[MCN-L] A perfect season to support MCN

2010-12-16 Thread Hegley, Douglas
Dear MCN-L Subscribers,

Many of us find MCN-L to be a great source of information essential to our 
daily work, a place to get quick answers to our questions, and a great means of 
keeping up with our ever-changing professional worlds.

As the year draws to a close, we hope you will choose to help support this 
valuable resource. The Museum Computer Network offers MCN-L as a service to our 
entire community. If you find it to be useful, we encourage you to:

* If you are not currently a member, strengthen your connection to MCN by 
becoming one today: http://mcn.edu/join
* and/or, donate to MCN any amount you wish at http://mcn.edu/donate

Your fully tax-deductible donation to MCN - a 501(c)(3) not-for-profit 
organization - will help us continue to provide MCN-L and everything else MCN. 
You'll receive an email receipt for your tax records, plus the satisfaction of 
being an MCN-L supporter!

Thank you for your continuing support of our thriving community,
Douglas Hegley, President, MCN





[MCN-L] Job Opening: Web Developer at the Metropolitan

2010-07-27 Thread Hegley, Douglas
The Metropolitan Museum of Art is hiring a full-time Associate Web Developer.

General Description:
The Associate Web Developer assists in the ongoing maintenance and enhancement 
of the Museum web site. This position will be responsible for much of the 
programming related to the Web site's front-end interface, including 
programming new online features and front-end functionality, working with 
designers to develop new design templates, and handling updates to existing 
pages or features as needed. This position requires great attention to detail, 
as well as the willingness and ability to meet project timelines.

Primary Responsibilities and Duties:
* Primary focus will be on front-end development with some back-end work
* Complete HTML, XHTML, ASP and ASP.NET production of various new features
* Ensure cross-platform optimization for new and existing web projects
* Establish and enforce coding standards to maximize efficiency of page 
maintainability
* Provide accurate and realistic estimates for completion of assigned projects 
and tasks
* Strive to meet project timelines
* Other related duties

Experience and Skills:
* Extremely detail-oriented individual with at least 2 - 3 years experience in 
a collaborative,
* fast-paced, Web production environment
* Experience with ASP.NET 2.0, 3.5
* Experience with ASP.NET MVC
* Experience with XML and XSLT
* Experience with Photoshop and issues related to digital imaging
* Experience with JavaScript
* Experience with AJAX
* Experience with SQL
* Familiarity with Umbraco
* Excellent communication skills
* Proficient use of the English language, both in written and oral form
* Ability to work in a collaborative environment

Knowledge and Education:
* Interest in, knowledge of, and enthusiasm for the Internet and related 
technologies.
* Interest in photography, art, or art history preferred.
* Experience with or knowledge of .NET-based content management systems
* Knowledge of and passion for user interface design
* Experience with or knowledge of Silverlight and/or Flash

Please send cover letter, resume, and salary history to employoppty at 
metmuseum.orgmailto:employoppty at metmuseum.org as Word attachments with the 
position title in the subject line. You will be contacted if your 
qualifications are appropriate for the open position.

The Metropolitan Museum of Art provides equal opportunity to all employees and 
applicants for employment without regard to race, color, religion, creed, sex, 
sexual orientation, national origin, ancestry, age, mental or physical 
disability, pregnancy, alienage or citizenship status, marital status or 
domestic partner status, genetic information, genetic predisposition or carrier 
status, gender identity, HIV status, military status and any other category 
protected by law in all employment decisions, including but not limited to 
recruitment, hiring, compensation, training and apprenticeship, promotion, 
upgrading, demotion, downgrading, transfer, layoff and termination, and all 
other terms and conditions of employment.



Douglas Hegley
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
212-650-2931
douglas.hegley at metmuseum.orgmailto:douglas.hegley at metmuseum.org






[MCN-L] MCN 2009 and the SIG Pub Crawls

2009-10-26 Thread Hegley, Douglas
Special Interest Groups (SIGs) and MCN

Within MCN, the SIGs are smaller groups made up of members with shared 
interests. Anyone (experts, novices, and anyone in-between) with an interest in 
the topic of a SIG is invited to become a part of the group. SIGs provide all 
members with opportunities for learning, leading, and sharing. A list of 
current SIGs can be found here: http://www.mcn.edu/groups/

At this year's MCN Conference in 
Portlandhttp://www.mcn.edu/conferences/index.asp, there will be many 
opportunities to meet SIG Chairs  and members to learn more about each group. 
The SIGs sponsor and/or conduct conference sessions, provide topics for the new 
members breakfast, and this year will be leading the way on Friday night with a 
Pub crawl that will allow you to meet and talk with SIG members in a fun and 
informal atmosphere. Don't miss this great evening event!

We look forward to seeing you in Portland and to helping you connect with 
like-minded professional colleagues.


Douglas Hegley
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
212-650-2931
douglas.hegley at metmuseum.orgmailto:douglas.hegley at metmuseum.org






[MCN-L] Spam, Spam Glorious Spam

2008-01-25 Thread Hegley, Douglas
Postini is great, although typically a bit pricey. Compare it to ProofPoint, we 
have had tremendous success with that solution (after comparison testing with 
several top of the line alternatives).
Have a good weekend.
Douglas

Douglas Hegley
The Metropolitan Museum of Art
Sent from my GoodLink synchronized handheld (www.good.com)


 -Original Message-
From:   Holly Witchey [mailto:hwitc...@clevelandart.org]
Sent:   Friday, January 25, 2008 02:49 PM Eastern Standard Time
To: Museum Computer Network Listserv
Cc: Tom Hood
Subject:[MCN-L] Spam, Spam Glorious Spam

 
This inquiry from our network manager here at the CMA.  Anybody got any
good solutions for curing the spam problem?  We are getting spam slammed
in a huge way.  Any and all suggestions will be thoughtfully received
and the provider of the best answer will receive (in addition to our
eternal gratitude) a round of drinks in D.C. at MCN 2008.
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Vendors for Archival Digitization Projects

2006-01-30 Thread Hegley, Douglas



I assume 
that many of us are increasingly involved with projects that require the 
digitization of analog formats for archival purposes, typically including the 
need to provide at least some cataloguingfor each asset. 


My 
question to the list: Has anyone found a vendor with whom they have been 
able to work successfully on such projects? I am most-interested in the 
following:
- 
consistent quality of the digitization efforts
- 
quality and accuracy of the attendant cataloguing
- 
quality of the project management skills of the vendor
- 
costs

(In 
brief, the next project on the table here is relatively straightforward: 
scanning paper records - index cards from a large card-catalog - keying in 
catalog information to identify each new digital asset,delivering the 
project on-time and on-budget).

While 
Iunderstand that most of us are unable by policyto "endorse" 
particular vendors, I am still interested in a few leads so that I 
candescribe the project to a few vendorsand then evaluate their 
proposed solutions.

Thank 
you,
Douglas 
Hegley The Metropolitan 
Museum of Art 1000 Fifth 
Avenue New York, NY 
10028 212.650.2931 douglas.heg...@metmuseum.org .com 
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Re: Electronic signs

2005-06-08 Thread Hegley, Douglas
At The Metropolitan Museum of Art, we are evaluating systems as we prepare for 
a massive re-installation in our new Education center.  The planned interactive 
signage will cover daily events, works of art on view, concerts, lectures, 
classroom activities, etc. etc.
The system will likely include:
- LCD flat panels and projectors, multiple installations (at least 30, perhaps 
two or three times as many)
- ability to display same, or unique, information on every display
- Broadcast/scheduling system, with capacity to be driven dynamically 
(interactive) and integrate with our backend systems (front runner right now is 
Infochannel by Scala)
- Platform: Microsoft OS, Microsoft SQL
- Infrastructure: Ethernet
- Signs would be operated by players, each player is a PC (probably 
rack-mounted in climate-controlled room, but TBD)
- Content: we will be integrating several disparate systems, luckily most are 
already MS-SQL backed, including: TMS, group visit data (currently in VISTA), 
events information (currently in Tessitura), and Daily Events (currently merely 
a document posted in Sharepoint, will need to revisit this one).
If successful in the new Uris Education Center, this signage system may be 
expanded as appropriate, first to other main entrance points, eventually into 
more spaces.
We are continuing to work on the technical specifications, and would be 
interested to hear from other museums and cultural institutions who have been 
working/researching in this space.

Douglas Hegley
Information Systems and Technology
Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
212-650-2931
douglas.heg...@metmuseum.org


-Original Message-
From: Weinstein, William [mailto:wweinst...@philamuseum.org]
Sent: Wednesday, June 08, 2005 10:47 AM
To: mcn-l@mcn.edu
Subject: Electronic signs


We are looking into renovations of our information desk and want to explore
the possibility of using electronic signs for visitor information, tours,
lectures, etc.  We have grand plans that include creating a sign that will
require multiple monitors and we would eventually like this information to
be available in multiple locations.  

At this stage I would be interested in anyone's experience in developing
this type of system.  What hardware and software was used.  What
infrastructure issues needed to be addressed.  What existing content
resources were used or developed to provide the information sources for the
signs.   You all get the idea.

Thanks,

Bill



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