Yet another worthwhile copyright event in New York -- and another request
that anyone who attends report to the MCN IP constituency.
Amalyah Keshet
Chair, MCN IP SIG
--
As you know, the College Art Association Annual Conference takes place
next
week in New York City, at the Hilton Hotel, 6th Avenue at 53rd Street.
I want to call your attention to a number of sessions and events (see
below=
)
that address questions of art and image copyrights and uses, publishing,
an=
d
other related issues. This year we have an exceptionally rich roster of
suc=
h
sessions. I attach a list of them, with times and locations.
For those of you who do not normally attend the CAA Conference,
information
about it is available here: http://conference.collegeart.org/2007/
Includin=
g
a complete roster of conference sessions and other events. Single-day
passe=
s
are available.
Please note that Reexamining Appropriation, Part I has been moved
offsite
and will take place at the New York City Bar Association on 44th Street.
Please see the flyer below. This panel will be of exceptional interest,
and
includes the Hon. Pierre Leval, of the US Court of Appeals 2nd Circuit.
*This event is open to the public, free of charge. *(The information in the
published conference program is incorrect.)
Best regards,
Eve Sinaiko
Director of Publications
College Art Association
CAA Sessions on Art Publishing
Thursday, Feb. 15, 5:30 =96 7:00 pm
A Plea for Leniency: Image Rights and Fees for
Scholarly Publications
Gibson Room, 2nd floor, Hilton New York
Chair: Inge Reist, Frick Art Reference Library, Association
of Research Institutes in Art History
Architectural History Online: The Challenges of Digital Research and
Publication
Petit Trianon, 3rd floor, Hilton New York
Chair: Hilary Ballon, Columbia University, Society of Architectural
Historians
Friday, Feb. 16, 10:00 am =96 12:30 pm
Reexamining Appropriation: The Copy, the Law,
and Beyond, Part I
New York City Bar Association Great Hall
42 W. 44th Street
Chairs: Martha Buskirk, Montserrat College of Art;
Virginia Rutledge, Cravath, Swaine Moore LLP
The Hon. Pierre N. Leval, United States Court of Appeals
for the Second Circuit
Inappropriate? Copying in the Renaissance, Lisa Pon, Meadows School of the
Arts, SMU
The Reign of the Quotation=97Appropriation and Its
Audience, Johanna Burton, Princeton University
From Appropriation to Postproduction, Jaimey Hamilton, University of
Hawai'i, Manoa
William Patry, Google
Friday, Feb. 16, 12:30 =96 2:00 pm
Fair Use in the Trenches: When to Seek Permission and
When Not To
Gramercy B, 2nd floor, Hilton New York
Chair: David Green, Knowledge Culture, CAA Committee
on Intellectual Property
Fair Use: Lessons from the Past to Help with Present Decisions, Siva
Vaidhyanathan, New York University
Legal Perspectives, Gretchen Wagner, ARTstor
Fair Use and Visual Resource Collections, Benjamin
Kessler, visual resources professional, Chicago
Friday, Feb. 16, 5:30 =96 7:00 pm
The Qualities of Enduring Art Publications
Gramercy B, 2nd floor, Hilton New York
Chair: Susan Chun, Metropolitan Museum of Art, Art Libraries Association
of
North America
Kraig Binkowski, Yale Center for British Art
Max Marmor, ARTstor
Sharon Helgason Gallagher, Distributed Art Publishers
Saturday, Feb. 17, 9:30 am =96 noon
Art Catalogues Then and Now
Nassau Suite, 2nd floor, Hilton New York
Chairs: Susan F. Rossen, Art Institute of Chicago; Martha M. Ward,
University of Chicago, Association of Art Editors
Saturday, Feb. 17, 12:30 =96 2:00 pm
Issues in Art History Publishing
Gramercy B, 2nd floor, Hilton New York
Chairs: Catherine Soussloff, University of California, Santa Cruz; William
Tronzo, Stanford Humanities Center, CAA Publications Committee
Mari=EBt Westermann, Institute of Fine Arts, NYU
Susan Bielstein, University of Chicago Press
Patricia Rubin, Courtauld Institute of Art
Saturday, Feb. 17, 2:30 =96 5:00 pm
Reexamining Appropriation: The Copy, the Law, and
Beyond, Part II
Beekman Parlor, 2nd floor, Hilton New York
Chairs: Martha Buskirk, Montserrat College of Art; Virginia Rutledge,
Cravath, Swaine Moore LLP
Stopped Making Sense: Appropriation as a 1970s Social Phenomenon
Sarah Evans, Cornell University
The Problematic of the Signature: Reexamining Appropriation in
Contemporary
Indigenous Art and Cultural Heritage, Tressa Berman, San Francisco Art
Institute
Art Appropriation and Identity
Sharon Matt Atkins, Currier Museum of Art
Art and Activism: The Xingwei of Wang Hai and Zhao Bandi
Winnie Wong, Massachusetts Institute of Technology
Discussant: Arindam Dutta
_
Reexamining Appropriation: The Copy, the Law, and Beyond
Friday, February 16, 10:00 am - 12:30 pm
New York City Bar Association
Great Hall
42 W. 44th Street
(between 5th and 6th Avenues)
A discussion of
