Second this; I'm on some other lists where I'm totally quiet; I have to
dig through the language and I feel if I don't respond in kind I'll be
ignored or tolerated at best. -
On Mon, 5 Mar 2018, Edward Picot via NetBehaviour wrote:
Marc -
Your stuff I can understand. It's full of
Marc -
Your stuff I can understand. It's full of references to people I've
never heard of, but I can understand it. Keep writing it!
Edward
On 05/03/18 11:39, marc.garrett via NetBehaviour wrote:
Hi Edward,
Fair enough - I wouldn't dare use those words, and i think it makes
the subject
Hi Edward,
Fair enough - I wouldn't dare use those words, and i think it makes the subject
less interesting. However, if you fancy a bash at this -- Marc Garrett -
Unlocking Proprietorial Art Systems.
It's a sketch at the moment, and will be published in an academic book after a
rigorous peer
Sorry, Marc, I'm going to have to pass on this one. 'Protocological
internet layer'... 'ongoing expansion of identification strategies'...
'a sovereign chronological regime'... 'capacities to proof... data'? What?
I thought maybe he was just trying to make a big impression in the
opening
The Blockchain as a Modulator of Existence
By: Oliver Leistert
"The advent of the blockchain as a protocological internet layer for values
corresponds to a continuing monetization pressure and ongoing expansion of
identification strategies. Notwithstanding these trajectories, behind this
The untenable technophobia of the Left
Simona Levi and Xnet 2 March 2018
"At least in Spain, the conservative Right tries to censor and jail as many
Twitter users as it can. Fair enough. That is their goal: why would the Right
not want to suppress rights and freedoms? It wouldn’t be the Right
A new Internet performance work – igaies: intimate glitches across internet
errors - will debut at the Art of the Networked Practice Online Symposium
(March 29-31) by Chicago glitch artist Jon Cates (US) and collaborators:
Roberto Sifuentes (US), Arcángel Constantini (MX), Shawné Michaelain
