Alyssa:

We conducted a similar search to solve many of your same problems.  We were in 
the process of purchasing TMS (The Museum System) for collections management 
and discovered that the same company has a product, TMS Light, that we have 
found to be quite suitable.  We have developed protocols to maintain 
consistency throughout the organization, and, although still in the initial 
phase of entering data-this system is handling the images very well.

Janet

Janet S. Manahan | Assistant to the Director
Worcester Art Museum | 55 Salisbury Street | Worcester, MA  01609
T: 508-799-4406 | F: 508-793-4403 | E: janetmanahan at worcesterart.org

 -Original Message-
From:   mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu]  On Behalf Of 
Alyssa Rosso
Sent:   Thursday, February 01, 2007 2:52 PM
To: mcn-l at mcn.edu
Subject:[MCN-L] Photo Management Methods

We are undergoing the process of managing our images and photos
throughout the organization. In addition to digitally cataloguing our
museum's collection, we are also looking to organize all of the museum's
photography. This includes publicity images of the museum, visitors, and
exhibitions for the communications, development, and education
departments as well.

 

Right now we run into the problem of images being separated from their
photo captions. Images of traveling exhibitions are being duplicated
throughout departments, which takes up space on the server. Sometimes
the images are altered in ways that are inconsistent with our lending
contracts so we need a way to preserve them. We have no consistent or
centralized filing system or naming convention throughout the entire
organization.  

 

I hoping to know what has worked for other organizations. Do you have
standard photo storage requirements that you use throughout the
organization? What are they? What about photo management software such
as Cumulus? What are the pros and cons of that? 

 

Thanks! I look forward to receiving your feedback.

 

Alyssa

 

---

Alyssa Rosso
Public Relations Coordinator
TACOMA ART MUSEUM
1701 Pacific Avenue
Tacoma, Washington 98402
T: 253.272.4258 x3002
F: 253.627.1898
www.TacomaArtMuseum.org

Become a Member http://www.tacomaartmuseum.org/page.asp?view=190
Today!

 

 

 

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[MCN-L] conference presentations

1970-01-09 Thread Deborah Wythe
There's been a discussion on the TMS listserv about managing digital images 
and I wanted to point them to the Psasdena conference presentations that 
were posted on the MCN website. I know they're there, I remember the 
announcement and seeing them, but darned if I can find them on the site. 
Help!

Thanks,
Deb Wythe



Deborah Wythe
Head, Digital Collections and Services
Brooklyn Museum
200 Eastern Parkway
Brooklyn, NY 11238
tel: 718 501 6311
fax: 718 501 6145
deborahwythe at hotmail.com

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[MCN-L] conference presentations

1970-01-09 Thread Kendrick, Margaret
Here's the link to the Conference Sessions pages for Pasadena:
http://www.mcn.edu/conferences/index.asp?subkey=1227

For future reference, go to PAST CONFERENCES under CONFERENCES in the
main navigation bar. From there you can link to the web pages from
previous conferences. The presentations are linked following each
abstract in the daily schedules.

-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Deborah Wythe
Sent: Thursday, February 01, 2007 1:28 PM
To: mcn-l at mcn.edu
Subject: [MCN-L] conference presentations

There's been a discussion on the TMS listserv about managing digital
images 
and I wanted to point them to the Psasdena conference presentations that

were posted on the MCN website. I know they're there, I remember the 
announcement and seeing them, but darned if I can find them on the site.

Help!

Thanks,
Deb Wythe



Deborah Wythe
Head, Digital Collections and Services
Brooklyn Museum
200 Eastern Parkway
Brooklyn, NY 11238
tel: 718 501 6311
fax: 718 501 6145
deborahwythe at hotmail.com

_
Laugh, share and connect with Windows Live Messenger 
http://clk.atdmt.com/MSN/go/msnnkwme002001msn/direct/01/?href=http:/
/imagine-msn.com/messenger/launch80/default.aspx?locale=en-ussource=hmt
agline

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The information contained in this electronic mail message (including any 
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Communications Privacy Act, 18 USC Sections 2510-2521, intended only for the 
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that any dissemination, distribution, or copying of this communication, or the 
taking of any action based on it, is strictly prohibited.  If you have received 
this communication in error, please immediately notify me and delete the 
original message.  Thank you




[MCN-L] conference presentations

1970-01-09 Thread Rob Lancefield
Hi Deb and all,

Links to all Pasadena papers that were received from speakers are on 
the three daily conference-session pages. Links to those pages may be 
found here:

http://www.mcn.edu/conferences/index.asp?subkey=1227

An interesting usability moment here, it seems. One path to this is:

Conferences  Past Conferences  MCN 2006 Pasadena  MCN 2006 | Sessions

But this is not especially intuitive. There's now a note on the Past 
Conferences page that may help lead inquiring minds in the right 
direction.

cheers,
Rob

At 4:27 PM -0500 2/1/07, you wrote:
There's been a discussion on the TMS listserv about managing digital images
and I wanted to point them to the Psasdena conference presentations that
were posted on the MCN website. I know they're there, I remember the
announcement and seeing them, but darned if I can find them on the site.
Help!

Thanks,
Deb Wythe



Deborah Wythe
Head, Digital Collections and Services
Brooklyn Museum
200 Eastern Parkway
Brooklyn, NY 11238
tel: 718 501 6311
fax: 718 501 6145
deborahwythe at hotmail.com

_
Laugh, share and connect with Windows Live Messenger
http://clk.atdmt.com/MSN/go/msnnkwme002001msn/direct/01/?href=http://imagine-msn.com/messenger/launch80/default.aspx?locale=en-ussource=hmtagline

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-- 
_
Rob Lancefield  rlancefield [at] wesleyan.edu
Manager of Museum Information Services / Registrar of Collections
Davison Art Center, Wesleyan University  www.wesleyan.edu/dac
301 High Street, Middletown CT 06459 USAtel. 860.685.2965
Board of Directors, Museum Computer Network   www.mcn.edu



[MCN-L] Sound clip database on a Mac

1970-01-09 Thread Ari Davidow
Hi Rachel,

There are at least two good Macintosh solutions: either use FileMaker or
MySQL. In either case, you probably don't want to store the binaries of the
oral histories in the database. Although I can see circumstances where it
might make sense, as a general rule life will be saner if you keep the
actual sound files in your file system. So, your database needs only be a
place to track the metadata--preservation info, who recorded what with whom
where using what technology and where the binary(ies) are. Others may be
able to suggest specific templates/table designs+interfaces that provide
affordances for good audio file managements; else you would need to write
your own (which it sounds like you're planning to do).

In the case of the oral history files, themselves, you want to store both
the highest-resolution native format you can get at, plus the mp3 (or mov or
whatever) you are using for access. Remember, of course, that tape is not an
archival format, so it is critical to store the files digitally (if not born
digitally on one of the new devices such as the Marantz PDM660--and if born
digital, they want to be saved in PCM, not MP3 format so that mp3 can be
treated as an auxiliary format, not the primary format), and to back them
up/replicate them appropriately.

Hope this helps,
Ari

On 1/31/07, Rachel Wormsbecher rachelwormsbecher at hotmail.com wrote:




 Hi everyone.  This is my first posting...I hope it works.

 Anyway, I need to build a database for a collection of oral histories that
 are being stored  on a Mac.  All I know how to use is Microsoft Access.  Can
 anyone suggest a common database program for Macs that hold sound files
 well?





[MCN-L] Sound clip database on a Mac

1970-01-09 Thread Stephen C Brown
We also use  FileMaker Pro on Macs for databases that point to audio and
image files held separately.
Stephen
Professor Stephen Brown
Director, Knowledge Media Design
De Montfort University
Portland 2.3a
The Gateway
Leicester LE1 9BH
UK

Tel +44 (0)116 257 7173
Fax +44(0) 116 250 6101
mob +44 (0)7989 948230
http://kmd.dmu.ac.uk


-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
David Lynx
Sent: 31 January 2007 22:03
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Sound clip database on a Mac


I agree with Janice.. Filemaker would be the best.  I have been using
iTunes on Mac to for compressing MP3's to use in podcasts etc. Haven't
yet tried to see if the MP3 would store in Filemaker, but I bet it
would..  I have stored both sound and Quicktime clips in Mac just fine.
I use Filemaker Developer with the Kiosk solution out in the galleries
quite a bit. I store television clips, etc. for visitors to peruse.
David Lynx 
On 1/31/07 8:50 AM, Janice Klein jklein at kendall.edu wrote:

 I would highly recommend FileMaker Pro for the pure database aspect
of the
 project.   You can link your sound files via an appropriate address
field
 (in olden days I did that with urls for images).   FMP is versatile,
easy to
 learn, easy to adapt and cross platform so that you can translate your

 FMP skills to a PC (should you ever want to make that change).
 
 janice
 
 Janice Klein
 Executive Director
 Mitchell Museum of the American Indian jklein at mitchellmuseum.org
 www.mitchellmuseum.org
 
 
 -Original Message-
 From: mcn-l-bounces at mcn.edu [mailto:mcn-l-bounces at mcn.edu]On Behalf Of

 Rachel Wormsbecher
 Sent: Wednesday, January 31, 2007 9:13 AM
 To: Museum Computer Network Listserv
 Subject: [MCN-L] Sound clip database on a Mac
 
 
 
 
 
 Hi everyone.  This is my first posting...I hope it works.
 
 Anyway, I need to build a database for a collection of oral histories 
 that are being stored  on a Mac.  All I know how to use is Microsoft 
 Access.  Can anyone suggest a common database program for Macs that 
 hold sound files well?
 
 Thanks,
 
 Rachel from Toronto. 
 _
 Be one of the first to try Windows Live Mail. 
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 0e-491
 1fb2b2e6d
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-
David Lynx, Curator of Education  Technology
Yakima Valley Museum (509)248-0747
www.yakimavalleymuseum.org


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[MCN-L] programmer salaries

1970-01-09 Thread Ari Davidow
We're having a bit of an argument here about appropriate salaries for
programming staff. We are considering hiring our first developer. The
internal argument goes something like, this person is just out of school
and we can't pay him as much as someone with a Masters - ie, we can't pay
as much as we pay our starting humanities graduates. The reality is that we
could then be offering someone in the very low $30k range, which is, by my
quick glance at Boston salaries, about 10k  (or more) lower than such people
get outside of our field.

For those people who have hired staff developers, what do you pay for what
skills at what level? -- I imagine paying less for PHP developers than Java
developers, for instance. Where are there some salary tables that I can look
at to get a sense of what an expensive city (Boston) pays for these skills
in the non-profit world (recognizing that most non-profits do not hire staff
developers).

ari



[MCN-L] IP SIG: Why Your e-Books Are Not Yours

1970-01-09 Thread Amalyah Keshet
From Slashdot:

http://yro.slashdot.org/article.pl?sid=08/03/22/2150244from=rss

...when you buy content for Amazon's Kindle or the Sony Reader, are you 
buying a crippled license to intellectual property when you download, or are 
you buying a book? If the latter, then the first sale doctrine, which lets you 
hawk your old Harry Potter hardcovers on eBay, would apply. Some law students 
at Columbia took a swing at the question and Gizmodo reprints the surprisingly 
readable legal summary. Short answer: those restrictive licenses may very well 
be legal, and even if you had rights under the first sale doctrine, you might 
only be able to resell or give away your Kindle --  not a copy of the work.

The article on Gizmodo:

http://gizmodo.com/369235/amazon-kindle-and-sony-reader-locked-up-why-your-books-are-no-longer-yours





Amalyah Keshet
Head of Image Resources  Copyright Management
The Israel Museum, Jerusalem  akeshet at imj.org.il
Chair, MCN IP SIG   www.mcn.edu
Blog  www.musematic.net