I was quite non-professionally (in both meanings) doodling with Maxima
and got back to where I was in lke 1985 too, to thing about what the
right Frequency Modulation definition might be, for instance: is it more
"phase-distortion" (modulation), or, when it is actually the frequency
which va
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the 12th international conference on New Interfaces for Musical Expression
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The conference web-site can be found at:
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On Thu, 15 Sep 2011 16:05:52 +0100
Gwenhwyfaer wrote:
> A few points:
>
> On 12/09/2011, Andy Farnell wrote:
> >
> > If you are heading towards DX7 style FM then notice
> > that only two of the oscillators (2 and 6) can have
> > feedback, and that this is self feedback.
>
> Not so - for exampl
What do you mean software FM synths? Such a design implemented in
Csound, for instance is
pretty low-cost, even without any approximations or tricks.
Victor
On 15 Sep 2011, at 16:05, Gwenhwyfaer wrote:
Without interpolation or even multiplication, no less. It's always
puzzled me why, when the
A few points:
On 12/09/2011, Andy Farnell wrote:
>
> If you are heading towards DX7 style FM then notice
> that only two of the oscillators (2 and 6) can have
> feedback, and that this is self feedback.
Not so - for example, in algorithm 4, operator 4 feeds back to op 6.
(However, it is true of
Hi,
Just a reminder that if you are new to the list you should read the
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adminstrative questions that often come up on the list. If your question
appears in the FAQ it is safe to assume that it has been discussed on the
list many times in t
