The trouble with souls is they’re all exactly the same -
Link to drawing https://www.instagram.com/p/CGyo8ZjHEeF/?igshid=layd1zajpfxq
‘Anyway so I had this vision’, L looked over at Bron who was arranging herself
on the saddle of the small white Arab horse she was astride. Dressed in full
OUD
http://www.alansondheim.org/oud.jpg
http://www.alansondheim.org/oudnow.mp3
return to the oud after several months,
we waited carefully for each other, then danced
then danced
today's Unix Fortune:
Shamus, n. [Yiddish]:
A shamus is a guy who takes care of handyman tasks around
There are some interesting talks and network performances at the Pitea
Biennale, Sweden, between Monday to Wednesday this week 26-28 October.
I’m on the Network as Place plenary panel on Tuesday introducing my work with
the musicians from the Iranian/Australian diaspora in the Net Diasporas
dear Antye (AGF),
thank you for sharing your new soundpoem,
it cuts into the skin, and is indeed disturbingly powerful, especially as it
builds up the urgency of the multiplied and resonating voices, a kind of
lament chorus. The protest you express, against femicide, is like a powerful
That's really powerful.
On 25/10/2020 12:48, AGF poemproducer wrote:
dear net list
sharing my new sound work with you
I welcome your feedback
‘insisting to remember’
a/v work 13.54min 2020
#feministsonictechnologies
https://rec-on.org/insistingtoremember.html
direct video link
this is a fantastic resource! :)
On 22.10.20 20:03, Evelin Stermitz wrote:
>
> Cyberfeminism Index is an in-progress online collection of resources
> for techno-critical works from 1990–2020, gathered and facilitated by
> Mindy Seu.
>
> The project was commissioned by Rhizome and is now live on
thank you for yor kind words!
I wish you and the people in the US sanity
and success
agee
> On 25 Oct 2020, at 17:05, Alan Sondheim via NetBehaviour
> wrote:
>
> Thank you for this, it's brilliant and intense, and redolent with our daily
> news/noose here in Amerikkka.
> It's hard to listen
Thank you for this, it's brilliant and intense, and redolent with our daily
news/noose here in Amerikkka.
It's hard to listen to, all our news here is either attack or lament, what
I've called splatter semiotics; the knife-edge of the visuals brings the
issue front, in waves.
For what it's worth,
Hi Ruth,
I think you are totally right about the body work and role of the body, which
even over videocall in pandemic, once removed spatially, is "there" in a
present moment. Then the unique kind of learning and seeing that happens in
concert in that present has a completely unique actual
dear net list
sharing my new sound work with you
I welcome your feedback
‘insisting to remember’
a/v work 13.54min 2020
#feministsonictechnologies
https://rec-on.org/insistingtoremember.html
direct video link
https://rec-on.org/video/InsistingToRemember241020.mp4
thank you for listening
Thanks Alan and Max for your generous and encouraging attention on this
piece.
To my shame I didn't know Ann Halprins work. I couldn't immediately see the
connection but there is something very powerful to learn here about
collective improvisation in response to simple instructions. It also
thanks Ruth -I saw you posted it on twitter! Anna is a *formidable*
organiser!warmest
Michael
On Friday, October 23, 2020, 11:24:47 AM GMT+1, Ruth Catlow
wrote:
I love how full of information and evidence this is Michael. Please thank Anna
for us. We are pushing it on Twitter.
: )
I already have some bids for this, but I thought I'd post it here too - the
highest bidder ( by 8 tonight uk time) gets the painting post free and all the
money will go to the womens' strike organisation in Poland who are
co-ordinating ( brilliantly!) the current pro-choice protests
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