Hi Stacey,
I've been eagerly awaiting the flood of responses to this query; surely this is 
exactly the sort of thing MCN members are supposed to have some experience 
with! Maybe others hesitate to respond, as I have, because it is not so easy to 
give an account of our experience that sounds like we had any idea what we were 
getting into when we started and implemented our projects.
 
In our case, we faced a far more modest project and yet could not fully get our 
brains around all of the implications and imperatives for image standards, 
workflow, staffing, storage, access, preservation, metadata, and so on. Maybe 
that was a good thing because had we really known what lay ahead, we might have 
given up in despair.
 
We did our project by jumping in and finding out, by doing, what the issues 
were. Our image standards changed as our equipment improved, as we scrounged 
the necessary funds. As our image standards changed so too our understanding of 
our storage requirements changed. The workflow has morphed at least 4 times. 
For five years we have been just barely staying ahead of the storage space 
limit. By handling storage incrementally we have probably saved money, as 
storage has gotten cheaper year after year. However this has not been kind to 
our stress levels and has perhaps kept us from considering alternative 
approaches. When we started it seemed that the paradigm was offline storage of 
master image files on CD, and live storage of derivative images for access by 
staff and public. Now just a few years later CDs are shunned, and more and more 
of us are storing master images on live servers and in some cases using DAMS to 
create "on-the-fly" derivatives for access. Now there is another delivery 
format in the mix, jpeg2000, which no one was thinking of using when we 
started. In sum, the landscape is ever-changing and it seems one can never 
quite settle into a system permanently. Perhaps that argues for a more 
open-ended, make-it-up-as-you-go approach, or maybe making plans in 3 year or 5 
year cycles.
 
At my institution, unlike yours by the sound of it, the administration was not 
fully sold on the value of the project and would certainly have flinched at any 
truly sober projection of the actual costs, had we even been able to come up 
with it. We had to demonstrate bit by bit that the project was valuable and 
doable and fundable (barely). Whether it is truly sustainable is still an open 
question, frankly, though I probably should not be admitting that in public!
 
I'd love it if others would chime in here.
 
Will
________________________________

From: mcn-l-boun...@mcn.edu on behalf of Stacey Herbert
Sent: Wed 1/17/2007 7:44
To: Museum Computer Network Listserv
Subject: [MCN-L] Query: estimating storage for digital collections



Hello All,

I'm looking for some advice on estimating storage needs for a large-
scale digital imaging project for the Chester Beatty Library and 
Museum. The aim is a comprehensive, archival-quality digital 
collection of the holdings. (We do not need to plan for extensive, 
ongoing acquisitions). The collection is made up of a very wide 
variety of materials, from papyri, illuminated manuscripts, codices 
and scrolls, to textiles and other decorative art objects. The 
objects themselves also vary greatly in size. My initial, gross 
estimation suggests that the completed digital collection could 
consist of 750,000-1,000,000 images. If anyone is interested, I could 
supply additional estimated details.

I would benefit from hearing about others' experience: how you have 
projected and planned for growth; whether you have sought complete 
storage solutions from vendors (at the outset of the project, or down 
the road); how closely your estimates matched actual needs, etc. We 
are nearly starting from scratch here, in terms of creating a digital 
collection, so we have lots of options.

Many thanks in advance,

Stacey Herbert



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