Re: [MBZ] The death of high fidelity

2007-12-31 Thread Chris Lane
All this talk of clipping tubes and solid state amps makes me think of the
many experiments performed at the music store I worked at a while back.  Of
course we had to try every piece of gear out to make sure that it worked.
Guitars, amps, speakers, whatever.  There are companies making very complex,
very high-end gear.  I always found it amusing when people would come in
looking for a pedal to give them a specific sound.  At the time I was there
Rage Against the Machine was very popular, and a lot of the young kids would
ask what pedal he used to get his distortion.  I had to tell them that he
just turned up a tube amp.  At which point I got the strangest look from all
the 13 year olds wanting to sound like Tim C.  The only way to explain was
to crank up a tube amp, and play the crap out of it.  A lot of what is being
done now is refining what was done in the 60's with tube amps.  Speaker
cabinet design has been using old ideas as well.  There is a company making
transmission line enclosures as bass guitar amps.  They are supposed to be
flat.  I didn't have any way to test that, but they were very good for
certain kinds of rigs, and handled TONS of power.  I had 1600 watts RMS
through a cab rated at 400 RMS.
As for a hybrid designs using tube pre-amps and solid state power, they can
be very good sounding.  It still isn't the same sound as having power amp
tubes to drive to clipping.  But in most situations the only person that
will notice is the person playing through it.  If they even hear it at all.
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Tom Hargrave
I know the controllers.

It's amazing how far storage has come. When I bought my ST225, it was huge
at 20 MB (not 20 GB, for those who have not been involved in computers very
long). Then I upgraded to a full height 40 MB ST251!

My every day use cheap camera has a 512 MB Sandisk memory card, not at all
large by today's standards!

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Mitch Haley
Sent: Sunday, December 30, 2007 7:29 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity



Tom Hargrave wrote:
> 
> You still have a functioning Seagate ST 225 & Seagate 251??? 

Hmm, I haven't tried to boot up the old 286 in a while, like maybe
8 years. Whole system worked fine in 1999, most of the parts were
12-15 years old then. 
I've got one of those extended slot (pre-pci) controllers so I can't
try to run them in a modern computer. 

Mitch.

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Mitch Haley


Tom Hargrave wrote:
> 
> You still have a functioning Seagate ST 225 & Seagate 251??? 

Hmm, I haven't tried to boot up the old 286 in a while, like maybe
8 years. Whole system worked fine in 1999, most of the parts were
12-15 years old then. 
I've got one of those extended slot (pre-pci) controllers so I can't
try to run them in a modern computer. 

Mitch.

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Tom Hargrave
You still have a functioning Seagate ST 225 & Seagate 251??? I had one of
each with a Winchester drive controller. They made controllers for the
smaller drives too, not just the large platter drives.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Mitch Haley
Sent: Sunday, December 30, 2007 12:47 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

OK Don wrote:
> 
> I traded a C220 with lens for my first hard drive - an ST225.

I've got a 225 or two if you want to trade another Mamiya for it. 
Also have the 40mb, I think it's a ST251.
I believe my Dad still has a Winchester disk pack laying around,
the platters are almost as big as LPs. 
Mitch.

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread John M McIntosh
Ah, mmm I'm sure there must be a bottle of fixer buried in the  
basement storage I can go breath.

Speaking of billboards, 10 years back I worked on some software for a  
fellow that specialized in computerized color
separation. During the conversion of his software we discovered that  
all postscript printers we could lay our hands on would only do  +/-  
32767 pixels.  Ya that's 109 inches, but there was this fellow who had  
a postscript based paint gun
for doing bill boards.   Mmm 100 feet at 50 dpi, well that's 60,000  
pixels  Client mutter all sorts of words when we asked about  
running some 100 foot *test* samples...


On Dec 30, 2007, at 11:27 AM, OK Don wrote:

> The largest print we made was 4X8 feet - we turned one of the
> enlargers horizontally, projected the 35mm neg onto the RC paper


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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Curt Raymond

The other day at work we were talking about what we listened to in highschool.
Most of the folks at the table were talking Whitesnake, Poison, Def Leopard. I 
was the only one for Nirvana, Nine Inch Nails, Dead Kennedys, Gwar, and a stack 
of bands nobody had heard of.
I was so glad when the '80s hairbands died out.

-Curt

Date: Sat, 29 Dec 2007 21:15:00 -0500
From: "Gary Hurst" <[EMAIL PROTECTED]>
Subject: Re: [MBZ] The death of high fidelity
To: "Mercedes Discussion List" 
Message-ID:
 <[EMAIL PROTECTED]>
Content-Type: text/plain; charset=ISO-8859-1

everyone listens to the same kinda stuff -- that's why they are the
 usual
suspects.

i can't say i ever liked marilyn manson.  he is so contrived, downright
 fake
really.

now kid rock, on the other hand, i can go for

On Dec 29, 2007 9:09 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> Wow, I'm amazed that we listen to the same stuff. I kinda had you
 pegged
> as
> more of a Marilyn Manson type...
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Curt Raymond

Back in the day when firewire video capture had just come out we used to get 
alot of people who would use firewire for deck control and audio and pick up 
the video through s-video.
They said it "looked warmer". Firewire is great because its a digital clone of 
your image, no distortion but alot of people liked the look of svideo and the 
softening of the digital artifacts...

-Curt

Date: Sat, 29 Dec 2007 16:31:19 -0600
From: "Tom Hargrave" <[EMAIL PROTECTED]>
Subject: Re: [MBZ] The death of high fidelity
To: 
Message-ID: <[EMAIL PROTECTED]>
Content-Type: text/plain; charset="iso-8859-1"

Peter,

I'm an old vacuum tube guy and I still restore vacuum tube radios and
amps today.

Some corrections & additions:

Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
device while a transistor is a current controlled device and either can
be driven to clip. Clipping is nothing more than the device being
 turned
all the way on or off before the input signal reaches full potential.
Transisitor clipping is sharper than vacuum tube clipping.

Vacuum tube amps distort more than transistor amps and the vacuum tube
distortion is interpreted as a "warmer  sound". Transistor amp
manufacturers have not been able to duplicate this distortion because
it's mechanical - it's in the physical tube design itself. I can still
hear the difference in the old radios & amps I work on today. You
believe the sound from a vacuum tube amp is "higher quality" because it
actually sounds better. Put a scope on the output of a tube amp & a
transistor amp and compare the difference and it's obvious that the
transistor amp output is cleaner.


Tom
www.kegkits.com




   
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Re: [MBZ] The Death of High Fidelity

2007-12-30 Thread andrew strasfogel
78s were acoustical until around 1925 IIRC, and then switched over to
electrical.  The electrical 78 rpm recordings have excellent sound quality,
if you don't mind a little surface noise.  (the surface noise on 78s from
the late 30s is nearly inaudible);)  I have tons of wonderful old
performances that predate the advance to 33 rpm and hi fi, and they are
priceless in terms of the artistry and technical wizardry of the likes of
Rachmaninoff, Artur Schnabel, and Josef Hofmann.  Among the great pianists
of the era, the career of Vladimir Horowitz spanned all the audio
tecnhologies and fortunately he still played like a demon into his 60s and
the advent of stereophonic sound.

On Dec 29, 2007 8:54 PM, Kaleb C. Striplin <[EMAIL PROTECTED]> wrote:

> I have not been able to find 78's at thrift stores anymore, they just
> never seem to turn up.  Although I cant say I have been looking hard
> either but I just dont see them, or really LP's either.
>
> Dan Weeks wrote:
> > My dad, a retired physicist and life-long audiophile who built most
> > of his own hi-fi stuff from the 40s to the 70s--including big tube
> > amps that sucked enough juice to heat the whole room--is unconvinced
> > that tube sound is better. He terms enthusiasm for tube amps and
> > their harmonic distortion "misplaced nostalgia," and prefers the more
> > accurate reproduction of solid state amps. Back when his tube
> > oscilliscope still worked, he'd show you the difference.
> >
> > I, however, have at this count 6 tube hi-fis--4 of them late fifties/
> > early sixties German sets that have incredible sound--a combination
> > of many speakers and very solid cabinets, among other things. Even my
> > dad admits that my Grundig and Telefunken table radios have sound
> > that blow away his Koss Model 88 and Bose wave tabletops, for all
> > their much-lauded fidelity--probably because the Grundig, for
> > example, has six speakers in its cabinet instead of the Koss' 3. I've
> > found them at thrift shops for 75 bucks a piece or so.
> >
> > My other hi-fi is a 1942 Capehart console record player with an
> > automatic changer that will play 20 consecutive 78s--both sides
> > sequentially--completely automatically. It has a HUGE speaker in a
> > solid walnut case, weighs close to 300 lbs, and has what my dad
> > termed a "40-amp push-pull amplifier" that will make your pants flap
> > in the breeze. VERY powerful. I love listening to big band jazz on
> > the original-release 78s with it, tho I do miss stereo reproduction.
> > I've picked up a pretty good collection of Jazz on 78 at thrift and
> > antique shops dirt cheap--as in $3 per box of 120 or so disks. Nobody
> > wants 'em anymore. Filled my SD with 'em on one trip.
> >
> > Dan
> >
> >
> >
> > ___
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> --
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>  76 300D, 72 250C, 69 250
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread OK Don
I have a friend who still plays with his 4X5 tele-graflex once in a
while ---  they are fun cameras. I have my grandfather's 2X3 speed
graphic, but haven't cut/loaded any film for it. Now that I think
about it, my first serious camera was a 2X3 Crown Graphic.
The Linhof was probably a Technica - my daughter still uses her 4X5
Technica IV when she's serious about an image.

On Dec 30, 2007 11:53 AM, archer <[EMAIL PROTECTED]> wrote:
> Are 4 x 5 Graflexes still around?  I think they go back to the flash powder
> days.  The newspaper used an Omega D2 enlarger, a Linhof view (don't
> remember the film size), 4 x 5 Speed Graphics, Leicas, and Rollieflexes
> during the late 1940s when I worked there as a teenager.
> Luckily the editor told me I should find some other line of work since I was
> one of the worst photographers he'd ever seen.  He was right but it was
> still fun; darkroom/enlarger work especially.  We went out on the downtown
> streets and asked people the "question of the day" and took their picture
> for the daily column.  I've often wondered why newspapers quit doing that.
> The editor said it was good for circulation since it got ordinary people
> personally involved.
> Gerry


-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread OK Don
The largest print we made was 4X8 feet - we turned one of the
enlargers horizontally, projected the 35mm neg onto the RC paper
tacked to the cork board wall opposite, and exposed for 30 minutes.
Development was hand see-sawing it through trays made from wall paper
trays hot glued together to make them long enough. We only made a half
dozen or so prints that way - too manual. They were exhibited at the
State Fair that year.
Sounds like you got to work with a real darkroom artist. They are a
rare breed now!
We brewed up developers for Tech Pan 35mm film (back when it had a
special order number and only came in 100" rolls), and played with
mixing pyro paper developer form formula, but that's about it.

On Dec 30, 2007 11:45 AM, Jeff Zedic <[EMAIL PROTECTED]> wrote:
> Talking about BIG stuff, years ago I used to work in a studio that did
> enLARGEments. I'm talking billboard sized photographs. (well, almost).
>
> The biggest photo I ever developed was 8x32 feet. It was for MB Canada oddly
> enough and was a photo of the W196(?)'s crossing the line at LeMans 1,2,3 in
> the mid 50's.
>
> My darkroom was approx. 60 feet long. Long enough that I could have paper on
> the wall ready to expose and someone could walk in the door, not a darkroom
> door, and the paper wouldn't fog! Had a horizontal enlarger, on rails, that
> was made from an 8x10 body and would focus but pulling a string when the
> enlarger was 20 or so feet away. Always used 8x10 copy negs and process
> lenses so sharpness was never an issue. Great fun but no money in it for me,
> sadly.
>
> Also, used to do fine art prints for local photogs exhibitions. I did one
> for a photog named Larry Towell who I know see is a member of the Magnum
> agency. THE most prestigious agency in the world. Pleased about that! hehe
>
> We also had a Durst Laborator 8x10 vertical enlargerbig bugger that was,
> and a Elwood (?) 5x7 vertical but it never got used much.
>
> The biggest challenge was trying to roll an eight foot long roll of 54" wide
> single weight fibre-based paper through the developing process without
> creasing it or leaving half-moon fingernail marks on it...imagine trying
> to roll wet paper towel that size without tearing..many hours of
> frustration there.
>
> We also made our own developer, stop and fixer from scratch. Bill, my boss,
> had formulated his own mix back in the 30's and used it ever since. He was
> awesome; 70 years experience in the darkroom! He used to get mad because I'd
> want to do exposure test strips for prints but he could just eyeball the neg
> and print. Got it right first time, too!
>
> Jeff Zedic

-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Jim Cathey
> I just looked at a Mamiya C330 on the net & I prefer SLR.

The TLR is particularly useful for IR film and and 87 (black)
filter.  The C330 was a much more affordable way to try out
6x6 than anything SLR-ish would have been.  I used it at a
couple of family weddings, and took some portraits of my
parents.

-- Jim


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Re: [MBZ] The death of high fidelity...Moz

2007-12-30 Thread Robert Rentfro
Jeff

I didn't know he had films.
"The teenagers who love you will wake up, yawn, and kill you"

I feel so much more chipper.

Bob R

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Jeff Zedic
Sent: Sunday, December 30, 2007 9:07 AM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

On 29/12/2007, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
> Music is good.
>
> Some days nothing but Morrissey will do.
>
> Bob R.
>
Good old cheerful Morrissey! (I wear black on the outside cause black is how
I feel on the inside) If a ten ton truck, crashes into us, to die by your
sidelol

Have you ever seen his films?

I almost bought a Mamiya C330 in London the other week in Portobello road
market. It was a good price 145 quid. I used to have a C220 with a couple of
lenses but traded it in for my second Hasselblad. Then bought a Pentax 6X7.
Had three lenses and six backs for the Blad. Tried the 500 ELM for a bit but
didn't like it.

Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while too.
Had an even BIGGER camera. It was an Ansco (?) stat camera and shot 20X24(?)
negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at full
bellows extension.

My darkroom had a Beseler 23CII XL with a cold light head, incandescent head
and two lenses. Six element Rodenstock and six element Schneider or Nikkor.
Good old daystouring the middle east with my blad...shooting 100 rolls
of 120 and then spending weeks in isolation...hehehe

I agree that the ultimate has to be an 8x10 contact on good double weight
fibre-based paper. SWEET! Is that fixer I smell? 


Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Mitch Haley
OK Don wrote:
> 
> I traded a C220 with lens for my first hard drive - an ST225.

I've got a 225 or two if you want to trade another Mamiya for it. 
Also have the 40mb, I think it's a ST251.
I believe my Dad still has a Winchester disk pack laying around,
the platters are almost as big as LPs. 
Mitch.

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Gary Hurst
everything is still around, just not new.  graflex as a company is long
gone.

i have a book of pictures shot in the mid to late 80s that was shot with a
speed graphic.  that's the latest i've seen it used professionally.

On Dec 30, 2007 12:53 PM, archer <[EMAIL PROTECTED]> wrote:

> Are 4 x 5 Graflexes still around?  I think they go back to the flash
> powder
> days.  The newspaper used an Omega D2 enlarger, a Linhof view (don't
> remember the film size), 4 x 5 Speed Graphics, Leicas, and Rollieflexes
> during the late 1940s when I worked there as a teenager.
> Luckily the editor told me I should find some other line of work since I
> was
> one of the worst photographers he'd ever seen.  He was right but it was
> still fun; darkroom/enlarger work especially.  We went out on the downtown
> streets and asked people the "question of the day" and took their picture
> for the daily column.  I've often wondered why newspapers quit doing that.
> The editor said it was good for circulation since it got ordinary people
> personally involved.
> Gerry
> 
> From: "OK Don" <[EMAIL PROTECTED]>
> > Ah, yes - yours was bigger than mine (only 20x20). I still use the 19"
> > process lens for sharp portraits on the 8x10 Linhof. I have a 16" Ilex
> > portrait f 3.5 (HUGE) lens for the softer ones.
> > I traded a C220 with lens for my first hard drive - an ST225.
> > The Omega 4x5 enlarger is in the attic, but the color head and the
> > Focomat IIc are under dust covers, in what was once the "studio".
>
> >> I almost bought a Mamiya C330 in London the other week in Portobello
> road
> >> market. It was a good price 145 quid. I used to have a C220 with a
> couple
> >> of
> >> lenses but traded it in for my second Hasselblad. Then bought a Pentax
> >> 6X7.
> >> Had three lenses and six backs for the Blad. Tried the 500 ELM for a
> bit
> >> but
> >> didn't like it.
> >> Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while
> >> too.
> >> Had an even BIGGER camera. It was an Ansco (?) stat camera and shot
> >> 20X24(?)
> >> negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at
> >> full
> >> bellows extension.
> >> My darkroom had a Beseler 23CII XL with a cold light head, incandescent
> >> head
> >> and two lenses. Six element Rodenstock and six element Schneider or
> >> Nikkor.
> >> Good old daystouring the middle east with my blad...shooting 100
> >> rolls
> >> of 120 and then spending weeks in isolation...hehehe
> >> I agree that the ultimate has to be an 8x10 contact on good double
> weight
> >> fibre-based paper. SWEET! Is that fixer I smell? 
> >> Jeff Zedic
> > OK Don, KD5NRO
>
>
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread archer
Are 4 x 5 Graflexes still around?  I think they go back to the flash powder 
days.  The newspaper used an Omega D2 enlarger, a Linhof view (don't 
remember the film size), 4 x 5 Speed Graphics, Leicas, and Rollieflexes 
during the late 1940s when I worked there as a teenager.
Luckily the editor told me I should find some other line of work since I was 
one of the worst photographers he'd ever seen.  He was right but it was 
still fun; darkroom/enlarger work especially.  We went out on the downtown 
streets and asked people the "question of the day" and took their picture 
for the daily column.  I've often wondered why newspapers quit doing that. 
The editor said it was good for circulation since it got ordinary people 
personally involved.
Gerry

From: "OK Don" <[EMAIL PROTECTED]>
> Ah, yes - yours was bigger than mine (only 20x20). I still use the 19"
> process lens for sharp portraits on the 8x10 Linhof. I have a 16" Ilex
> portrait f 3.5 (HUGE) lens for the softer ones.
> I traded a C220 with lens for my first hard drive - an ST225.
> The Omega 4x5 enlarger is in the attic, but the color head and the
> Focomat IIc are under dust covers, in what was once the "studio".

>> I almost bought a Mamiya C330 in London the other week in Portobello road
>> market. It was a good price 145 quid. I used to have a C220 with a couple 
>> of
>> lenses but traded it in for my second Hasselblad. Then bought a Pentax 
>> 6X7.
>> Had three lenses and six backs for the Blad. Tried the 500 ELM for a bit 
>> but
>> didn't like it.
>> Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while 
>> too.
>> Had an even BIGGER camera. It was an Ansco (?) stat camera and shot 
>> 20X24(?)
>> negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at 
>> full
>> bellows extension.
>> My darkroom had a Beseler 23CII XL with a cold light head, incandescent 
>> head
>> and two lenses. Six element Rodenstock and six element Schneider or 
>> Nikkor.
>> Good old daystouring the middle east with my blad...shooting 100 
>> rolls
>> of 120 and then spending weeks in isolation...hehehe
>> I agree that the ultimate has to be an 8x10 contact on good double weight
>> fibre-based paper. SWEET! Is that fixer I smell? 
>> Jeff Zedic
> OK Don, KD5NRO 


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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Tom Hargrave
Yep, glass is everything.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Jeff Zedic
Sent: Sunday, December 30, 2007 11:47 AM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

On 30/12/2007, Tom Hargrave <[EMAIL PROTECTED]> wrote:
>
> Don is correct - there is no comparison between even the highest
> resolution
> digital camera and 6X6 medium format film. Digital has not even come close
> to the information density of 35mm ASA 100 film!
>
> Thanks,
> Tom Hargrave
> www.kegkits.com
> 256-656-1924


And that's without even talking about the lens quality of the majority of
digital cameras!

Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Tom Hargrave
I just looked at a Mamiya C330 on the net & I prefer SLR.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Jeff Zedic
Sent: Sunday, December 30, 2007 10:07 AM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

On 29/12/2007, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
> Music is good.
>
> Some days nothing but Morrissey will do.
>
> Bob R.
>
Good old cheerful Morrissey! (I wear black on the outside cause black is how
I feel on the inside) If a ten ton truck, crashes into us, to die by your
sidelol

Have you ever seen his films?

I almost bought a Mamiya C330 in London the other week in Portobello road
market. It was a good price 145 quid. I used to have a C220 with a couple of
lenses but traded it in for my second Hasselblad. Then bought a Pentax 6X7.
Had three lenses and six backs for the Blad. Tried the 500 ELM for a bit but
didn't like it.

Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while too.
Had an even BIGGER camera. It was an Ansco (?) stat camera and shot 20X24(?)
negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at full
bellows extension.

My darkroom had a Beseler 23CII XL with a cold light head, incandescent head
and two lenses. Six element Rodenstock and six element Schneider or Nikkor.
Good old daystouring the middle east with my blad...shooting 100 rolls
of 120 and then spending weeks in isolation...hehehe

I agree that the ultimate has to be an 8x10 contact on good double weight
fibre-based paper. SWEET! Is that fixer I smell? 


Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Jeff Zedic
On 30/12/2007, Tom Hargrave <[EMAIL PROTECTED]> wrote:
>
> Don is correct - there is no comparison between even the highest
> resolution
> digital camera and 6X6 medium format film. Digital has not even come close
> to the information density of 35mm ASA 100 film!
>
> Thanks,
> Tom Hargrave
> www.kegkits.com
> 256-656-1924


And that's without even talking about the lens quality of the majority of
digital cameras!

Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Jeff Zedic
Talking about BIG stuff, years ago I used to work in a studio that did
enLARGEments. I'm talking billboard sized photographs. (well, almost).

The biggest photo I ever developed was 8x32 feet. It was for MB Canada oddly
enough and was a photo of the W196(?)'s crossing the line at LeMans 1,2,3 in
the mid 50's.

My darkroom was approx. 60 feet long. Long enough that I could have paper on
the wall ready to expose and someone could walk in the door, not a darkroom
door, and the paper wouldn't fog! Had a horizontal enlarger, on rails, that
was made from an 8x10 body and would focus but pulling a string when the
enlarger was 20 or so feet away. Always used 8x10 copy negs and process
lenses so sharpness was never an issue. Great fun but no money in it for me,
sadly.

Also, used to do fine art prints for local photogs exhibitions. I did one
for a photog named Larry Towell who I know see is a member of the Magnum
agency. THE most prestigious agency in the world. Pleased about that! hehe

We also had a Durst Laborator 8x10 vertical enlargerbig bugger that was,
and a Elwood (?) 5x7 vertical but it never got used much.

The biggest challenge was trying to roll an eight foot long roll of 54" wide
single weight fibre-based paper through the developing process without
creasing it or leaving half-moon fingernail marks on it...imagine trying
to roll wet paper towel that size without tearing..many hours of
frustration there.

We also made our own developer, stop and fixer from scratch. Bill, my boss,
had formulated his own mix back in the 30's and used it ever since. He was
awesome; 70 years experience in the darkroom! He used to get mad because I'd
want to do exposure test strips for prints but he could just eyeball the neg
and print. Got it right first time, too!


Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Tom Hargrave
Don is correct - there is no comparison between even the highest resolution
digital camera and 6X6 medium format film. Digital has not even come close
to the information density of 35mm ASA 100 film!

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of OK Don
Sent: Sunday, December 30, 2007 11:27 AM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

But, you're still talking the miniature film format!  Will old F
series film camera lenses work on the digi Canons?
I will wait for reasonably priced  full format sensors in  Nikon
and/or M Leica bodies so I can use all my old glass.

>
> If you call the entire body a 'back' (as in back of the lens)
> then Canon and Nikon both have them!  I have lust in my heart
> for a Canon EOS-1DS Mark II.  That will preserve my $10k in
> glass, as much as can be done anyway.
>
> I also have a Mamiya TLR and a few lenses that I've used.
>
> -- Jim
>


-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread OK Don
But, you're still talking the miniature film format!  Will old F
series film camera lenses work on the digi Canons?
I will wait for reasonably priced  full format sensors in  Nikon
and/or M Leica bodies so I can use all my old glass.

>
> If you call the entire body a 'back' (as in back of the lens)
> then Canon and Nikon both have them!  I have lust in my heart
> for a Canon EOS-1DS Mark II.  That will preserve my $10k in
> glass, as much as can be done anyway.
>
> I also have a Mamiya TLR and a few lenses that I've used.
>
> -- Jim
>


-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread OK Don
Ah, yes - yours was bigger than mine (only 20x20). I still use the 19"
process lens for sharp portraits on the 8x10 Linhof. I have a 16" Ilex
portrait f 3.5 (HUGE) lens for the softer ones.
I traded a C220 with lens for my first hard drive - an ST225.
The Omega 4x5 enlarger is in the attic, but the color head and the
Focomat IIc are under dust covers, in what was once the "studio".

>
> I almost bought a Mamiya C330 in London the other week in Portobello road
> market. It was a good price 145 quid. I used to have a C220 with a couple of
> lenses but traded it in for my second Hasselblad. Then bought a Pentax 6X7.
> Had three lenses and six backs for the Blad. Tried the 500 ELM for a bit but
> didn't like it.
>
> Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while too.
> Had an even BIGGER camera. It was an Ansco (?) stat camera and shot 20X24(?)
> negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at full
> bellows extension.
>
> My darkroom had a Beseler 23CII XL with a cold light head, incandescent head
> and two lenses. Six element Rodenstock and six element Schneider or Nikkor.
> Good old daystouring the middle east with my blad...shooting 100 rolls
> of 120 and then spending weeks in isolation...hehehe
>
> I agree that the ultimate has to be an 8x10 contact on good double weight
> fibre-based paper. SWEET! Is that fixer I smell? 
>
>
> Jeff Zedic

-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Jim Cathey
> Will any film camera cheaper than a Hasselblad take a digital back?

If you call the entire body a 'back' (as in back of the lens)
then Canon and Nikon both have them!  I have lust in my heart
for a Canon EOS-1DS Mark II.  That will preserve my $10k in
glass, as much as can be done anyway.

I also have a Mamiya TLR and a few lenses that I've used.

-- Jim


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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Jeff Zedic
On 29/12/2007, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
> Music is good.
>
> Some days nothing but Morrissey will do.
>
> Bob R.
>
Good old cheerful Morrissey! (I wear black on the outside cause black is how
I feel on the inside) If a ten ton truck, crashes into us, to die by your
sidelol

Have you ever seen his films?

I almost bought a Mamiya C330 in London the other week in Portobello road
market. It was a good price 145 quid. I used to have a C220 with a couple of
lenses but traded it in for my second Hasselblad. Then bought a Pentax 6X7.
Had three lenses and six backs for the Blad. Tried the 500 ELM for a bit but
didn't like it.

Really enjoyed my 4x5 and the Deardorff 8x10 I played with for a while too.
Had an even BIGGER camera. It was an Ansco (?) stat camera and shot 20X24(?)
negatives!! YES, that is in inches! MASSIVE! It was 54 inches long at full
bellows extension.

My darkroom had a Beseler 23CII XL with a cold light head, incandescent head
and two lenses. Six element Rodenstock and six element Schneider or Nikkor.
Good old daystouring the middle east with my blad...shooting 100 rolls
of 120 and then spending weeks in isolation...hehehe

I agree that the ultimate has to be an 8x10 contact on good double weight
fibre-based paper. SWEET! Is that fixer I smell? 


Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread Robert . Rentfro
Music is good.

Some days nothing but Morrissey will do.

Bob R. 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Gary Hurst
Sent: Saturday, December 29, 2007 7:15 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

everyone listens to the same kinda stuff -- that's why they are the
usual suspects.

i can't say i ever liked marilyn manson.  he is so contrived, downright
fake really.

now kid rock, on the other hand, i can go for

On Dec 29, 2007 9:09 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> Wow, I'm amazed that we listen to the same stuff. I kinda had you 
> pegged as more of a Marilyn Manson type...
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread LWB250
The last time I looked, the cheapest digital back for
either  an RB67 or M645 Super was in the $15,000
range.

Dan (former Mamiya guy)


--- archer <[EMAIL PROTECTED]> wrote:

> Will any film camera cheaper than a Hasselblad take
> a digital back?  Mamiya 
> perhaps?
> Gerry
> - 
> From: "OK Don" <[EMAIL PROTECTED]>
> > Yup - it's hard to beat instant gratification, but
> it's also hard to
> > beat the magic of watching the print appear before
> your eyes, not to
> > mention the smell of fixer!
> > If Anne has gone digital, I suspect it would be
> with a high end digi
> > back on a 'blad.
> > I miss my darkroom, but not enough to re-construct
> it!
> >
> > OK Don
> > Still has full range from Minox to 8X10 (3 of
> them!)
> >
> > On Dec 29, 2007 7:37 PM, Jeff Zedic
> <[EMAIL PROTECTED]> wrote:
> >> Yes, I was reading an article on Annie Leibovitz
> and was wondering if 
> >> she's
> >> gone digital..
> >>
> >> I miss my darkroom too!
> >>
> >> But that digital is just sooo easy!
> >>
> >> Jeff Zedic
> >> Still has a 4x5
> 
> 
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Re: [MBZ] The death of high fidelity

2007-12-30 Thread archer
Will any film camera cheaper than a Hasselblad take a digital back?  Mamiya 
perhaps?
Gerry
- 
From: "OK Don" <[EMAIL PROTECTED]>
> Yup - it's hard to beat instant gratification, but it's also hard to
> beat the magic of watching the print appear before your eyes, not to
> mention the smell of fixer!
> If Anne has gone digital, I suspect it would be with a high end digi
> back on a 'blad.
> I miss my darkroom, but not enough to re-construct it!
>
> OK Don
> Still has full range from Minox to 8X10 (3 of them!)
>
> On Dec 29, 2007 7:37 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:
>> Yes, I was reading an article on Annie Leibovitz and was wondering if 
>> she's
>> gone digital..
>>
>> I miss my darkroom too!
>>
>> But that digital is just sooo easy!
>>
>> Jeff Zedic
>> Still has a 4x5


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jim Cathey
> Would that be the Stax earspeakers?? Always wanted to try those!

Yeah, the cheap ones.  Cheapest even?  SR-84's.

-- Jim


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread OK Don
Yup - it's hard to beat instant gratification, but it's also hard to
beat the magic of watching the print appear before your eyes, not to
mention the smell of fixer!
If Anne has gone digital, I suspect it would be with a high end digi
back on a 'blad.
I miss my darkroom, but not enough to re-construct it!

OK Don
Still has full range from Minox to 8X10 (3 of them!)

On Dec 29, 2007 7:37 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:
> Yes, I was reading an article on Annie Leibovitz and was wondering if she's
> gone digital..
>
> I miss my darkroom too!
>
> But that digital is just sooo easy!
>
> Jeff Zedic
> Still has a 4x5

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Re: [MBZ] The death of high fidelity

2007-12-29 Thread OK Don
I still haven't been able to find anything in digital photography that
can reproduce the (to me) lovely grain effects of 35mm Tri-X enlarged
to 16X20. Not that it's appropriate for every scene, but when you want
it, there doesn't seem to be a substitute.
Now, when start saying the digital doesn't equal film yet, you have to
qualify what film in what format you're talking about. Most recent
digital cameras beat the Minox prints hands down ---

Hursty mentioned the 8x10 film story - for the most part, the lenses
used in 8x10 work are not the equal of those for the smaller formats,
since they are rarely enlarged. When you're making contact prints, and
the paper only resolves 20 lines per mm, there's no need for a lens
that resolves over a 100 lines per mm. That having been said, I have
never been able to match an 8x10 contact print, taken with an old
Wollensak lens, with anything enlarged. That includes Hassleblad negs
from an apo lens, enlarged on a Lietz Focomat II. I've never had
"good" 4x5 lenses to work with, so I can't really comment there.

On Dec 29, 2007 9:03 PM, Tom Hargrave <[EMAIL PROTECTED]> wrote:
> Digital photogaphy is not as good as film yet. Even the highest MB pixel
> density is not close to the grain size of ASA 100 film. At the current
> rate, digital will probably pass film in 2 years.
>

-- 
OK Don, KD5NRO
Norman, OK
"There are three kinds of lies: lies, damn lies, and statistics."
-Benjamin Disraeli and/or Mark Twain
'90 300D, '87 300SDL, '81 240D, '78 450SLC, '97 Ply Grand Voyager

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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Tom Hargrave
Digital photogaphy is not as good as film yet. Even the highest MB pixel
density is not close to the grain size of ASA 100 film. At the current
rate, digital will probably pass film in 2 years.

Thanks, Tom
256-656-1924

-Original Message-
From: "Kaleb C. Striplin" <[EMAIL PROTECTED]>
To: "Mercedes Discussion List" 
Sent: 12/29/07 7:34 PM
Subject: Re: [MBZ] The death of high fidelity

I think my aunt who has been a pro photographer for about 25 years is 
fixing to quit the business because everyone wants digital now and she 
refused to do it, because its not as good.

Peter Frederick wrote:
> Fidelity = true to source.  Not today!
> 
> Vacuum tube amps always sound much better than transistor amps, as
they 
> don't clip (covert too high an amplitude sine wave to a flat topped 
> wave, with extra harmonics).  Takes an enormous capacity transistor to

> not clip, and tubes never do.  Other than the background hiss of 
> electrons flying an inch or so, they are much nicer.  Some problems 
> with exact reproduction due to internal hysteresis, but that's present

> in transistor amps, too.
> 
> Given that MP3 compressions are rather extreme (and everyone has
crappy 
> amplifiers in their iPods and etc turned up way beyond ear damage
level 
> --why anyone MAKES an amplifier that puts out more than 80 dB in those

> things is beyond me), the norm now is really bad reproduction, mostly 
> of really poor musical quality stuff to start with (a stick on a 
> plastic trash can over one's head, sort of).  No one remembers what 
> real sound was, nothing is live anymore (rock concerts are mostly
tape, 
> I believe), and most listeners have hearing damage, there is no hope.
> 
> It's been going downhill for a long time, every since orchestral music

> was no longer recorded with a pair of mikes in the auditorium and was 
> instead "mixed" from one stuffed up each instrument.  Digitization has

> markedly degraded things since, as it's way too easy to fiddle it 
> later.
> 
> I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
> reproduction.  Not a chance in the bad place, I guess.
> 
> Ditto for photography, by the way -- digital is easier, but I'm 
> unconvinced that it's better.
> 
> Just the old curmudgeon here.
> 
> Peter
> 
> 
> ___
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  84 190D, 84 300D euro manny, 81 240D, 81 380SLC, 80 240D, 76 240D,
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Allan Streib
Reminds me of an article I read several years ago, a guy had analyzed  
the sonic characteristics of popular music hits that have remained  
popular for decades, and found a direct correlation to the the amount  
of dynamic range preserved in the mastering.

Let's see how good google is... Hm, found a link, but the page seems  
to be gone.  Ah, here it is in the Wayback Machine:

http://web.archive.org/web/20060912072113/http://www.airwindows.com/ 
analysis/Dynamics.html

Note that to read the entire piece, you'll have to follow the links  
at the end of each section.

Allan

On Dec 29, 2007, at 3:54 PM, [EMAIL PROTECTED] wrote:

> The death of music, more likely.
>
>
> http://www.rollingstone.com/news/story/1619/ 
> the_death_of_high_fidelity/print
>
>
>
> **
> See AOL's top rated recipes
> (http://food.aol.com/top-rated-recipes?NCID=aoltop000304)
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
everyone listens to the same kinda stuff -- that's why they are the usual
suspects.

i can't say i ever liked marilyn manson.  he is so contrived, downright fake
really.

now kid rock, on the other hand, i can go for

On Dec 29, 2007 9:09 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> Wow, I'm amazed that we listen to the same stuff. I kinda had you pegged
> as
> more of a Marilyn Manson type...
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
Wow, I'm amazed that we listen to the same stuff. I kinda had you pegged as
more of a Marilyn Manson type...
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Robert . Rentfro
Most things good are not easy. We are in a decline. It stinks.

Bob R. 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Kaleb C. Striplin
Sent: Saturday, December 29, 2007 6:34 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

I think my aunt who has been a pro photographer for about 25 years is
fixing to quit the business because everyone wants digital now and she
refused to do it, because its not as good.

Peter Frederick wrote:
> Fidelity = true to source.  Not today!
> 
> Vacuum tube amps always sound much better than transistor amps, as 
> they don't clip (covert too high an amplitude sine wave to a flat 
> topped wave, with extra harmonics).  Takes an enormous capacity 
> transistor to not clip, and tubes never do.  Other than the background

> hiss of electrons flying an inch or so, they are much nicer.  Some 
> problems with exact reproduction due to internal hysteresis, but 
> that's present in transistor amps, too.
> 
> Given that MP3 compressions are rather extreme (and everyone has 
> crappy amplifiers in their iPods and etc turned up way beyond ear 
> damage level --why anyone MAKES an amplifier that puts out more than 
> 80 dB in those things is beyond me), the norm now is really bad 
> reproduction, mostly of really poor musical quality stuff to start 
> with (a stick on a plastic trash can over one's head, sort of).  No 
> one remembers what real sound was, nothing is live anymore (rock 
> concerts are mostly tape, I believe), and most listeners have hearing
damage, there is no hope.
> 
> It's been going downhill for a long time, every since orchestral music

> was no longer recorded with a pair of mikes in the auditorium and was 
> instead "mixed" from one stuffed up each instrument.  Digitization has

> markedly degraded things since, as it's way too easy to fiddle it 
> later.
> 
> I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
> reproduction.  Not a chance in the bad place, I guess.
> 
> Ditto for photography, by the way -- digital is easier, but I'm 
> unconvinced that it's better.
> 
> Just the old curmudgeon here.
> 
> Peter
> 
> 
> ___
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  94 E420, 92 300SD, 92 300D, 92 250D Turbo, 92 300E 4Matic,
  91 300D, 90 420SEL, 89 560SEL, 89 260E, 87 300SDL, 85 380SE 5.0 Euro,
  84 190D, 84 300D euro manny, 81 240D, 81 380SLC, 80 240D, 76 240D,
  76 300D, 72 250C, 69 250
http://www.okiebenz.com

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Re: [MBZ] The Death of High Fidelity

2007-12-29 Thread Kaleb C. Striplin
I have not been able to find 78's at thrift stores anymore, they just 
never seem to turn up.  Although I cant say I have been looking hard 
either but I just dont see them, or really LP's either.

Dan Weeks wrote:
> My dad, a retired physicist and life-long audiophile who built most  
> of his own hi-fi stuff from the 40s to the 70s--including big tube  
> amps that sucked enough juice to heat the whole room--is unconvinced  
> that tube sound is better. He terms enthusiasm for tube amps and  
> their harmonic distortion "misplaced nostalgia," and prefers the more  
> accurate reproduction of solid state amps. Back when his tube  
> oscilliscope still worked, he'd show you the difference.
> 
> I, however, have at this count 6 tube hi-fis--4 of them late fifties/ 
> early sixties German sets that have incredible sound--a combination  
> of many speakers and very solid cabinets, among other things. Even my  
> dad admits that my Grundig and Telefunken table radios have sound  
> that blow away his Koss Model 88 and Bose wave tabletops, for all  
> their much-lauded fidelity--probably because the Grundig, for  
> example, has six speakers in its cabinet instead of the Koss' 3. I've  
> found them at thrift shops for 75 bucks a piece or so.
> 
> My other hi-fi is a 1942 Capehart console record player with an  
> automatic changer that will play 20 consecutive 78s--both sides  
> sequentially--completely automatically. It has a HUGE speaker in a  
> solid walnut case, weighs close to 300 lbs, and has what my dad  
> termed a "40-amp push-pull amplifier" that will make your pants flap  
> in the breeze. VERY powerful. I love listening to big band jazz on  
> the original-release 78s with it, tho I do miss stereo reproduction.  
> I've picked up a pretty good collection of Jazz on 78 at thrift and  
> antique shops dirt cheap--as in $3 per box of 120 or so disks. Nobody  
> wants 'em anymore. Filled my SD with 'em on one trip.
> 
> Dan
> 
> 
> 
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  94 E420, 92 300SD, 92 300D, 92 250D Turbo, 92 300E 4Matic,
  91 300D, 90 420SEL, 89 560SEL, 89 260E, 87 300SDL, 85 380SE 5.0 Euro,
  84 190D, 84 300D euro manny, 81 240D, 81 380SLC, 80 240D, 76 240D,
  76 300D, 72 250C, 69 250
http://www.okiebenz.com

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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
Check on Audiogon.com and they come up from time to time for Polk Audio kind
of money. They'll be a much better investment.

You won't want to upgrade with the VR's.
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
i kinda find that price expensive.  i'm really more a boston, polk, bose
price point kinda guy!

On Dec 29, 2007 7:36 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> First of all, run away screaming from anything marked BOSE..you are
> correct
> for the most part Jabba.
>
> You can get big sound from smallish speakers but you won't get that big
> bottom end sound. Smaller speakers produce a better holographic effect,
> usually, but lack bass.
>
> Tubes are only muddy sounding if the circuit running them is a shit
> design.
> In any realistically sounding way, tubes are superior. They have that
> magic
> that makes you feel as though you're there. (In a properly setup system)
>
> You want some good sounding small speakers? Try these:
>
> http://www.vonschweikert.com/zvr1.htm
>
> Good sound and inexpensive too! Buy these, place them correctly on good
> stands, and enjoy! (Fill the stands with sand)
>
> I used to have their VR4 Gen III HSE's and the sound was awesome! Had to
> sell when I moved as I didn't have the original boxes to ship them in.
>
> What are you listening to? (modern jazz, as in?)
>
> Jeff Zedic
> ___
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
Yes, I was reading an article on Annie Leibovitz and was wondering if she's
gone digital..

I miss my darkroom too!

But that digital is just sooo easy!

Jeff Zedic
Still has a 4x5
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Re: [MBZ] The Death of High Fidelity

2007-12-29 Thread Jeff Zedic
Dan,

There's a difference between measurable sonic accuracy and good sound. Solid
state guys always use THD, (total harmonic distortion), as the yard stick. I
use my ears. These ears are capable of noticing a 1dB difference is channel
separation.much to my dismayit means I'm forever tweaking!

Low THD numbers are usually achieved through the use of negative feedback in
the audio circuit. This however does NOT translate into good sound.

The old Grundigs had good sound because they were big and heavy with inert
cabinets. The German tubes used in the Telefunkens ETC were vastly superior
to most cheap and cheerful tubes. The mulitple speakers can be good or bad.
Depends on the crossover, design, etc...

Those old systems has warm, rounded sound. The new stuff that I listen on
has all the psychoacoustic benefits of tubes without the rolled off top and
bottom ends.

As I'm writing this I keep thinking of all the tiny things you can do that
have large effects on the sound quality overall.

78's tend to have been recorded acoustically...basically by shouting down a
megaphone attached to a microphone. Also, the shellac used as a medium had a
limited range. Still a very interesting and enjoyable sound nonetheless. I
even almost bought an Edison Amberola a few years back. (wax cylinders)

A push pull circuit gives you more power, but at the price of purity of
sound. Still great sound thoughbut 40 amps WOW! Turn on your amp
and the streetlights dim! AWESOME. My old GE kettle was like that! lol My
845 tube monblocks used to warm up the apartment too! Noticeably!!

Jeff Zedic
Long-winded when it comes to audio
No more MB's eitherhave to settle for my Audi A4 TDI 5 speed!! Woohoo!!
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
the usual suspects:  coltrane, mingus, monk, miles davis, brubeck, bill
evans, roland kirk.

On Dec 29, 2007 7:36 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> First of all, run away screaming from anything marked BOSE..you are
> correct
> for the most part Jabba.
>
> You can get big sound from smallish speakers but you won't get that big
> bottom end sound. Smaller speakers produce a better holographic effect,
> usually, but lack bass.
>
> Tubes are only muddy sounding if the circuit running them is a shit
> design.
> In any realistically sounding way, tubes are superior. They have that
> magic
> that makes you feel as though you're there. (In a properly setup system)
>
> You want some good sounding small speakers? Try these:
>
> http://www.vonschweikert.com/zvr1.htm
>
> Good sound and inexpensive too! Buy these, place them correctly on good
> stands, and enjoy! (Fill the stands with sand)
>
> I used to have their VR4 Gen III HSE's and the sound was awesome! Had to
> sell when I moved as I didn't have the original boxes to ship them in.
>
> What are you listening to? (modern jazz, as in?)
>
> Jeff Zedic
> ___
> http://www.okiebenz.com
> For new parts see official list sponsor: http://www.buymbparts.com/
> For used parts email [EMAIL PROTECTED]
>
> To Unsubscribe or change delivery options go to:
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Kaleb C. Striplin
I think my aunt who has been a pro photographer for about 25 years is 
fixing to quit the business because everyone wants digital now and she 
refused to do it, because its not as good.

Peter Frederick wrote:
> Fidelity = true to source.  Not today!
> 
> Vacuum tube amps always sound much better than transistor amps, as they 
> don't clip (covert too high an amplitude sine wave to a flat topped 
> wave, with extra harmonics).  Takes an enormous capacity transistor to 
> not clip, and tubes never do.  Other than the background hiss of 
> electrons flying an inch or so, they are much nicer.  Some problems 
> with exact reproduction due to internal hysteresis, but that's present 
> in transistor amps, too.
> 
> Given that MP3 compressions are rather extreme (and everyone has crappy 
> amplifiers in their iPods and etc turned up way beyond ear damage level 
> --why anyone MAKES an amplifier that puts out more than 80 dB in those 
> things is beyond me), the norm now is really bad reproduction, mostly 
> of really poor musical quality stuff to start with (a stick on a 
> plastic trash can over one's head, sort of).  No one remembers what 
> real sound was, nothing is live anymore (rock concerts are mostly tape, 
> I believe), and most listeners have hearing damage, there is no hope.
> 
> It's been going downhill for a long time, every since orchestral music 
> was no longer recorded with a pair of mikes in the auditorium and was 
> instead "mixed" from one stuffed up each instrument.  Digitization has 
> markedly degraded things since, as it's way too easy to fiddle it 
> later.
> 
> I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
> reproduction.  Not a chance in the bad place, I guess.
> 
> Ditto for photography, by the way -- digital is easier, but I'm 
> unconvinced that it's better.
> 
> Just the old curmudgeon here.
> 
> Peter
> 
> 
> ___
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-- 
Kaleb C. Striplin/Claremore, OK
  94 E420, 92 300SD, 92 300D, 92 250D Turbo, 92 300E 4Matic,
  91 300D, 90 420SEL, 89 560SEL, 89 260E, 87 300SDL, 85 380SE 5.0 Euro,
  84 190D, 84 300D euro manny, 81 240D, 81 380SLC, 80 240D, 76 240D,
  76 300D, 72 250C, 69 250
http://www.okiebenz.com

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[MBZ] The Death of High Fidelity

2007-12-29 Thread Dan Weeks
My dad, a retired physicist and life-long audiophile who built most  
of his own hi-fi stuff from the 40s to the 70s--including big tube  
amps that sucked enough juice to heat the whole room--is unconvinced  
that tube sound is better. He terms enthusiasm for tube amps and  
their harmonic distortion "misplaced nostalgia," and prefers the more  
accurate reproduction of solid state amps. Back when his tube  
oscilliscope still worked, he'd show you the difference.

I, however, have at this count 6 tube hi-fis--4 of them late fifties/ 
early sixties German sets that have incredible sound--a combination  
of many speakers and very solid cabinets, among other things. Even my  
dad admits that my Grundig and Telefunken table radios have sound  
that blow away his Koss Model 88 and Bose wave tabletops, for all  
their much-lauded fidelity--probably because the Grundig, for  
example, has six speakers in its cabinet instead of the Koss' 3. I've  
found them at thrift shops for 75 bucks a piece or so.

My other hi-fi is a 1942 Capehart console record player with an  
automatic changer that will play 20 consecutive 78s--both sides  
sequentially--completely automatically. It has a HUGE speaker in a  
solid walnut case, weighs close to 300 lbs, and has what my dad  
termed a "40-amp push-pull amplifier" that will make your pants flap  
in the breeze. VERY powerful. I love listening to big band jazz on  
the original-release 78s with it, tho I do miss stereo reproduction.  
I've picked up a pretty good collection of Jazz on 78 at thrift and  
antique shops dirt cheap--as in $3 per box of 120 or so disks. Nobody  
wants 'em anymore. Filled my SD with 'em on one trip.

Dan



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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
First of all, run away screaming from anything marked BOSE..you are correct
for the most part Jabba.

You can get big sound from smallish speakers but you won't get that big
bottom end sound. Smaller speakers produce a better holographic effect,
usually, but lack bass.

Tubes are only muddy sounding if the circuit running them is a shit design.
In any realistically sounding way, tubes are superior. They have that magic
that makes you feel as though you're there. (In a properly setup system)

You want some good sounding small speakers? Try these:

http://www.vonschweikert.com/zvr1.htm

Good sound and inexpensive too! Buy these, place them correctly on good
stands, and enjoy! (Fill the stands with sand)

I used to have their VR4 Gen III HSE's and the sound was awesome! Had to
sell when I moved as I didn't have the original boxes to ship them in.

What are you listening to? (modern jazz, as in?)

Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
a conclusion i've reached recently is that if you want big sound, you need
big speakers.  i have very accurate little boston acoustics and portable
powered (very loud too) bose speakers, but neither of them can really make
big sound no matter what they claim.

i also find that modern jazz like cleaner solid state over muddy tubes.

any agreements or disagreements from you on these issues, zedic?

On Dec 29, 2007 7:09 PM, Jeff Zedic <[EMAIL PROTECTED]> wrote:

> BTW, there is renaissance is high end audio being driven by tube equipment
> and vinyl. There's probably more tube gear out there now than ever before.
> Going all the way from the small tube preamp that Hursty mentioned, (yes,
> it
> WILL make a sound improvement), all the way up to extreme gear such as the
> 845 based monoblocks at $400,000 and the top of the range turntable that
> retails for $125,000 and weighs 700lbs!!
>
> You can see an awesome turntable in the first Tomb Raider movie when she
> does the aero-ballet bit. That's a snip at $25,000.
>
> Want to get the biggest sound improvement for the least money??
>  Vibration control and speaker placement is criticaldown to the last
> couple of millimetres believe it or not.
>
> Jeff Zedic
> Had to fire up my system now!
> ___
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
Would that be the Stax earspeakers?? Always wanted to try those! You'd be
surprised what you can do with a decent old Thorens or Linn TT. With a TT
it's all about being well set up and level!

Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
BTW, there is renaissance is high end audio being driven by tube equipment
and vinyl. There's probably more tube gear out there now than ever before.
Going all the way from the small tube preamp that Hursty mentioned, (yes, it
WILL make a sound improvement), all the way up to extreme gear such as the
845 based monoblocks at $400,000 and the top of the range turntable that
retails for $125,000 and weighs 700lbs!!

You can see an awesome turntable in the first Tomb Raider movie when she
does the aero-ballet bit. That's a snip at $25,000.

Want to get the biggest sound improvement for the least money??
 Vibration control and speaker placement is criticaldown to the last
couple of millimetres believe it or not.

Jeff Zedic
Had to fire up my system now!
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jim Cathey
> Ditto my 1954 Billie Holiday, and the original UK release of DSOM by 
> Floyd
> on Harvest. Nirvana's Unplugged album on vinyl is pretty good, as is
> Clapton's and Neil Young's. (Neil's an audio geek too)

I'm fortunate to have a Sheffield album or two in my stash.
A number of OMR releases, too.  Nice work, that stuff, though
I don't have the sound system to do it any justice, but it always
did sound pretty good on the Stax.  My turntable was always crap.

-- Jim


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Jeff Zedic
Well, against my better judgement I'll wade into this discussion.

Full disclosure: I'm a tube guy...I'm also a high end audio geek.

My Cd player is tube, my preamp is tube, and until I moved overseas, my
monoblocks were 845 based tubes. The second largest tube still made. They
are all single-ended Class A design, NOT A/b.

If you heard my system and replaced any ONE item with solid state stuff you
would immediately know and wonder where the good sound went. It's all a
matter of persoanl taste and style. I like being able to fiddle with my
system. Tube rolling is a lot of fun and allows you, if you're persnickety
enough, to tailor the sound of each album you listen to without resorting to
EQing. (Tube rolling is the substitution of different manufacturer or model
of tube to achieve different sound characteristics. )

 BTW, I also greatly prefer the sound from vinyl to CD. There is a huge
world of difference. It's the difference between hearing a recording, or
being there. Don't even start me on mp3'sI had enough trouble having to
do live pro sound for the last ten years and never being fully happy with
the results.

My musical taste runs across a broad spectrum. VERY broad. Not much time for
a lot of newer stuff although there are decent bits here and there.

Most people want their music to be like wallpaper...to be seen but not
really noticed. The true artistry is being cheapened, but hey, that's what
most people want and they can have it. I'll stick with my stuff while they
chuckle up their sleeve at my "archaic" mindset.

I recently picked up a budget release of Buddy Holly's hits. Never been a
big fan of his, but had to admire the incredible job the engineers did on
the soundespecially when all they had was MAYBE a two track setup and no
compression.

Ditto my 1954 Billie Holiday, and the original UK release of DSOM by Floyd
on Harvest. Nirvana's Unplugged album on vinyl is pretty good, as is
Clapton's and Neil Young's. (Neil's an audio geek too)

 Jeff Zedic
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Tom Hargrave
I've not heard one or looked the output on a scope but they probably do work
if they are taking advantage of the distortion a tube applies to a signal.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Gary Hurst
Sent: Saturday, December 29, 2007 4:59 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

you have anything to say about those cheap 1 or 2 tube preamps that are
popping up all over the place now to give you a "warmer" sound?  to my mind,
they work in some limited contexts with big speakers where muddying the
sound up a big helps, but mostly it's just a useless gimmick.

they even have ipod dock/speakers with a tube now, which htey have mounted
in the subwoofer.


On Dec 29, 2007 5:52 PM, Tom Hargrave <[EMAIL PROTECTED]> wrote:

> The vacuum tube radio in your 63 falcon sounded great because all of the
> space behind the speaker helped with the base. I also probably had a 3X9
> oval speaker in the dash that helped some. These days, everyone wants to
> build round speakers but they don't have the same dynamic range.
>
> There have been some new amp designs with vacuum tube finals & they
> sound great for the same reasons the old ones sound great (re. prev.
> post). There are also FET based designs. FETs are voltage controled
> transistors & share some tube characteristics but they still don't sound
> the same as tube amps.
>
>
> Tom
> www.kegkits.com
>
>
> - Original Message -
> From: Robert Rentfro <[EMAIL PROTECTED]>
> Received: 12/29/07 5:43 PM
> To: Mercedes Discussion List 
> CC:
> Subject: Re: [MBZ] The death of high fidelity
>
> Isn't all the wicked high-end audiophile stuff still tube? Like
> MacIntosh
> for example?
> Heck, the vacuum tube radio in my '63 Falcon sounded great!
>
> Bob R.
>
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> On Behalf Of Tom Hargrave
> Sent: Saturday, December 29, 2007 3:31 PM
> To: mercedes@okiebenz.com
> Subject: Re: [MBZ] The death of high fidelity
>
> Peter,
>
> I'm an old vacuum tube guy and I still restore vacuum tube radios and
> amps today.
>
> Some corrections & additions:
>
> Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
> device while a transistor is a current controlled device and either can
> be driven to clip. Clipping is nothing more than the device being turned
> all the way on or off before the input signal reaches full potential.
> Transisitor clipping is sharper than vacuum tube clipping.
>
> Vacuum tube amps distort more than transistor amps and the vacuum tube
> distortion is interpreted as a "warmer  sound". Transistor amp
> manufacturers have not been able to duplicate this distortion because
> it's mechanical - it's in the physical tube design itself. I can still
> hear the difference in the old radios & amps I work on today. You
> believe the sound from a vacuum tube amp is "higher quality" because it
> actually sounds better. Put a scope on the output of a tube amp & a
> transistor amp and compare the difference and it's obvious that the
> transistor amp output is cleaner.
>
>
> Tom
> www.kegkits.com
>
>
> - Original Message -
> From: Peter Frederick <[EMAIL PROTECTED]>
> Received: 12/29/07 5:13 PM
> To: Mercedes Discussion List 
> CC:
> Subject: Re: [MBZ] The death of high fidelity
>
> Fidelity = true to source.  Not today!
>
> Vacuum tube amps always sound much better than transistor amps, as they
> don't clip (covert too high an amplitude sine wave to a flat topped
> wave, with extra harmonics).  Takes an enormous capacity transistor to
> not clip, and tubes never do.  Other than the background hiss of
> electrons flying an inch or so, they are much nicer.  Some problems
> with exact reproduction due to internal hysteresis, but that's present
> in transistor amps, too.
>
> Given that MP3 compressions are rather extreme (and everyone has crappy
> amplifiers in their iPods and etc turned up way beyond ear damage level
> --why anyone MAKES an amplifier that puts out more than 80 dB in those
> things is beyond me), the norm now is really bad reproduction, mostly
> of really poor musical quality stuff to start with (a stick on a
> plastic trash can over one's head, sort of).  No one remembers what
> real sound was, nothing is live anymore (rock concerts are mostly tape,
> I believe), and most listeners have hearing damage, there is no hope.
>
> It's been going downhill for a long time, every since orchestral music
> was no l

Re: [MBZ] The death of high fidelity

2007-12-29 Thread Tom Hargrave
What you hear is the sharp cutoff I mentioned in my earlier post.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Peter Frederick
Sent: Saturday, December 29, 2007 5:01 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] The death of high fidelity

yes, you can "flat-top" a tube amp output, but it doesn't produce the 
"bouncing" that a transistor amp does when the output voltage hits 
maximum, I don't believe -- the output just tapers off to the maximum 
with no internal "reflections" at higher frequencies.  Reduces 
amplitude of the output, but doesn't make the horrible screech an 
overdriven transistor amp does.  I used to have very very good high 
frequency hearing (alas, most of it's gone now) -- I could hear 
ultrasonic alarms, for instance, and the horizontal driver on TV's used 
to drive me nuts.  A clipping transistor amp was physically painful to 
me, my friends in college used to laugh at me when I clapped my hands 
over my ears and fled the room.

True, a transistor amp will give a much cleaner waveform, but only 
until you clip, which isn't that hard to do in a complex sound, even 
with a high quality amp.  I can handle the distortion from tube amps a 
lot better than the screech from overdriven transistor amps!

I wonder what could be done with tube technology today -- so far as I 
know, not much research has been done with that technology in the last 
40 years or so except for radio transmission amps

Peter


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Peter Frederick
yes, you can "flat-top" a tube amp output, but it doesn't produce the 
"bouncing" that a transistor amp does when the output voltage hits 
maximum, I don't believe -- the output just tapers off to the maximum 
with no internal "reflections" at higher frequencies.  Reduces 
amplitude of the output, but doesn't make the horrible screech an 
overdriven transistor amp does.  I used to have very very good high 
frequency hearing (alas, most of it's gone now) -- I could hear 
ultrasonic alarms, for instance, and the horizontal driver on TV's used 
to drive me nuts.  A clipping transistor amp was physically painful to 
me, my friends in college used to laugh at me when I clapped my hands 
over my ears and fled the room.

True, a transistor amp will give a much cleaner waveform, but only 
until you clip, which isn't that hard to do in a complex sound, even 
with a high quality amp.  I can handle the distortion from tube amps a 
lot better than the screech from overdriven transistor amps!

I wonder what could be done with tube technology today -- so far as I 
know, not much research has been done with that technology in the last 
40 years or so except for radio transmission amps

Peter


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
you have anything to say about those cheap 1 or 2 tube preamps that are
popping up all over the place now to give you a "warmer" sound?  to my mind,
they work in some limited contexts with big speakers where muddying the
sound up a big helps, but mostly it's just a useless gimmick.

they even have ipod dock/speakers with a tube now, which htey have mounted
in the subwoofer.


On Dec 29, 2007 5:52 PM, Tom Hargrave <[EMAIL PROTECTED]> wrote:

> The vacuum tube radio in your 63 falcon sounded great because all of the
> space behind the speaker helped with the base. I also probably had a 3X9
> oval speaker in the dash that helped some. These days, everyone wants to
> build round speakers but they don't have the same dynamic range.
>
> There have been some new amp designs with vacuum tube finals & they
> sound great for the same reasons the old ones sound great (re. prev.
> post). There are also FET based designs. FETs are voltage controled
> transistors & share some tube characteristics but they still don't sound
> the same as tube amps.
>
>
> Tom
> www.kegkits.com
>
>
> - Original Message -
> From: Robert Rentfro <[EMAIL PROTECTED]>
> Received: 12/29/07 5:43 PM
> To: Mercedes Discussion List 
> CC:
> Subject: Re: [MBZ] The death of high fidelity
>
> Isn't all the wicked high-end audiophile stuff still tube? Like
> MacIntosh
> for example?
> Heck, the vacuum tube radio in my '63 Falcon sounded great!
>
> Bob R.
>
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> On Behalf Of Tom Hargrave
> Sent: Saturday, December 29, 2007 3:31 PM
> To: mercedes@okiebenz.com
> Subject: Re: [MBZ] The death of high fidelity
>
> Peter,
>
> I'm an old vacuum tube guy and I still restore vacuum tube radios and
> amps today.
>
> Some corrections & additions:
>
> Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
> device while a transistor is a current controlled device and either can
> be driven to clip. Clipping is nothing more than the device being turned
> all the way on or off before the input signal reaches full potential.
> Transisitor clipping is sharper than vacuum tube clipping.
>
> Vacuum tube amps distort more than transistor amps and the vacuum tube
> distortion is interpreted as a "warmer  sound". Transistor amp
> manufacturers have not been able to duplicate this distortion because
> it's mechanical - it's in the physical tube design itself. I can still
> hear the difference in the old radios & amps I work on today. You
> believe the sound from a vacuum tube amp is "higher quality" because it
> actually sounds better. Put a scope on the output of a tube amp & a
> transistor amp and compare the difference and it's obvious that the
> transistor amp output is cleaner.
>
>
> Tom
> www.kegkits.com
>
>
> - Original Message -
> From: Peter Frederick <[EMAIL PROTECTED]>
> Received: 12/29/07 5:13 PM
> To: Mercedes Discussion List 
> CC:
> Subject: Re: [MBZ] The death of high fidelity
>
> Fidelity = true to source.  Not today!
>
> Vacuum tube amps always sound much better than transistor amps, as they
> don't clip (covert too high an amplitude sine wave to a flat topped
> wave, with extra harmonics).  Takes an enormous capacity transistor to
> not clip, and tubes never do.  Other than the background hiss of
> electrons flying an inch or so, they are much nicer.  Some problems
> with exact reproduction due to internal hysteresis, but that's present
> in transistor amps, too.
>
> Given that MP3 compressions are rather extreme (and everyone has crappy
> amplifiers in their iPods and etc turned up way beyond ear damage level
> --why anyone MAKES an amplifier that puts out more than 80 dB in those
> things is beyond me), the norm now is really bad reproduction, mostly
> of really poor musical quality stuff to start with (a stick on a
> plastic trash can over one's head, sort of).  No one remembers what
> real sound was, nothing is live anymore (rock concerts are mostly tape,
> I believe), and most listeners have hearing damage, there is no hope.
>
> It's been going downhill for a long time, every since orchestral music
> was no longer recorded with a pair of mikes in the auditorium and was
> instead "mixed" from one stuffed up each instrument.  Digitization has
> markedly degraded things since, as it's way too easy to fiddle it
> later.
>
> I'm all for live and recordings ON TAPE IN ANALOG with unchanged
> reproduction.  Not a chance in the bad place, I guess.
>
> Ditto for photography, by the way -- digital

Re: [MBZ] The death of high fidelity

2007-12-29 Thread Tom Hargrave
The vacuum tube radio in your 63 falcon sounded great because all of the
space behind the speaker helped with the base. I also probably had a 3X9
oval speaker in the dash that helped some. These days, everyone wants to
build round speakers but they don't have the same dynamic range.

There have been some new amp designs with vacuum tube finals & they
sound great for the same reasons the old ones sound great (re. prev.
post). There are also FET based designs. FETs are voltage controled
transistors & share some tube characteristics but they still don't sound
the same as tube amps. 


Tom
www.kegkits.com


- Original Message -
From: Robert Rentfro <[EMAIL PROTECTED]>
Received: 12/29/07 5:43 PM
To: Mercedes Discussion List 
CC: 
Subject: Re: [MBZ] The death of high fidelity

Isn't all the wicked high-end audiophile stuff still tube? Like
MacIntosh
for example?
Heck, the vacuum tube radio in my '63 Falcon sounded great!

Bob R.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
On Behalf Of Tom Hargrave
Sent: Saturday, December 29, 2007 3:31 PM
To: mercedes@okiebenz.com
Subject: Re: [MBZ] The death of high fidelity

Peter,

I'm an old vacuum tube guy and I still restore vacuum tube radios and
amps today.

Some corrections & additions:

Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
device while a transistor is a current controlled device and either can
be driven to clip. Clipping is nothing more than the device being turned
all the way on or off before the input signal reaches full potential.
Transisitor clipping is sharper than vacuum tube clipping.

Vacuum tube amps distort more than transistor amps and the vacuum tube
distortion is interpreted as a "warmer  sound". Transistor amp
manufacturers have not been able to duplicate this distortion because
it's mechanical - it's in the physical tube design itself. I can still
hear the difference in the old radios & amps I work on today. You
believe the sound from a vacuum tube amp is "higher quality" because it
actually sounds better. Put a scope on the output of a tube amp & a
transistor amp and compare the difference and it's obvious that the
transistor amp output is cleaner.


Tom
www.kegkits.com


- Original Message -
From: Peter Frederick <[EMAIL PROTECTED]>
Received: 12/29/07 5:13 PM
To: Mercedes Discussion List 
CC: 
Subject: Re: [MBZ] The death of high fidelity

Fidelity = true to source.  Not today!

Vacuum tube amps always sound much better than transistor amps, as they 
don't clip (covert too high an amplitude sine wave to a flat topped 
wave, with extra harmonics).  Takes an enormous capacity transistor to 
not clip, and tubes never do.  Other than the background hiss of 
electrons flying an inch or so, they are much nicer.  Some problems 
with exact reproduction due to internal hysteresis, but that's present 
in transistor amps, too.

Given that MP3 compressions are rather extreme (and everyone has crappy 
amplifiers in their iPods and etc turned up way beyond ear damage level 
--why anyone MAKES an amplifier that puts out more than 80 dB in those 
things is beyond me), the norm now is really bad reproduction, mostly 
of really poor musical quality stuff to start with (a stick on a 
plastic trash can over one's head, sort of).  No one remembers what 
real sound was, nothing is live anymore (rock concerts are mostly tape, 
I believe), and most listeners have hearing damage, there is no hope.

It's been going downhill for a long time, every since orchestral music 
was no longer recorded with a pair of mikes in the auditorium and was 
instead "mixed" from one stuffed up each instrument.  Digitization has 
markedly degraded things since, as it's way too easy to fiddle it 
later.

I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
reproduction.  Not a chance in the bad place, I guess.

Ditto for photography, by the way -- digital is easier, but I'm 
unconvinced that it's better.

Just the old curmudgeon here.

Peter


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
it's all a whole different game now.  it's a game of high volume at a low
price.  it's about making stuff that can be transferred from place to place
quickly and easily.  the internet is the new paradigm.  the days of silver
halide are long gone and images are what works for myspace.  we got pissed
off when film went to tape and now tape looks like a bargain compared to
mp4.

there is a story i've told many times before, so i'll tell it again.  dude
takes his 8x10 camera out to the national park to do the ansel adams.  he
takes a picture of the hill across the valley.  on the developed picture,
she sees something that looks a little different.  he blows it up and sees
it is a parking lot.  he blows up the parking lot, and there is a yellow
school bus.  he blows up the school bus and sees a license plate.  he blows
up the license plate and sees it is from alberta and reads the number.

but you can't stop progress.  we can be luddites in our spare time and mess
with the old day, but i think we either keep up with the technology or we
just get left behind.

On Dec 29, 2007 5:12 PM, Peter Frederick <[EMAIL PROTECTED]> wrote:

> Fidelity = true to source.  Not today!
>
> Vacuum tube amps always sound much better than transistor amps, as they
> don't clip (covert too high an amplitude sine wave to a flat topped
> wave, with extra harmonics).  Takes an enormous capacity transistor to
> not clip, and tubes never do.  Other than the background hiss of
> electrons flying an inch or so, they are much nicer.  Some problems
> with exact reproduction due to internal hysteresis, but that's present
> in transistor amps, too.
>
> Given that MP3 compressions are rather extreme (and everyone has crappy
> amplifiers in their iPods and etc turned up way beyond ear damage level
> --why anyone MAKES an amplifier that puts out more than 80 dB in those
> things is beyond me), the norm now is really bad reproduction, mostly
> of really poor musical quality stuff to start with (a stick on a
> plastic trash can over one's head, sort of).  No one remembers what
> real sound was, nothing is live anymore (rock concerts are mostly tape,
> I believe), and most listeners have hearing damage, there is no hope.
>
> It's been going downhill for a long time, every since orchestral music
> was no longer recorded with a pair of mikes in the auditorium and was
> instead "mixed" from one stuffed up each instrument.  Digitization has
> markedly degraded things since, as it's way too easy to fiddle it
> later.
>
> I'm all for live and recordings ON TAPE IN ANALOG with unchanged
> reproduction.  Not a chance in the bad place, I guess.
>
> Ditto for photography, by the way -- digital is easier, but I'm
> unconvinced that it's better.
>
> Just the old curmudgeon here.
>
> Peter
>
>
> ___
> http://www.okiebenz.com
> For new parts see official list sponsor: http://www.buymbparts.com/
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Robert Rentfro
Isn't all the wicked high-end audiophile stuff still tube? Like MacIntosh
for example?
Heck, the vacuum tube radio in my '63 Falcon sounded great!

Bob R.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Tom Hargrave
Sent: Saturday, December 29, 2007 3:31 PM
To: mercedes@okiebenz.com
Subject: Re: [MBZ] The death of high fidelity

Peter,

I'm an old vacuum tube guy and I still restore vacuum tube radios and
amps today.

Some corrections & additions:

Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
device while a transistor is a current controlled device and either can
be driven to clip. Clipping is nothing more than the device being turned
all the way on or off before the input signal reaches full potential.
Transisitor clipping is sharper than vacuum tube clipping.

Vacuum tube amps distort more than transistor amps and the vacuum tube
distortion is interpreted as a "warmer  sound". Transistor amp
manufacturers have not been able to duplicate this distortion because
it's mechanical - it's in the physical tube design itself. I can still
hear the difference in the old radios & amps I work on today. You
believe the sound from a vacuum tube amp is "higher quality" because it
actually sounds better. Put a scope on the output of a tube amp & a
transistor amp and compare the difference and it's obvious that the
transistor amp output is cleaner.


Tom
www.kegkits.com


- Original Message -
From: Peter Frederick <[EMAIL PROTECTED]>
Received: 12/29/07 5:13 PM
To: Mercedes Discussion List 
CC: 
Subject: Re: [MBZ] The death of high fidelity

Fidelity = true to source.  Not today!

Vacuum tube amps always sound much better than transistor amps, as they 
don't clip (covert too high an amplitude sine wave to a flat topped 
wave, with extra harmonics).  Takes an enormous capacity transistor to 
not clip, and tubes never do.  Other than the background hiss of 
electrons flying an inch or so, they are much nicer.  Some problems 
with exact reproduction due to internal hysteresis, but that's present 
in transistor amps, too.

Given that MP3 compressions are rather extreme (and everyone has crappy 
amplifiers in their iPods and etc turned up way beyond ear damage level 
--why anyone MAKES an amplifier that puts out more than 80 dB in those 
things is beyond me), the norm now is really bad reproduction, mostly 
of really poor musical quality stuff to start with (a stick on a 
plastic trash can over one's head, sort of).  No one remembers what 
real sound was, nothing is live anymore (rock concerts are mostly tape, 
I believe), and most listeners have hearing damage, there is no hope.

It's been going downhill for a long time, every since orchestral music 
was no longer recorded with a pair of mikes in the auditorium and was 
instead "mixed" from one stuffed up each instrument.  Digitization has 
markedly degraded things since, as it's way too easy to fiddle it 
later.

I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
reproduction.  Not a chance in the bad place, I guess.

Ditto for photography, by the way -- digital is easier, but I'm 
unconvinced that it's better.

Just the old curmudgeon here.

Peter


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Tom Hargrave
Peter,

I'm an old vacuum tube guy and I still restore vacuum tube radios and
amps today.

Some corrections & additions:

Vacuum tubes will & do clip. A vacuum tube is a voltage controlled
device while a transistor is a current controlled device and either can
be driven to clip. Clipping is nothing more than the device being turned
all the way on or off before the input signal reaches full potential.
Transisitor clipping is sharper than vacuum tube clipping.

Vacuum tube amps distort more than transistor amps and the vacuum tube
distortion is interpreted as a "warmer  sound". Transistor amp
manufacturers have not been able to duplicate this distortion because
it's mechanical - it's in the physical tube design itself. I can still
hear the difference in the old radios & amps I work on today. You
believe the sound from a vacuum tube amp is "higher quality" because it
actually sounds better. Put a scope on the output of a tube amp & a
transistor amp and compare the difference and it's obvious that the
transistor amp output is cleaner.


Tom
www.kegkits.com


- Original Message -
From: Peter Frederick <[EMAIL PROTECTED]>
Received: 12/29/07 5:13 PM
To: Mercedes Discussion List 
CC: 
Subject: Re: [MBZ] The death of high fidelity

Fidelity = true to source.  Not today!

Vacuum tube amps always sound much better than transistor amps, as they 
don't clip (covert too high an amplitude sine wave to a flat topped 
wave, with extra harmonics).  Takes an enormous capacity transistor to 
not clip, and tubes never do.  Other than the background hiss of 
electrons flying an inch or so, they are much nicer.  Some problems 
with exact reproduction due to internal hysteresis, but that's present 
in transistor amps, too.

Given that MP3 compressions are rather extreme (and everyone has crappy 
amplifiers in their iPods and etc turned up way beyond ear damage level 
--why anyone MAKES an amplifier that puts out more than 80 dB in those 
things is beyond me), the norm now is really bad reproduction, mostly 
of really poor musical quality stuff to start with (a stick on a 
plastic trash can over one's head, sort of).  No one remembers what 
real sound was, nothing is live anymore (rock concerts are mostly tape, 
I believe), and most listeners have hearing damage, there is no hope.

It's been going downhill for a long time, every since orchestral music 
was no longer recorded with a pair of mikes in the auditorium and was 
instead "mixed" from one stuffed up each instrument.  Digitization has 
markedly degraded things since, as it's way too easy to fiddle it 
later.

I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
reproduction.  Not a chance in the bad place, I guess.

Ditto for photography, by the way -- digital is easier, but I'm 
unconvinced that it's better.

Just the old curmudgeon here.

Peter


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-- 
No virus found in this incoming message.
Checked by AVG Free Edition. 
Version: 7.5.516 / Virus Database: 269.17.12/1202 - Release Date:
12/29/2007 1:27 PM



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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Gary Hurst
i'm thinking, what would phil spector do about all this?  then it occurs to
me that he'd just shoot some woman.

On Dec 29, 2007 3:54 PM, <[EMAIL PROTECTED]> wrote:

> The death of music, more likely.
>
>
>
> http://www.rollingstone.com/news/story/1619/the_death_of_high_fidelity/print
>
>
>
> **
> See AOL's top rated recipes
> (http://food.aol.com/top-rated-recipes?NCID=aoltop000304)
> ___
> http://www.okiebenz.com
> For new parts see official list sponsor: http://www.buymbparts.com/
> For used parts email [EMAIL PROTECTED]
>
> To Unsubscribe or change delivery options go to:
> http://okiebenz.com/mailman/listinfo/mercedes_okiebenz.com
>
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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Peter Frederick
Fidelity = true to source.  Not today!

Vacuum tube amps always sound much better than transistor amps, as they 
don't clip (covert too high an amplitude sine wave to a flat topped 
wave, with extra harmonics).  Takes an enormous capacity transistor to 
not clip, and tubes never do.  Other than the background hiss of 
electrons flying an inch or so, they are much nicer.  Some problems 
with exact reproduction due to internal hysteresis, but that's present 
in transistor amps, too.

Given that MP3 compressions are rather extreme (and everyone has crappy 
amplifiers in their iPods and etc turned up way beyond ear damage level 
--why anyone MAKES an amplifier that puts out more than 80 dB in those 
things is beyond me), the norm now is really bad reproduction, mostly 
of really poor musical quality stuff to start with (a stick on a 
plastic trash can over one's head, sort of).  No one remembers what 
real sound was, nothing is live anymore (rock concerts are mostly tape, 
I believe), and most listeners have hearing damage, there is no hope.

It's been going downhill for a long time, every since orchestral music 
was no longer recorded with a pair of mikes in the auditorium and was 
instead "mixed" from one stuffed up each instrument.  Digitization has 
markedly degraded things since, as it's way too easy to fiddle it 
later.

I'm all for live and recordings ON TAPE IN ANALOG with unchanged 
reproduction.  Not a chance in the bad place, I guess.

Ditto for photography, by the way -- digital is easier, but I'm 
unconvinced that it's better.

Just the old curmudgeon here.

Peter


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Re: [MBZ] The death of high fidelity

2007-12-29 Thread Kaleb C. Striplin
I have always thought the high fidelity stereo sounded better in the 
50's and 60's that it did in later years and the present.

[EMAIL PROTECTED] wrote:
> The death of music, more likely.
> 
> 
> http://www.rollingstone.com/news/story/1619/the_death_of_high_fidelity/print
> 
> 
> 
> **
> See AOL's top rated recipes 
> (http://food.aol.com/top-rated-recipes?NCID=aoltop000304)
> ___
> http://www.okiebenz.com
> For new parts see official list sponsor: http://www.buymbparts.com/
> For used parts email [EMAIL PROTECTED]
> 
> To Unsubscribe or change delivery options go to:
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> 

-- 
Kaleb C. Striplin/Claremore, OK
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  91 300D, 90 420SEL, 89 560SEL, 89 260E, 87 300SDL, 85 380SE 5.0 Euro,
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  76 300D, 72 250C, 69 250
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[MBZ] The death of high fidelity

2007-12-29 Thread RELNGSON
The death of music, more likely.


http://www.rollingstone.com/news/story/1619/the_death_of_high_fidelity/print



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