of spoofing that email address - just type it
into the webpage and click twice. Hiding it behind a password would at
least make it a little bit more difficult.
-- gwenhwyfaer
On 28/07/2016, Stefan Stenzel <stefan.sten...@waldorfmusic.de> wrote:
> Robert is the gist of this list, he can r
Well, bandlimited to a bandwidth fs/2 (but the distinction isn't
useful for audio), and given perfect reconstruction circuitry. But as
far as I can gather, Theo's concern is what happens when, as is
inevitable in practice, the reconstruction circuitry is imperfect?
And that is an interesting
On 12/02/2015, gwenhwyfaer gwenhwyf...@gmail.com wrote:
On 11/02/2015, Andrew Simper a...@cytomic.com replied to me:
... I made 7 sawtooth
waves with random (static) phases and one straightforward sawtooth
wave, with all partials in phase. I just listened to it again, to
check my memory
On 11/02/2015, Andrew Simper a...@cytomic.com replied to me:
... I made 7 sawtooth
waves with random (static) phases and one straightforward sawtooth
wave, with all partials in phase. I just listened to it again, to
check my memory. On a half-decent pair of headphones, the difference
between
On 10/02/2015, Didier Dambrin di...@skynet.be wrote:
Pretty easy to check the obvious difference between a pure low sawtooth, and
the same sawtooth with all partials starting at random phases.
Ah, this again? Good times. I remember playing. I made 7 sawtooth
waves with random (static) phases
Well, from the synth's point of view, it may receive controller
messages from multiple controllers, but it seems a safe assumption
that any controller will either send only MSBs, or will send LSBs
interspersed with the occasional MSB. So how about this?
While a synth only receives MSBs for a
On 06/02/2015, gwenhwyfaer gwenhwyf...@gmail.com wrote:
LSB to the same as the MSB; however, as soon as an LSB is received for
a synth*, it notes that the controller has entered 14-bit mode, and
*for a CONTROLLER. Must learn to proofread better.
--
dupswapdrop -- the music-dsp mailing list
On 24/12/2014, Nigel Redmon earle...@earlevel.com wrote:
Naw, mhos is a one-off. It's fun, pronounceable, and in common use (since
1883!). Don't get carried away. Besides, it makes me think of The Three
Stooges, and smile.
Which in turn makes me wonder what would be measured in curlhis or
On 09/12/2014, Johannes Taelman johannes.tael...@gmail.com wrote:
With all the questions about ports: is there anything wrong with the
Axoloti hardware as I plan (besides not being available currently)?
I think you might have answered your own question there...
However, if it runs on a
On 08/12/2014, robert bristow-johnson r...@audioimagination.com wrote:
it's about
2. Windowing (and the effects thereof)
and the
3. Periodic extension inherent to the DFT (and the effects thereof).
That's the key, it seems to me. Theo saw a sawtooth whose cycle length
doesn't match
On 08/12/2014, Jerry lancebo...@qwest.net wrote:
I think the OP is a bit of a beginner and that the usual generous response
of this list would be helpful.
That's, um, not how Theo represents himself.
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code
Sounds nifty!
I read suggestions that the internal DAC was quite noisy, but it
doesn't sound that way. Have you found that there are certain things
you need to avoid to make it acceptably quiet, or is it just OK in
practice?
On 13/10/2014, Scott Gravenhorst music.ma...@gte.net wrote:
Ethan Duni
On 27/03/2014, Doug Houghton doug_hough...@sympatico.ca wrote:
consider this from a wiki page
A bandlimited signal can be fully reconstructed from its samples, provided
that the sampling rate exceeds twice the maximum frequency in the
bandlimited signal.
Actually twice the *bandwidth*. In
On 26/02/2014, Risto Holopainen rist...@hotmail.com wrote:
When it comes to programming hard sync, I would use oversampling. I'm not
saying that you should, I'm just lazy enough to do it the easy way.
You need to oversample a *lot* to chase away aliasing, though. The
Alesis Fusion - and its
bandlimit the slave's phase - bandlimit the slave's output. oops.
and I do know how to spell interpolation, honest.
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews, dsp
links
http://music.columbia.edu/cmc/music-dsp
On 26/02/2014, Risto Holopainen rist...@hotmail.com wrote:
Now, for my part, I find soft sync much more useful. I don't know what
attempts there have been to do soft sync in digital oscillators, if anyone
knows I'd be interested.
Nobody agrees on whether soft sync is knock the waveform into
On 03/11/2013, robert bristow-johnson r...@audioimagination.com wrote:
the point is that if you upsample, then soft-clip, then LPF, and finally
downsample back to the original sample rate, you need only prevent the
aliases from getting back into your *original* baseband. it doesn't
matter
I can see the above binary, which implies that attaching a pretty
explanatory image can be done without resorting to HTML (just not in
line). So I'll say no HTML too. (I use gmail myself, but I use it on
a text-based browser. I also occasionally use mailx to access gmail.)
What sort of email
On 26/10/2012, robert bristow-johnson r...@audioimagination.com wrote:
say, any among you using a Mac and Octave and gnuplot? i used to be
able to plot with Octave, it would start up X11 and if i set the
variable GNUTERM=x11 before starting Octave this would work. now it
doesn't :-(
On 27/10/2012, gwenhwyfaer gwenhwyf...@gmail.com wrote:
On 26/10/2012, robert bristow-johnson r...@audioimagination.com wrote:
say, any among you using a Mac and Octave and gnuplot? i used to be
able to plot with Octave, it would start up X11 and if i set the
variable GNUTERM=x11 before
On 09/04/2012, Julian Schmidt julian_schm...@chipmusik.de wrote:
yes exactly. it's cheaper than buying the cortex m4 chip alone.
and you get a stereo codec (with limiter and equalizer)
Stupid question, but the limiter is turned off, isn't it...?
--
dupswapdrop -- the music-dsp mailing list and
On 18/09/2011, Rainer Buchty rai...@buchty.net wrote:
On Thu, 15 Sep 2011, Gwenhwyfaer wrote:
The SY77 has more algorithms and three arbitrary feedback loops - and
in fact, will allow entirely arbitrary operator patching over MIDI,
with each operator able to accept two scaled inputs.
Did
A few points:
On 12/09/2011, Andy Farnell padawa...@obiwannabe.co.uk wrote:
If you are heading towards DX7 style FM then notice
that only two of the oscillators (2 and 6) can have
feedback, and that this is self feedback.
Not so - for example, in algorithm 4, operator 4 feeds back to op 6.
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
LuaJIT is being ported by its impressive author, Mike Pall, to PowerPC
architecture, for pay.
So with an iPad and a whip-round...? ;)
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
What is a whip-round?
An impromptu collection of money, generally for a benevolent cause.
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews, dsp
links
On 31/01/2011, Ross Bencina rossb-li...@audiomulch.com wrote:
Scenario: I invest 1000s of person-years devising a completely original
ultra-fast zero-latency convolution algorithm.
Might I humbly suggest that the life extension technology which would
enable you to take thousands of person-years
*emerges from cover, looks around timidly*
...have the big scary beasts finished their territory skirmish now...?
*hears noise, startles, scuttles back behind cover*
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews,
*emerges from cover, looks around timidly*
...have the big scary beasts finished their territory skirmish now...?
*hears noise, startles, scuttles back behind cover*
--
dupswapdrop -- the music-dsp mailing list and website:
subscription info, FAQ, source code archive, list archive, book reviews,
On 22/11/2010, Stephen Blinkhorn stephen.blinkh...@audiospillage.com wrote:
Consistency and order - that's what we need more of today! ;)
Only in sound reproduction terms, trust me ;)
Vinyl is like a good synth - some days it just doesn't work out right
but when it does it's magic. CDs are
29 matches
Mail list logo
