But it makes no sense to use dbV or dbSPL for a digital system unless
you have a well defined mapping from 0dBFS to a reference voltage and/or
sound pressure level.
What I learned is that recording engineers have the mappings from 0 dbFS
to dbV for certain microphone and preamp configurations.
I
music-dsp-requ...@music.columbia.edu wrote:
from 30 to 60 or so
for an expert EA concert presentation
Huh? I had a moderate quality cassette recorder in the 70s which had
better normally measured properties than that...
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I am saying that the mastered dynamic range is such, not the dynamic
range of the gear. The range from the soft parts to the loud parts,
not from the noise floor the clipping ceiling.
Regards,
Mike
On 1/19/12, Theo Verelst theo...@tiscali.nl wrote:
music-dsp-requ...@music.columbia.edu wrote:
