[NetBehaviour] ArtFutura Festival London 2018/2019

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ArtFutura 2018 London
http://www.artfutura.org/v3/en/

ArtFutura Festival of Digital Culture and Creativity edition 2018/2019 titled 
Humanized Technology will be in London @ Stour Space, on 22-23-24 November 
2018. We have invited Estela Oliva, Paul Friedlander,  Claude Heiland-Allen, 
Christian Duka & Marco Maldarella, and Mowgli & the Slate Pipe Banjo Draggers 
to play live performances and talks. The Festival will also present six hours 
of the best AV productions of the present moment, within different sections. 

Thursday 22nd November 201819:30 Doors
20:00 Premiere (1h) + Behind the Scenes (30min)
21:30 Artist talk Paul Friedlander (1h)
22:30 Live AV performance – Claude Heiland-Allen

Friday 23rd November 2018
19:30 Doors
20:00 Estela Oliva presents CLON (30 min)
20:30 3D Futura show (1h)
21:30 Futura graphics (1h)
22:30 Live AV performance – Mowgli and the slate pipe banjo draggers

Saturday 24rd November 2018
19:30 Doors
20:00 Artworks (40min)
21:00 Schools (1h)
22:00 Live AV performance – Christian Duka & Marco Maldarella

 
TICKETS on EVENTBRITE
https://www.eventbrite.com/e/artfutura-london-tickets-49808017120


HUMANIZED TECHNOLOGY What does it mean to be human in the age of technology? 
And does digital technology adapt to our real aspirations and needs or is it 
the other way around? Perhaps we are heading towards a more friendly, more 
empathic and more human world? Or are we going in the opposite direction? With 
the technological revolution, the Internet and social networks, we have 
fostered the intimate possibilities of the self, but we have also developed 
technologies such as Virtual Reality or Mixed Reality that may allow us to 
create extended, more perfect, compassionate and empathetic communication 
networks between people. And to understand this new symbiosis between humanity 
and technology, art is a crucial element. The network of artists and 
researchers Collaboration for Humane Technologies affirms that “at the heart of 
our creative action is the conviction that to generate viable futures we must 
critically rethink technological progress in favor of a posthumanism that is 
neither anti-human nor exclusively to sustain the human life, as we know it 
today”.

The new ArtFutura edition will start in Autumn 2018 in more than 20 cities, 
with special activities in London, Ibiza, Madrid and Alicante.


SCREENINGS

Premiere (1h) 
The Premiere of ArtFutura is usually presented on the opening nightof the 
festival and includes selections of the best and most impressive works of the 
program: 3D Futura Show, Futura Graphics, Artworks, Behind the Scenes and 
Schools.

Behind the Scenes (30min) 
A new section on the “Making ofs ”. Mini documentaries that expose the secrets 
behind the magic of special effects and 3D animation..
Including pieces on te works of ManvsMachine, Goodbye Kansas, Wow Inc., Mikros 
Image y otros . 

3D Futura Show (1h)
Every year, the 3D Futura Show presents the most outstanding international 
works of computer animation and reflects on the evolution, both technical and 
in content, of this creative field. Productions from top studios and freelance 
artists. Everything has a place in this program that surprises us every year 
with its originality and technical capability.
Including new animations by Goodbye Kansas, Julius Horsthuis, Maxim Zhestkov, 
Hans-Christoph Schultheiss, Mads Broni , Simon Christoph Krenn. Nicolas 
Deveaux, Besjan Sertolli , Peter Tomaszewicz, Laurent Witz y Dusan Kastelic.

Futura Graphics (1h) 
Futura Graphics highlights the most brilliant shorts in the field of new 
aesthetics: digital animations, experimental shorts, video clips and mixed 
works in the pursuit of new languages. 
With works by Alex Popescu, Lubomir Arsov, Nexus Studios, WOW Inc., Substance, 
Klub Simon, Michael Enzbrunner, Serjan Burlak, Mike Mort...

Artworks (30min)
Digital Art, New Media, Virtual Reality, Dance, Performance… The Artworks 
program shows new forms of documenting the digital creativity of our time. And 
it does so by generating new ways of experiencing and feeling the artistic 
experience.
Works by Teamlab, WOW, Ouchhh, h0nh1m…. and others.

Schools (1h)
A new section dedicated to the best recent works of schools around the world. 
From 3D to special effects and motion graphics.
Selected schools in France, Denmark, Spain, United States… With names like 
Lightbox Academy, ESMA, ISART, New3DGE, MOPA, Rubika… that are present in this 
program of the highest level.


TICKETS on EVENTBRITE
https://www.eventbrite.com/e/artfutura-london-tickets-49808017120


ARTISTS

Paul Friedlander

Paul Friedlander (born 1951) is a light artist who first trained as a 
physicist. Friedlander obtained a bachelor's degree in Physics and Mathematics 
at the University of Sussex and was tutored by Sir Anthony Leggett who later 
was awarded a Nobel Prize for his work on superfluidity. In 1976 he graduated 
with a B.A. in Fine Art at Exeter College of Art, UK. Friedlander worked 

[NetBehaviour] Karkowski re:mix Saturday 15 September

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“Karkowski re:mix".

Karkowski re:mix is a homage to Zbigniew Karkowski, the Polish experimental 
musician and composer.
https://en.wikipedia.org/wiki/Zbigniew_Karkowski

FILMS / TALKS / CONCERTS

Saturday 15 September 2018

NEW RIVER STUDIOS

TICKETS ON RESIDENT ADVISOR
https://www.residentadvisor.net/events/1155432


16:00 – 18:00 FILMS Ex L’tronica Karkowski re:mix - screening

18:00 – 19:30 TALKS

CONCERTS
19:45 – 20:15 Laura Netz
20:15 – 20:45 Robert Piotrowicz
20:45 – 21:15 Gerard Lebik
21:15 – 21:45 Maciej Ożóg
21:45 – 22:15 Anna Zaradny
22:15 – 22:45 Atau Tanaka


POLISH ARTISTS:

- Anna Zaradny
Visual artist, composer, improviser, sound art artist, music festival animator, 
author of installations and objects. Born in 1977 in Szczecin. Anna Zaradny is 
known for collaborating with other artists during live performance, in the 
studio and via multidisciplinary projects/installations encompassing various 
forms of art. Her practice involves music, video, photography, dance and 
objects. Anna is also an accomplished and critically acclaimed solo composer 
and improviser, working with saxophone and sounds generated on laptop, free of 
borders, open to the effects of chance. Read more on Last.fm. User-contributed 
text is available under the Creative Commons By-SA License; additional terms 
may apply.
https://soundcloud.com/annazaradny

- Robert Piotrowicz
He has authored radio dramas, sound installations, and music for theatre 
productions, and collaborates regularly with other artists on audio-visual 
performances. As an instrumentalist, Piotrowicz works mainly with his own live 
performance setup, developed around the electric guitar and analogue modular 
synthesiser. His music has as much in common with contemporary electro-acoustic 
compositions as it does with sound art. His concerts feature saturated, 
detailed musical forms created with analogue synthesizers and computers. He has 
developed his trademark sound of intense dynamics seized in dramatic and 
balanced structures. PIotrowicz has released several solo albums as well as 
collaborations with artists such as Burkhard Stangl, Anna Zaradny, Jérôme 
Noetinger, C. Spencer Yeh and Kevin Drumm. Other collaborators in recent years 
included Valerio Tricoli, Oren Ambarchi, Martin Klapper, Zbigniew Karkowski, 
Łukasz Szałankiewicz, Lasse Marhaug, John Hegre, Kasper Toepltz, Xavier 
Charles,Tony Buck and others.
https://soundcloud.com/robertpiotrowicz

- Gerard Lebik
his music and sound works oscillate between improvised and composed forms. 
Using acoustic and electronic media, he focuses on such phenomena as time, 
space, the perception of sound waves. Founder of the Sanatorium of Sound 
festival/platform for experimental and new music. collaborated and performed 
with: Keith Rowe, Phil Minton, Ryoko Akama, Lucio Capece, David Maranha, Kasper 
T. Toeplitz, Eryck Abecassis, Paul Lovens, Piotr Wojtasik, Kazuhisa Uchihashi, 
Jerome Noetinger, Noid, Klaus Filip and many others. participated: Kunsthalle 
Basel, TodaysArt Festival Hague, V: NM-Festival Graz, Biennale Zagreb, Tokyo 
Jazz, Festival Umbrella Chicago, TD Vancouver, Bienalle Wro, Avant Art, Mem 
Bilbao, LulCec Barcelona, SuperDeluxe, Ftarri-Tokyo, Quite Que-Berlin, 
Fylkingen Stockholm, CSW Warsaw, De Werf Brugge, Dizzy’s Club NY…
http://gerardlebik.net/

- Maciej Ożóg
Maciej Ozog is a sound artist and culture theorist. Since the early nineties, 
he has been involved in the experimental music scene of Poland. Founder of many 
bands (ozog/knysak,Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum 
Oscillator, Nonstate i.a.). He works in the field of live multimedia 
performance, interactive installations and video art. In his solo performances, 
he critically explores the liminal territory between body physical activity and 
invisible electric infrastructure of hybrid space. He uses custom-designed 
instruments and devices as well as digital and analogue electronics
https://soundcloud.com/maciej-ozog

FROM LONDON:

- Atau Tanaka
Atau Tanaka bridges the fields of media art, experimental music, and research. 
He worked at IRCAM, was Artistic Ambassador for Apple France, has been 
researcher at Sony Computer Science Laboratory Paris, and was an Artistic 
Co-Director of STEIM in Amsterdam. Atau creates sensor-based musical 
instruments for performance, and is known for his work with biosignal 
interfaces. He seeks to harness collective musical creativity in mobile 
environments, seeking out the continued place of the artist in democratized 
digital forms. His work has been presented at Ars Electronica, SFMOMA, Eyebeam, 
V2, ICC, and ZKM and has been mentor at NESTA. He is Chair of Digital Media and 
Director of Culture Lab at Newcastle University.
http://ataut.net/

- Laura Netz
Laura Netz (Barcelona, 1982). Participant at hacking culture and noise scene 
has taken part in many international events, such as exhibitions, workshops, 
conferences, and concerts. As a Live Performer, she has acted 

[NetBehaviour] Sonic Electronics Festival

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Sonic Electronics Festival 


Borns with the need to create a place where to combine DIGITAL ARTS with 
ANALOGUE DEVICES and it is interested in showing processes of technological 
evolution. Within computation, the term DIGITAL, and its contrary, ANALOGUE, 
are frequently used to denote the difference between a numerical-digital and a 
physical model and help to separate out theoretical abstract computation from 
any particular concrete computational, and thus material, iteration.
 
So, SEF has as a reference the use of CODE as an original TECHNOLOGY for making 
MUSIC. It enjoys the DIY and HANDMADE spirit which ARTISTS, MUSICIANS, CODERS, 
MAKERS & HACKERS share. The activity fosters a community of tool DEVELOPERS and 
creative PRACTITIONERS interested in supporting creative practice through 
DIGITAL and ANALOGUE tools. The festival also opens to OS / OH practices in a 
counter-laboratory and participatory process.

SEF will present an EXHIBITION, WORKSHOPS, TALKS, CONCERTS, a PUBLICATION and a 
RECORD.

With the collaboration of Iklectik Art LAB, SEF will set for many days as an 
experiment that shows an exhibition, workshops and concerts. With this hybrid 
format, SEF wants to increase the audience experience and make them 
participant. (http://iklectikartlab.com/)




The Festival collaborates together with Chalton Gallery to present new media 
art exhibition, with interactive works, AV installations and the most advanced 
technologies in music with PD, and the use of open software. 
(chaltongallery.org)  


SEF also counts with the participation of POPklik, a London based collective in 
charge of the creative visual communication of the festival. 
(http://www.popklik.net) 


Claude Heiland-Allen, musician and software developer, is collaborating in the 
development of the festival and gives support as well as technical and 
aesthetic advice. (https://mathr.co.uk/)
 
SEF is curated by Laura Netz, curator, artist, and director of EAM 
elektronische-art-and-music, a curatorial agency and record label, altogether 
with a network of collaborators and artists who support and facilitate the 
event. (http://netzzz.net/) 


Supported using funding by Arts Council England 
 

PROGRAMME 

#Exhibition

Chalton Gallery

Opening Thursday 11 April 2019, 18:00h.

Exhibition opens 12 – 27 April 2019, 12:00h. – 18:00h.

Live Coding Concert Thursday 18 April, 19:00h. 

19:00 – 19:30 mathr 

19:30 – 20:00 Deerful 

20:00 – 20:30 w1n5t0n

20:30 – 21:00 0xA

21:00 – 21:30 peb

21:30 – 22:00 hmurd

#Workshops

Iklectik Art Lab

Saturday 01 June 2019

11:00 – 17:00 Fort Processor by Isn’tses

#Concerts & Talks

Iklectik Art Lab

Thursday 30 May 2019 – Sound Art / Media Art Talks

20:00 – 20:40 Lucia Farinati

20:40 – 21:20 Nina Power

21:20 – 22:00 Van de Michelis 

22:00 – 22:30 Giles Greenway

Friday 31 May 2019 – London Live AV Performances

20:00 – 20:30 raxil4

20:30 – 21:10 Bernhard Living

21:10 – 21:50 Isn’tses

21:50 – 22:30 Morphogenesis

Saturday 01 June 2019 – International Live AV Performance

20:00 – 20:40 Chris Speed

20:40 – 21:20 Blanca Regina

21:20 – 22:00 Alessandra Eramo

22:00 – 22:30 Slow Slow Loris

Sunday 02 June 2019 – 4.1 Sound system Live Music

19:00 – 19:40 Rebeca Glover & Fritha Jenkins

19:40 – 20:20 Vera Bremerton

20:20 – 21:00 Bioni Samp

21:00 – 21:40 Tony Morton

21:40 – 22:00 Johannes de Silentio



https://sonicelectronicsfestival.org/


 
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[NetBehaviour] OPEN CALL SEF2019!

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OPEN CALL
SONIC ELECTRONICS FESTIVAL 

Borns with the need to create a place where to combine DIGITAL ARTS with 
ANALOGUE DEVICES and it is interested in showing processes of technological 
evolution.

Within computation, the term DIGITAL, and its contrary, ANALOGUE, are 
frequently used to denote the difference between a numerical-digital and a 
physical model and help to separate out theoretical abstract computation from 
any particular concrete computational, and thus material, iteration.

So, SEF has as a reference the use of CODE as an original TECHNOLOGY for making 
MUSIC. It enjoys the DIY and HANDMADE spirit which ARTISTS, MUSICIANS, CODERS, 
MAKERS & HACKERS share. The activity fosters a community of tool DEVELOPERS and 
creative PRACTITIONERS interested in supporting creative practice through 
DIGITAL and ANALOGUE tools.

The festival also opens to OS / OH practices in a counter-laboratory 
participatory process.
 
SEF will present an EXHIBITION, WORKSHOPS, TALKS, CONCERTS, a PUBLICATION and a 
RECORD.



EXHIBITION – Chalton Gallery
Opening Thursday 11 April 2019, Exhibition opens on 12-27 April 2019.

WORKSHOPS, TALKS, CONCERTS – Iklectik Art Lab
Thursday 30 May, Friday 31 May, Saturday 01 June, and Sunday 02 June 2019.

OPEN CALL FOR:

# 1. Talks on Sound Arts / Media Arts. Thursday 30 May.
Iklectik Art Lab. From 8 pm.
Conditions: 40 minutes. Academics, independent researchers, any affiliation 
welcome. Sound Media Theory, Aesthetics, and Politics.

# 2. Live AV Performances. Saturday 01 June.
Iklectik Art Lab. From 8 pm.
Conditions: 30 minutes maximum. Females, Trans and Non-binary artists. Noise, 
Techno, Experimental electronics, Live Coding, Modular Synthesis, Free-improv, 
Electroacoustic, Acousmatic. Sound + Light / Projection.

# 3. Live Music for a 4.1 Sound System. Sunday 02 June.
Iklectik Art Lab. From 6.30 pm.
Conditions: 30 minutes maximum. Live Electroacoustic, Acousmatic, and Computer 
music for four channels sound system.

DEADLINE: 01 April 2019
SEND: Proposal 250 words + Bio + Link + Picture Hi-res.
CONTACT TO: Laura Netz | la...@netzzz.net

With the collaboration of Iklectik Art Lab, SEF will set for many days as an 
experiment that shows an exhibition, workshops and concerts.

The Festival collaborates with Chalton Gallery to present a new media art 
exhibition, with interactive works, AV installations and the technologies such 
as PD, Bela, and the use of open software.



SEF also counts with the participation of POPklik, a London based collective in 
charge of the creative visual communication of the festival.



Claude Heiland-Allen, musician and software developer, is supporting the 
development of the festival and gives support as well as technical and 
aesthetic advice.
SEF is curated by Laura Netz, curator, artist, and director of EAM 
elektronische-art-and-music, a curatorial agency and record label, altogether 
with a network of collaborators and artists who support and facilitate the 
event.




https://sonicelectronicsfestival.org/






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OPEN CALL

SONIC ELECTRONICS FESTIVAL borns with the need to create a place where to 
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[NetBehaviour] SEF Exhibition + Live Coding Concert

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Live Coding Concert, Thursday 18 April 2019, 7pm. 

With mathr, Deerful, w1n5t0n, 0xA, √p38, hmurd. 

On the occasion of Claude Heiland-Allen Exhibition Digital Art Computer 
Graphics FLOSS at Chalton Gallery. 

The exhibition will open till late, FREE The Kernel Brewery Beer, Concert at 
The Cock Tavern pub upstairs with 2.1 sound system + projections. 

19:00 - 19:30 mathr
19:30 - 20:00 Deerful 
20:00 - 20:30 w15nt0n
20:30 - 21:00 0xA
21:00 - 21:30 peb
21:30 - 22:00 hmrud

mathr
mathr aka Claude Heiland-Allen is an artist from London interested in the 
complex emergent behaviour of simple systems, unusual geometries, and 
mathematical aesthetics. Clive is an audio live-coding skeleton, implemented in 
C. It supports a two-phase edit-commit coding cycle allowing long-lived signal 
processing graphs to be modified without interrupting the sound. Performance 
with Clive usually involves pre-preparation, from simple unit generators up to 
more complete compositions. The live-coding aspect involves editing a file in 
the performer’s favourite text editor, with the act of saving with Ctrl-S or 
other shortcut being timed to allow the new code to start executing in sync 
after the latency of compilation.
https://mathr.co.uk/

Deerful
Deerful is Emma Winston, a London-based singer-songwriter, ethnomusicologist, 
PhD student, producer, live-coder, and algorithmic pixie dream girl. Her most 
recent record, Tell Me I Can Fix This On My Own, examines friendship, loss, 
potted plants, and the only episode of Black Mirror with a happy ending through 
live-coded electropop songs. She exists in a perpetual state of being far too 
excited about making things. Emma will play a set of songs and instrumentals in 
the live-coding environment ixi lang.
https://deerful.com

w1n5t0n
One of lnfiniteMonkeys, w1n5t0n enjoys live coding (in) time.
When playing TimeLines, a modular synthesizer and sequencer embedded in the 
Haskell programming language, w1n5t0n likes to think of music as a direct, 
explicit function of time. In other words, music is what happens when time 
flows through a mathematical function. It may be long and very particular about 
its composition, but it’s ultimately made out of many simple, perhaps even 
trivial, parts.
The result of that function travelling through time is a wave, which then goes 
on to travel through space and make air (and somehow humans too) dance.
One of w1n5t0n‘s favourite activities is looking for a different function every 
time and playing with it while it unfolds.
lnfinitemonkeys.com

0xA
* 0xA is a mess.
* 0xA is version controlled, so it’s OK.
* 0xA committers are using computers.
* 0xA has been around for a decade.
* 0xA rarely sounds the same twice (both bug and feature)
* 0xA means 11 in hexadecimal.
* 0xA has a Japanese launch model Mega Drive.
* 0xA told you so.
Terry Riley "In C" on four Game Boy

peb
peb is the moniker of electronic musician Daniel Evans. Their work is concerned 
with alternative harmonies, meandering pulses and extreme acoustic precision, 
where sound is seen as an inextricable part of space. Their research is in 
computational models of intonation and tuning, offering new horizons that would 
be unrealisable in the physical world. Their live performances involve the 
creation of immersive sonic environments.
https://p38.fun/

hmurd
Harry Murdoch plays music as hmurd, 1/2 of Cherche Encore and part of Music 
Hackspace.
https://soundcloud.com/hmurdoch


Links 
https://www.facebook.com/events/295753094666038/https://sonicelectronicsfestival.org/exhibition/

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[NetBehaviour] New Media Curators' meeting

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Hi!

Sorry for cross-posting.

Change the date: 

New Media Curators' meeting, Saturday 27 April 3 pm. 

Chalton Gallery + SEF 2019 Sonic Electronics Festival on the occasion of the 
exhibition "Claude Heiland-Allen. Digital Art. Computer Graphics. FLOSS" invite 
you to participate at the New Media Curators' meeting. 

Come and share your curatorial projects in new media art, software, digital, 
interactive installations, installation, light art, and so on. Come, explain 
and discuss to us about your research projects, curatorial platforms, exchange 
ideas, fundraising strategies, issues about curating, independent publishing, 
access to institutions, etc 

With the participation of CLOTmag, and others. 

Claude Heiland-Allen exhibition consists of different works such as digital 
prints, pure-data sound works, and different audio-visual, multimedia, and 
interactive installations. The artist works using free software and develops 
his own programs to create beautiful fractals, digital creations and new media 
environments. 

SEF 2019 Sonic Electronics Festival Borns with the need to create a place where 
to combine DIGITAL ARTS with ANALOGUE DEVICES and it is interested in showing 
processes of technological evolution. Within computation, the term DIGITAL, and 
its contrary, ANALOGUE, are frequently used to denote the difference between a 
numerical-digital and a physical model and help to separate out theoretical 
abstract computation from any particular concrete computational, and thus 
material, iteration. So, SEF has as a reference the use of CODE as an original 
TECHNOLOGY for making MUSIC. It enjoys the DIY and HANDMADE spirit which 
ARTISTS, MUSICIANS, CODERS, MAKERS & HACKERS share. The activity fosters a 
community of tool DEVELOPERS and creative PRACTITIONERS interested in 
supporting creative practice through DIGITAL and ANALOGUE tools. The festival 
also opens to OS / OH practices in a counter-laboratory and participatory 
process. SEF will present an EXHIBITION, WORKSHOPS, TALKS, CONCERTS, a 
PUBLICATION and a RECORD.

All Welcome!

https://sonicelectronicsfestival.org/



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[NetBehaviour] Fw: [tecnoxamanismo] OPEN CALL TECHNOSHAMANISM LONDON/UK

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TECHNOSHAMANISM 
ANCESTORFUTURISM /// CURE AND HEALTH
OPEN CALL: 
https://tecnoxamanismo.wordpress.com/2019/08/14/open-call-technoshamanism-party-in-london-uk/

WHERE: Grow Tottenham – http://www.growtottenham.org/

CONTACT US: xamanismotecnolog...@gmail.com

WHEN: Saturday 28 September 2019

WHAT TIME: 12:00 – 22:00

WHAT ARE WE GOING TO DO?

We organise a party in London to support health center for indigenous health in 
Brazil, more specifically, the Pará Pataxó Village of Southern Bahia. We are 
inviting artists interested in the indigenous communities, health and cure to 
present their work in artists talks, workshops,  performances / live music (see 
more below).

WHAT IS GOING ON WITH INDIGENOUS HEALTH IN BRAZIL?

https://www.bbc.com/news/world-latin-america-49329680

Free Event 

Organized by: AliceTurnbull, Eleonora Oreggia, Fabiane M. Borges, Laura Netz 

Our fundraising campaign is based on the online project:

#Task-Force for Health (Mutirão):

https://www.catarse.me/mutirao_da_saude_pataxo_2019
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[NetBehaviour] ArtFutura Heath Bunting Workshop

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ArtFutura 2019 London 
Festival of Digital Culture and Creativity presents:
PROCESSING THE FUTURE
Saturday 30 November & Sunday 01 December 2019
IKLECTIK & Rich Mix  
ArtFutura will present the audiovisual programs 3D FuturaShow, FuturaGraphics, 
Schools Futura, 3D x 30 Years, Premiere and Artworks, showing the new works and 
forms of documenting the digital creativity of our time. Works by Can 
Buyukberber, Universal Everything, Teamlab, WOW, Ouchhh, Moebius, Karl Sims, 
YoichiroKawaguchi, John Amanatides, Donald Mitchell, etc.
ArtFutura presents the artists' talks by David Strang, xname, Nicola Plant and 
Terry Tricket about sonic arts, interaction, hardware hacking, visual music and 
VR.
Saturday night will be a night of live audiovisual performances with They Said 
They Saw & Lia Mice; Richard Evans – SENTINEL, with a spectacular audiovisual 
show inspired by the planet’s most urgent issue – climate change. Closing the 
night, there will be the live coding duo with Rumblesan, visualist, and Heavy 
Lifting, live coded music.
On Sunday, there is the Intimacy Encryption Workshop by Heath Bunting about 
surveillance capitalism and privacy. In a time of surveillance capitalism, 
privacy requires some radical methods. A workshop in how to communicate 
secretly over any media using nothing more than sharing some special time 
together. Used very effectively by former fluffy groups such as Irish 
Republican Army and Palestine Liberation Organization. Heath Bunting is a 
contemporary British artist born in 1966. Based in Bristol, he is the founder 
of the site irational.org with Daniel García Andújar, Rachel Baker and Minerva 
Cuevas and was one of the early practitioners in the 1990s of net.art. 
Bunting's work is based on creating open and democratic systems by modifying 
communications technologies and social systems. 
Website http://irational.org/cgi-bin/cv2/temp.pl
To close the festival, on Sunday evening, AF London presents Kimatica Studio 
artist's talk; a Q session with Richard Evans, and the performance by Anna 
Nazo with drones, brainwaves, CGI and AI poetry. All this accompanied by the 
ArtFutura audiovisual program with more than six hours of screenings.
ALL INFORMATION ABOUT ARTFUTURA LONDON 
https://www.facebook.com/artfuturalondon/

TICKETS IKLECTIK £10 OND | £7.50 Advance | £5 Discount
Saturday Talks + AV Screening: 
https://www.tickettailor.com/events/iklectik/306948
Sunday Workshop: https://www.tickettailor.com/events/iklectik/307465
Sunday Talks + Live AV Performance 
https://www.tickettailor.com/events/iklectik/307467
TICKETS RICHMIX £10
Saturday Night 
https://richmix.org.uk/events/artfutura-london-2019-processing-the-future/

IN COLLABORATION WITH: 
Office for Cultural & Scientific Affairs - Embassy of Spain, London

Supported using public funding by 
Arts Council England

Contact Laura ArtFuturalaura@artfutura.org07505922748http://www.artfutura.org 



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Re: [NetBehaviour] NetBehaviour Digest, Vol 720, Issue 1

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ArtFutura 2019 London 

Festival of Digital Culture and Creativity presents:
PROCESSING THE FUTURE
Saturday 30 November & Sunday 01 December 2019
IKLECTIK & Rich Mix 


ArtFutura will present the audiovisual programs 3D FuturaShow, FuturaGraphics, 
Schools Futura, 3D x 30 Years, Premiere and Artworks, showing the new works and 
forms of documenting the digital creativity of our time. Works by Can 
Buyukberber, Universal Everything, Teamlab, WOW, Ouchhh, Moebius, Karl Sims, 
YoichiroKawaguchi, John Amanatides, Donald Mitchell, etc.
ArtFutura presents the artists' talks by David Strang, xname, Nicola Plant and 
Terry Tricket about sonic arts, interaction, hardware hacking, visual music and 
VR.
Saturday night will be a night of live audiovisual performances with They Said 
They Saw & Lia Mice; Richard Evans – SENTINEL, with a spectacular audiovisual 
show inspired by the planet’s most urgent issue – climate change. Closing the 
night, there will be the live coding duo with Rumblesan, visualist, and Heavy 
Lifting, live coded music.
On Sunday, there is the Intimacy Encryption Workshop by Heat Bunting about 
surveillance capitalism and privacy.
To close the festival, on Sunday evening, AF London presents Kimatica Studio 
artist's talk; a Q session with Richard Evans, and the performance by Anna 
Nazo with drones, brainwaves, CGI and AI poetry. All this accompanied by the 
ArtFutura audiovisual program with more than six hours of screenings.
ALL INFORMATION ABOUT ARTFUTURA LONDON 
https://www.facebook.com/artfuturalondon/

TICKETS IKLECTIK £10 OND | £7.50 Advance | £5 Discount
Saturday Talks + AV Screening: 
https://www.tickettailor.com/events/iklectik/306948
Sunday Workshop: https://www.tickettailor.com/events/iklectik/307465
Sunday Talks + Live AV Performance 
https://www.tickettailor.com/events/iklectik/307467
TICKETS RICHMIX £10
Saturday Night 
https://richmix.org.uk/events/artfutura-london-2019-processing-the-future/



Contact Laura ArtFuturalaura@artfutura.org07505922748http://www.artfutura.org
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[NetBehaviour] ArtFutura Digital Culture & Creativity Festival

[lauraplanagracia via NetBehaviour]

ArtFutura2019 London Festival of Digital Culture and Creativity presents: 
PROCESSINGTHE FUTURE Saturday30 November & Sunday 01 December 2019IKLECTIK& 
RICH MIX ArtFuturareaches its thirtieth edition in more than twenty cities, 
including Alicante, Barcelona,Buenos Aires, Cádiz, Cancún, Dakar, Ibiza, 
London, Madrid, México, Montevideoand Shanghai.Inthese thirty years, ArtFutura 
has established itself as one of the mostimportant international events 
dedicated to Digital Art, Virtual Reality andComputer Networks. •ArtFuturais 
organised as a network festival where all cities share the same audiovisual 
program,catalogue and web. •ArtFutura'saudiovisual program analyses the state 
of digital creativity by presenting the latestin 3D animation, motion graphics 
and everything related to new aesthetics. Moreinformation here 
https://www.artfutura.org/v3/en/artfutura-2019-2020/ Todaywe live in the 
present future more than ever. We are right in the middle of twogreat 
crossroads that will determine the future. We talk about the Anthropoceneand a 
new phase in human evolution, augmented and reconnected by technology. 
Convincedthat transformative technology must be centred on the human being, as 
we haveanticipated in Humanized Technology and as we have always done 
throughout these30 years, the future collective intelligence augmented by 
technology willbecome in a few years a deep global mind already announced by 
Terence McKennaat ArtFutura 92. VirtualReality, Artificial Intelligence and 
Internet (IoT) will converge to createCollective Artificial Intelligence, whose 
language will be virtual reality andneurodigital telepathy.Thecollective 
immersion allows the fusion of people and the world into a whole.This will be 
the future, a world of expanded reality. ArtFuturawill present the audiovisual 
programs Premiere, 3D FuturaShow, FuturaGraphics, Artworks, 3D x 30 Years, and 
Schools Futura showing the new works and formsof documenting the digital 
creativity of our time. Works by Can Buyukberber,Universal Everything, Teamlab, 
WOW, Ouchhh, Moebius, Karl Sims, Yoichiro Kawaguchi,John Amanatides, Donald 
Mitchell, among many more.  ArtFuturapresents the artists' talks by David 
Strang, xname, Nicola Plant and TerryTricket about sonic arts, interaction, 
hardware hacking, visual music and VR. Saturdaynight will be a night of live 
audiovisual performances with They Said They Saw& Lia Mice; Richard Evans – 
SENTINEL, with a spectacular audiovisual showinspired by the planet’s most 
urgent issue – climate change. Closing the night,there will be the live coding 
duo with Rumblesan, visualist, and Heavy Lifting,live coded music. OnSunday, 
there will be the Intimacy Encryption Workshop with Heath Bunting 
aboutsurveillance capitalism and privacy. Toclose the festival, on Sunday 
evening, AF London presents Kimatica Studio artist'stalk; a Q session with 
Richard Evans, and the performance by Anna Nazowith drones, brainwaves, CGI and 
AI poetry.  PROGRAMME Saturday 30 November 2019 Iklectik12:30AV program –3D x 
30 Years13:30Artist Talk –David Strang14:00Artist Talk -Nicola Plant14:30Artist 
Talk -xname15:00Artist Talk -Terry Trickett Saturday 30 November 2019 
RichMix19:30AV program -Premiere20:40Live AV set They Said They Saw & Lia 
Mice21:30Live AV performance Richard Evans SENTINEL22:20Live Coding: Rumblesan+ 
Heavy Lifting23:10AV program -Artworks Sunday 01 December 2019 
Iklectik12:00Workshop -Heath Bunting16:00AV program –FuturaGraphics17:10Artist 
Talk –Kimatica Studio18:00Q session –Richard Evans SENTINEL18:30Live AV 
Performance –Anna Nazo19:10AV program -3D FuturaShow  ALL INFORMATION ABOUT 
ARTFUTURA LONDONhttps://www.facebook.com/artfuturalondon/  TICKETS IKLECTIK £10 
OND | £7.50 Advance | £5DiscountSaturdayTalks + AV Screening: 
https://www.tickettailor.com/events/iklectik/306948SundayWorkshop: 
https://www.tickettailor.com/events/iklectik/307465SundayTalks + Live AV 
Performance https://www.tickettailor.com/events/iklectik/307467 RICHMIX £10 
SaturdayNight 
https://richmix.org.uk/events/artfutura-london-2019-processing-the-future/ 

ADDRESS

Rich Mix

35-47 Bethnal Green Road

London –E1 6LA

www.richmix.org.uk 

@richmixlondon

 Iklectik

‘Old Paradise Yard’

20Carlisle Lane

London-SE1 7LG

www.iklectikartlab.com  

 PARTNERS CLOTmag- POPklik - IKLECTIK - RICHMIX IN COLLABORATION WITH Officefor 
Cultural & Scientific Affairs - Embassy of Spain, London Supported using public 
funding by Arts Council England --Laura ArtFuturaLondon M:07505922748 
E:la...@artfutura.org  •Website http://www.artfutura.org •Twitter 
http://twitter.com/artfutura•Facebook 
http://www.facebook.com/artfuturafestival• Insta 
https://www.instagram.com/artfuturafestival• Media 
https://www.artfutura.org/v3/en/press-media/•YouTube 
https://www.youtube.com/user/ArtFuturaonline•Vimeo https://vimeo.com/artfutura
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[NetBehaviour] Fw: WORKSHOP / London / Sat. 12 October

[lauraplanagracia via NetBehaviour]

Sensible analysis of image datasets through ImageJBy Doreen A. Rios

Saturday, 12 October 2019
>From 11:00-15:00h

I K L E C T I K
'Old Paradise Yard' 20 Carlisle Lane
SE1 7LG, London
United Kingdom

Min. participants 5
Max. participants 20

Duration 4h.

Price students / concessions £15
General Admission  £20

TICKET LINK
https://www.tickettailor.com/events/iklectik/274224


Tools:
- Laptop
- ImageJ (download here https://imagej.nih.gov/ij/download.html )
- About 20 – 30 images in .jpg, preferably in 720px

This workshop aims to build basic knowledge for the use of ImageJ (free 
software) for the visualization of image datasets. It focuses on creating and 
understanding the visual patterns provided by the chosen image set and explores 
how to use it for both research and/or artistic creation. In the same way, a
the theoretical framework will be provided and will expand into what does 
DataViz means as well as its different forms and uses and how it has been 
integrated into contemporary artistic creation.

During the first hour we’ll be looking into the historical part of DataViz and 
during the last 2 hours we’ll be developing a series of exercises using ImageJ, 
for which we’ll need an image data set (about 20 – 30 images in .jpg, 
preferably in 720px) and a laptop with the software installed (you can find it 
here https://imagej.nih.gov/ij/download.html ).

>From this workshop, you can expect to learn how to produce 2D images, 
>animations and short videos in which you can see a colour analysis from a 
>selected image set.

*This workshop doesn’t require any previous experience in DataViz and will 
provide a full introduction into the potential uses of ImageJ as a creative 
tool.

--

Doreen A. Ríos (Mexico, 1992)

Doreen holds an MA in Contemporary Curation from the University of Southampton, 
specializing in digital culture, and a BA in Architecture from Tecnológico de 
Monterrey. She is also the founder of [ANTI]MATERIA, a platform that aims to 
facilitate international exchanges between art professionals interested in 
digital practices. As part of [ANTI] MATERIA she has curated several
shows in Mexico and in the UK. Her work focuses on research and curation of 
digital art and postdigital practices.


--
CONTACT 
Laura Netz 
E: la...@netzzz.net
M: 07505922748
W: www.netzzz.net 


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[NetBehaviour] WORKSHOP / London / Sat. 12 October

[lauraplanagracia via NetBehaviour]

Sensible analysis of image datasets through ImageJ
By Doreen A. Rios

Saturday, 12 October 2019
>From 11:00-15:00h

I K L E C T I K
'Old Paradise Yard' 20 Carlisle Lane
SE1 7LG, London
United Kingdom

Min. participants 5
Max. participants 20

Duration 4h.

Price students / concessions £15
General Admission  £20

TICKET LINK
https://www.tickettailor.com/events/iklectik/274224


Tools:
- Laptop
- ImageJ (download here https://imagej.nih.gov/ij/download.html )
- About 20 – 30 images in .jpg, preferably in 720px

This workshop aims to build basic knowledge for the use of ImageJ (free 
software) for the visualization of image datasets. It focuses on creating and 
understanding the visual patterns provided by the chosen image set and explores 
how to use it for both research and/or artistic creation. In the same way, a
the theoretical framework will be provided and will expand into what does 
DataViz means as well as its different forms and uses and how it has been 
integrated into contemporary artistic creation.

During the first hour we’ll be looking into the historical part of DataViz and 
during the last 2 hours we’ll be developing a series of exercises using ImageJ, 
for which we’ll need an image data set (about 20 – 30 images in .jpg, 
preferably in 720px) and a laptop with the software installed (you can find it 
here https://imagej.nih.gov/ij/download.html ).

>From this workshop, you can expect to learn how to produce 2D images, 
>animations and short videos in which you can see a colour analysis from a 
>selected image set.

*This workshop doesn’t require any previous experience in DataViz and will 
provide a full introduction into the potential uses of ImageJ as a creative 
tool.

--

Doreen A. Ríos (Mexico, 1992)

Doreen holds an MA in Contemporary Curation from the University of Southampton, 
specializing in digital culture, and a BA in Architecture from Tecnológico de 
Monterrey. She is also the founder of [ANTI]MATERIA, a platform that aims to 
facilitate international exchanges between art professionals interested in 
digital practices. As part of [ANTI]MATERIA she has curated several
shows in Mexico and in the UK. Her work focuses on research and curation of 
digital art and postdigital practices.


--
CONTACT 
Laura Netz 
E: la...@netzzz.net
M: 07505922748
W: www.netzzz.net 


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[NetBehaviour] ArtFutura London 2021 Open Call

[lauraplanagracia via NetBehaviour]

Since January 1990, ArtFutura, the festival of Digital Culture and Creativity, 
has explored the most interesting projects and ideas that have come upon the 
international panorama of New Media, Virtual Reality, Interactive Design and 
Digital Animation.
http://www.artfutura.org/
ArtFutura London 2021 Open Call in collaboration with Watermans Art Centre.

Send proposals for Live AV based on:

- Algorithmic performance
- Live Coding
- Coding
- Programming 
- Software Art
- Live Coded Visuals 
- AI Artificial Intelligence 
- Ethics 
- Machine Learning 
- Deep Learning 
- Neural Networks 
- Computer Graphics
- VR 
- 3D 
- Art & Science 
- Physics
- Electromagnetism
- Electronics
- Engineering 
- Brainwaves 
- Data 

Information required PDF format: 
# Name 
# Contact 
# Brief biography 
# Brief description of the work
# Technical requirements 
# Images
# Link 

Deadline 15 April 2020.
To la...@artfutura.org 
Thanks!Laura 

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[NetBehaviour] ArtFutura Festival. Digital Culture & Creativity

[lauraplanagracia via NetBehaviour]

PRESS RELEASE

For immediate release

ArtFutura 2021 London 

Festival of DigitalCulture and Creativity

Thursday 15 – Sunday 18April 2021

Presented online atIklectik, Music Hackspace and Watermans Art Centre

ArtFutura has establisheditself as one of the most important international 
events dedicated to DigitalArt, Virtual Reality and Computer Networks. Since 
the 1990s it has beenbringing together artists, academics, students and 
audiences to experiencecutting edge New Media Arts.

This year, we are delighted to announce that the festivalwill take place 
entirely online. It will be presented over four days at threedifferent venues: 
Iklectik, Music Hackspace and the weekend festival atWatermans.

For its 30th edition the ArtFutura audiovisual programincludes a selection of 
the most relevant works in two sections: FuturaGraphics, showing new 
aesthetics, digital animations and experimental shorts,and Artworks showing 
performances, new media installations and otherinteractive environments. 
Including works by Julius Horsthuis, David Lewandowski, Stéphane Aubier, 
Vincent Patar,Kris Merc, ... and teamlab, WOW Inc, Ouchhh, Squidsoup and others.

Thursday: ArtFutura and Iklectik present the paneldiscussion Computer Graphics 
and VisualContent in VR with the artists JamesE. Marks, Nicola Plant and 
AllegraShorto. Afterward there will be the Live AV performance MUTABLE VR by 
Chris Speed about sonic arts, interaction, hardware hacking,visual music and VR.

Friday: With Music Hackspace, ArtFutura presents theMasterclass + Live AV 
performance by LeonTrimble, presenting The Gravity Synth, a musical instrument 
combining theinstrumentation used to detect gravitational waves, and a modular 
synthesiser.

Saturday & Sunday: At Watermans, ArtFutura presents a workshopby Blanca Regina 
about audiovisualmapping (SUPPORTED BY MADMAPPER). There will also be artist 
talks with Ronen Tanchum, Matteo Zamagni, Panja Gobel and Montxo Algora who 
will present their projects, videos and artinstallations. And finally, Live AV 
performances by Jon Weinel and Blanca Regina& Pierre Bouvier Patron. 

More information here https://www.artfutura.org/v3/en/  

 
PROGRAMME
Thursday 15 AprilIklectik

20:00 Panel Discussion with James E. Mark, Nicola Plant andAllegra Shorto. 

21:00 Live AV Performance Chris Speed

http://iklectikoffsite.org/artfutura-festival-online/

 

Friday 16 April MusicHackspace

17:00 Masterclass Leon Trimble

20:00 Live AV Performance Leon Trimble

https://musichackspace.org/events/gravity-synth-masterclass-with-leon-trimble-live-session

https://musichackspace.org/events/live-av-performance-by-leon-trimble/

 

Saturday 17 April atWatermans 

12:00 Workshop – Blanca Regina - SUPPORTED BY MADMAPPER

17:00 Artist Talks with Ronen Tanchum, Matteo Zamagni

20:00 AV Performance Jon Weinel

20:50 Audiovisual Program 

Sunday 18 April atWatermans

12:00 Workshop – Blanca Regina - SUPPORTED BY MADMAPPER

17:00 Artist Talks with Panja Gobel and Montxo Algora 

20:00 AVPerformance Blanca Regina & Pierre Bouvier Patron

20:50 Audiovisual Program 

https://www.watermans.org.uk/weekender/artfutura-2021-london-festival/

 

Tickets

IKLECTIK - Donations

MUSIC HACKSPACE - Free

WATERMANS - £15.00 / Donations 

 
Partners
IKLECTIK

 

IKLECTIK is aself-funded creative platform founded in 2014 that showcases 
contemporary art,experimental music and artistic critical practice. Our aim is 
to focus onexperimentation in arts, sound art, installation and cross 
disciplinary works.We want to expand our space as a research arts laboratory 
whereinter-disciplinary lines can overlap to create projects that explore 
processesand techniques, address social, political, cultural and critical 
issues. Wehave a dynamic program that presents workshops, art residencies, 
lectures,panel discussions, screenings, sound & music events, performances 
andreadings to catalyze education, growth and transformation for the 
localcommunity and the greater public. IKLECTIK is a non-profit community 
interestcompany (CIC) since 2018. https://iklectikartlab.com/ 

Music Hackspace 

 

The Music Hackspace was founded in 2011 by Jean-Baptiste Thiebaut,after 
attending several Music Hackday hackathons, where engineers, artists 
andcompanies would collaborate to build innovative music experiences. The 
MusicHackspace started with weekly meet-ups at the London Hackspace 
whereparticipants could present and discuss their projects to an engaged 
audiencewith a set of common interests: sound, music, creativity and 
technology. TheMusic Hackspace’s mission is to foster a community of innovating 
artists,entrepreneurs and hobbyists eager to build new technologies for 
musicproduction and interaction. https://musichackspace.org/ 

 

Watermans

 

Watermans is West London’s arts centre with a thriving andinclusive programme of

independent cinema, family theatre, live performance, exhibitionsand outdoor 
arts. It has a year-round new media arts programme and 

[NetBehaviour] ArtFutura video-mapping workshop

[lauraplanagracia via NetBehaviour]

This weekend is Art Futura in London and Online and Blanca Regina has been 
invited to run a 6-hour workshop over the weekend Saturday and Sunday @ 
ArtFutura Festival @ Watermans Art Centre - online. It is supported by Arts 
Council England 

The price is 15 pounds! 

The first workshop in the last year. It's online. There are still places 
available and we will see the new features and possibilities of MadMapper
Here the infos bellow and if you are interested to join I suggest you register 
today! Will be great to see you!
https://www.watermans.org.uk/events/narrating-structures-videomapping-workshop-with-blanca-regina/



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[NetBehaviour] smoltech - exhibition project with workshops and concerts

[lauraplanagracia via NetBehaviour]

smoltech - exhibition project with workshops and concerts


exhibition (works by mathr)opening Friday 26th November 2021, 7pm
artist talk Saturday 4th December 2021, 5pm
until Saturday 11th December 2021
CT20, 73 Tontine Street, Folkestone CT20 1JR, ct-20.org


workshops
Clive with mathr - Saturday 15th January 2022, 12-5pm
Improviz with Rumble‑San - Saturday 22nd January 2022, 12-5pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com


concert with mathr, xname, rumblesan, digital selves & heavy lifting
Saurday 29th January 2022, 7-10pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com





curatorial text

The exhibition is presented as expressing concern about techno-surveillance 
capitalism and abuse of power of hyper-structures such as industrial-scale 
operation data centres consuming a massive amount of electricity, and server 
farms consisting of thousands of computers which require a large amount of 
power to run and to keep cool. Also, crypto mining has grown exponentially in 
the last few years, growing their energy consumption. In other words, 
cryptocurrency mining surpasses entire countries’ energy consumption, so it 
urges to spread awareness about the potential environmental costs of technology.

Furthermore, we are entering an age of mass extinction brought on by excesses 
of technology resources exploitation, when obsolescence becomes a 
transformative situation of the human social landscape. Economically and 
ecologically, e-waste presents a massive environmental catastrophe, 
transforming planetary geological eras and environments.

The exhibition proposes using technology in an ethical/ecological 
applicability, searching for a lower ecological impact, representing an 
alternative to Big Tech (Google, Amazon, Facebook, Microsoft, Apple). Most of 
these alternatives are connected to the open- source movement and also 
degrowth. Smoltech is one of these technological movements representing an 
alternative to tech development, usage, and consumption. Smoltech is a movement 
to reduce wasteful technology use. It promotes a long-term usage of technology, 
discouraging throw away culture, preventing e-waste, and developing hacker 
practices in media archaeology labs that collect old computers and tech for 
their survival.

Individuals are using their newly expanded practical freedom to act and 
cooperate with others in ways that improve the practised experience of 
democracy, justice and development of a critical culture and community, where 
collaboration and self-organisation are shared across both business and free 
software / open hardware, as declared by Yochai Benkler. The degrowth movement 
proposes an autonomous perspective towards capitalism and the globalised world 
through artivism, care revolution and climate justice based on the 
environmental movement and radical ecology democracy, proposing food 
sovereignty practices that serve as a model for Technological Sovereignty. In 
addition, degrowth practices apply the principles of free software movement and 
the commons’ policies towards a solidarity economy and unconditional basic 
income.

The exhibition consists of different works such as pure-data sound works and 
different audio-visual, multimedia, and interactive installations. The artist 
works using free software and develops his programs to create beautiful 
fractals, digital creations and new media environments. Claude Heiland-Allen’s 
(aka mathr) works show the relationship between technology and creativity using 
computing to challenge conservative positions of technological corporations 
because of the potential for social change that new/old media and open source 
have. The audiences will gain an aesthetical experience within the exhibition 
by combining computer science, performance art, music, technology, fractals, 
maths, and software programming.


Curated by Laura Netz.
smoltech | netzzz.net
http://netzzz.net/smoltech/


Supported using public funding by Arts Council England. 





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Re: [NetBehaviour] NetBehaviour Digest, Vol 1426, Issue 1

[lauraplanagracia via NetBehaviour]

smoltech

exhibition (works by mathr)
opening Friday 26th November 2021, 7pm
artist talk Saturday 4th December 2021, 5pm
until Saturday 11th December 2021
CT20, 73 Tontine Street, Folkestone CT20 1JR, ct-20.org


workshops
Clive with mathr - Saturday 15th January 2022, 12-5pm
Improviz with Rumble‑San - Saturday 22nd January 2022, 12-5pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com


concert with mathr, xname, rumblesan, digital selves & heavy lifting
Saurday 29th January 2022, 7-10pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com


curatorial text

The exhibition is presented as expressing concern about techno-surveillance 
capitalism and abuse of power of hyper-structures such as industrial-scale 
operation data centres consuming a massive amount of electricity, and server 
farms consisting of thousands of computers which require a large amount of 
power to run and to keep cool. Also, crypto mining has grown exponentially in 
the last few years, growing their energy consumption. In other words, 
cryptocurrency mining surpasses entire countries’ energy consumption, so it 
urges to spread awareness about the potential environmental costs of technology.

Furthermore, we are entering an age of mass extinction brought on by excesses 
of technology resources exploitation, when obsolescence becomes a 
transformative situation of the human social landscape. Economically and 
ecologically, e-waste presents a massive environmental catastrophe, 
transforming planetary geological eras and environments.

The exhibition proposes using technology in an ethical/ecological 
applicability, searching for a lower ecological impact, representing an 
alternative to Big Tech (Google, Amazon, Facebook, Microsoft, Apple). Most of 
these alternatives are connected to the open- source movement and also 
degrowth. Smoltech is one of these technological movements representing an 
alternative to tech development, usage, and consumption. Smoltech is a movement 
to reduce wasteful technology use. It promotes a long-term usage of technology, 
discouraging throw away culture, preventing e-waste, and developing hacker 
practices in media archaeology labs that collect old computers and tech for 
their survival.

Individuals are using their newly expanded practical freedom to act and 
cooperate with others in ways that improve the practised experience of 
democracy, justice and development of a critical culture and community, where 
collaboration and self-organisation are shared across both business and free 
software / open hardware, as declared by Yochai Benkler. The degrowth movement 
proposes an autonomous perspective towards capitalism and the globalised world 
through artivism, care revolution and climate justice based on the 
environmental movement and radical ecology democracy, proposing food 
sovereignty practices that serve as a model for Technological Sovereignty. In 
addition, degrowth practices apply the principles of free software movement and 
the commons’ policies towards a solidarity economy and unconditional basic 
income.

The exhibition consists of different works such as pure-data sound works and 
different audio-visual, multimedia, and interactive installations. The artist 
works using free software and develops his programs to create beautiful 
fractals, digital creations and new media environments. Claude Heiland-Allen’s 
(aka mathr) works show the relationship between technology and creativity using 
computing to challenge conservative positions of technological corporations 
because of the potential for social change that new/old media and open source 
have. The audiences will gain an aesthetical experience within the exhibition 
by combining computer science, performance art, music, technology, fractals, 
maths, and software programming.


Curated by Laura Netz.
smoltech | netzzz.net
http://netzzz.net/smoltech/
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[NetBehaviour] smoltech - exhibition project with workshops and concerts

[lauraplanagracia via NetBehaviour]

smoltech - exhibition project with workshops and concerts

exhibition (works by mathr)opening Friday 26th November 2021, 7pm
artist talk Saturday 4th December 2021, 5pm
until Saturday 11th December 2021
CT20, 73 Tontine Street, Folkestone CT20 1JR, ct-20.org


workshops
Clive with mathr - Saturday 15th January 2022, 12-5pm
Improviz with Rumble‑San - Saturday 22nd January 2022, 12-5pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com


concert with mathr, xname, rumblesan, digital selves & heavy lifting
Saurday 29th January 2022, 7-10pm
IKLECTIK, "Old Paradise Yard", 20 Carlisle Lane (Royal Street corner) next to 
Archbishop's Park, London SE1 7LG, iklectikartlab.com


curatorial text

The exhibition is presented as expressing concern about techno-surveillance 
capitalism and abuse of power of hyper-structures such as industrial-scale 
operation data centres consuming a massive amount of electricity, and server 
farms consisting of thousands of computers which require a large amount of 
power to run and to keep cool. Also, crypto mining has grown exponentially in 
the last few years, growing their energy consumption. In other words, 
cryptocurrency mining surpasses entire countries’ energy consumption, so it 
urges to spread awareness about the potential environmental costs of technology.

Furthermore, we are entering an age of mass extinction brought on by excesses 
of technology resources exploitation, when obsolescence becomes a 
transformative situation of the human social landscape. Economically and 
ecologically, e-waste presents a massive environmental catastrophe, 
transforming planetary geological eras and environments.

The exhibition proposes using technology in an ethical/ecological 
applicability, searching for a lower ecological impact, representing an 
alternative to Big Tech (Google, Amazon, Facebook, Microsoft, Apple). Most of 
these alternatives are connected to the open- source movement and also 
degrowth. Smoltech is one of these technological movements representing an 
alternative to tech development, usage, and consumption. Smoltech is a movement 
to reduce wasteful technology use. It promotes a long-term usage of technology, 
discouraging throw away culture, preventing e-waste, and developing hacker 
practices in media archaeology labs that collect old computers and tech for 
their survival.

Individuals are using their newly expanded practical freedom to act and 
cooperate with others in ways that improve the practised experience of 
democracy, justice and development of a critical culture and community, where 
collaboration and self-organisation are shared across both business and free 
software / open hardware, as declared by Yochai Benkler. The degrowth movement 
proposes an autonomous perspective towards capitalism and the globalised world 
through artivism, care revolution and climate justice based on the 
environmental movement and radical ecology democracy, proposing food 
sovereignty practices that serve as a model for Technological Sovereignty. In 
addition, degrowth practices apply the principles of free software movement and 
the commons’ policies towards a solidarity economy and unconditional basic 
income.

The exhibition consists of different works such as pure-data sound works and 
different audio-visual, multimedia, and interactive installations. The artist 
works using free software and develops his programs to create beautiful 
fractals, digital creations and new media environments. Claude Heiland-Allen’s 
(aka mathr) works show the relationship between technology and creativity using 
computing to challenge conservative positions of technological corporations 
because of the potential for social change that new/old media and open source 
have. The audiences will gain an aesthetical experience within the exhibition 
by combining computer science, performance art, music, technology, fractals, 
maths, and software programming.


Curated by Laura Netz.
smoltech | netzzz.net
http://netzzz.net/smoltech/


Supported using public funding by Arts Council England. 





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[NetBehaviour] SMOLTECH: IMPROVIZ WORKSHOP W/ RUMBLE-SAN

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IKLECTIK presents,
SMOLTECH: IMPROVIZ WORKSHOP w/ Rumble-San

Saturday 22 January 2022 | 12pm – 5pm
Tickets: £25 (max 15 participant)


https://buytickets.at/iklectik/614483

Improviz is a live-coding environment built for creating performances of 
abstract shapes, blurred shades and broken GIFs. This workshop will begin by 
covering the basics of live coding real-time animated graphics, explaining the 
relevant programming concepts in an easy to understand visual way, and will 
move through to more complex uses involving repurposing animated GIFs and 
OpenGL shaders. 
The aim is to have participants spend as much time as possible actually writing 
code and using the software, with the instructor introducing and explaining 
features and concepts, but primarily supporting the chance to experiment and 
learn.




Participants need
– to install is the improviz software itself. The download links and 
instructions can all be found on the website:
https://improviz.rumblesan.com/
– to bring their own computers for the workshops



Rumble-San



Rumble-San is interested in the cross over of code with art and music, and has 
created and been involved with a number of projects along these lines. He is 
one half of LiveCodeLab, a duo doing live coded audiovisual performances at 
venues ranging from boats and warehouses parties to the London Science Museum.

https://improviz.rumblesan.com/ 
https://rumblesan.com/




Supported by Arts Council England




 
Location
 
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, SE1 7LG
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[NetBehaviour] SMOLTECH: CLIVE WORKSHOP

[lauraplanagracia via NetBehaviour]

IKLECTIK presents,
SMOLTECH: CLIVE WORKSHOP
w/ mathr [Claude Heiland-Allen + Laura Netz] Saturday 15 January 2022 | 12pm – 
5pm
Tickets: £25 General Admission (max 10 people) 

https://buytickets.at/iklectik/614474

Workshop by mathr on live-coding audio in the C programming language using 
Clive.

Clive is a C audio live-coding skeleton. It allows you to hot-swap digital 
signal processing callbacks, providing automatic C code recompilation, object 
code reloading, and state preservation. This enables you to perform live: when 
you hit "Save" in the text editor, the sound changes according to changes made 
in the code.

The workshop will get Clive running on your system, and cover the basics of 
Linux system administration and Git (a version control system) via the 
command-line interface. Then it will move on to digital signal processing, and 
various sound synthesis and modification techniques.

To participate, you need to bring headphones and your own laptop running a 
GNU/Linux OS. Note that Clive does not work on Windows or macOS. If you have a 
64bit Intel/AMD-compatible CPU (x86_64 or amd64; not i686; not arm; not aarch), 
and your system allows to boot from a USB stick, it is possible to run a custom 
Linux "live" operating system, without modifying your PC.

mathr.co.uk

mathr.co.uk/clive
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[NetBehaviour] SMOLTECH: CONCERT W/ MATHR & XNAME & RUMBLE-SAN & DIGITAL SELVES & HEAVY LIFTING

[lauraplanagracia via NetBehaviour]

IKLECTIK presents,

SMOLTECH: CONCERT w/ mathr & xname & Rumble-San & digital selves & Heavy Lifting

Saturday 29 January 2022 | from 8pm – Open till midnight!

Tickets: £11 Early Bird / £13 Advance / £15 General Admission 

https://buytickets.at/iklectik/616132

smoltech is a project that presented an exhibition, workshops and a concert.
smoltech is presented as expressing concern about techno-surveillance 
capitalism and abuse of power of hyper-structures such as industrial-scale 
operation data centres consuming a massive amount of electricity, and server 
farms consisting of thousands of computers which require a large amount of 
power to run and to keep cool. Also, crypto mining has grown exponentially in 
the last few years, growing their energy consumption.
In other words, cryptocurrency mining surpasses entire countries’ energy 
consumption, so it urges to spread awareness about the potential environmental 
costs of technology. smoltech is one of these technological movements 
representing an alternative to tech development, usage, and consumption.
smoltech is a movement to reduce wasteful technology use. It promotes a 
long-term usage of technology, discouraging throw away culture, preventing 
e-waste, and developing hacker practices in media archaeology labs that collect 
old computers and tech for their survival.

PROGRAMME
mathr
xname
Rumble-San
digital selves
Heavy Lifting

mathr
Claude Heiland-Allen aka mathr is an artist from London interested in the 
complex emergent behaviour of simple systems, unusual geometries, and 
mathematical aesthetics. From 2005 through 2011 he was a member of the GOTO10 
collective, whose mission was to promote Free/Libre Open Source Software in 
Art. Since 2011, Claude has continued as an independent artist, researcher and 
software developer. His recent main projects include various deep zooming tools 
for 2D escape time fractals (et, kf, zoomasm), musical performance live-coding 
in the C programming language (clive), and a postfix bytebeat/rampcode music 
system with a collaborative web-based interface based on Etherpad (barry).
mathr.co.uk

xname
xname is an Italian new media artist based in London. She was born in Milan and 
she has been living many years in Bologna and Amsterdam. Her interests include 
metaphysics, electronics, software, performance and interactivity. She works 
with self made instruments and open source software for live performance and 
interactive installation, expanding from visual and software art to electronic 
music. Her work, ultimately cryptic, ritualistic and noise, engages in the 
construction of perceptual phenomena and environments that explore the concepts 
of illusion and the virtual, stimulating new forms of perception and 
questioning the notion of materiality and presence, and the role that memory, 
experience and eventually our ancestors have in the formation of identity. “My 
work, mixing different practices, talks about social and individual identities, 
and their interfacing with reality and imagination. [this story is to be 
continued…]”.
xname.cc

Rumble-San
RumbleSan is interested in the cross over of code with art and music and has 
created and been involved with a number of projects along these lines. He is 
one half of LiveCodeLab, a duo doing live coded audio-visual performances at 
venues ranging from boats and warehouses parties to the London Science Museum.

digital selves
Lizzie Wilson is currently studying a PhD in Media and Arts Technology at Queen 
Mary, University of London as part of the Centre for Digital Music. Also 
playing music with code as digital selves.
lwlsn.github.io/digitalselves-web

Heavy Lifting
Lucy Cheesman aka Heavy Lifting makes sound installations as part of creative 
collective SONA and performs solo live coded music using open-source software 
and in collaboration as TYPE. She also runs a record label called Pickled Discs 
which is dedicated to promoting experimental electronic sounds. Heavy Lifting 
is the main solo project, using TidalCycles live-coding software to scramble 
samples into seasick beats. For fans of woodwork and minor deities.
heavy-lifting.org

Project supported by Arts Council England

“Sound system powered by AMOENUS. AMOENUS is an art organisation that 
facilitates, educated, curates and promotes immersive art centred around 3D 
sound”
https://amoenus.co.uk


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[NetBehaviour] Women in Sonic/Electronics

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Women in Sonic/Electronics

@ Happenstance Gallery

334 Old Street London EC1V 9DR

soundcheck 13:00

doors 14:30


Sunday 24 March 2024
Laura Netz 15:00
Conny Prantera 15:40
Annastasia Freygang 16:10
closing 16:50


Artists:

Laura Netz
Participant at hacking culture and noise scene has taken part in many 
international events, such as exhibitions, workshops, conferences, and 
concerts. In 2014, she released her first record at the [EdP069] Editora do 
Porto. In 2015, she launched her independent record label EAM 
Elektronische-art-and-music. She is well-known in London noise scene where she 
performs under the moniker Laura Netz / Medial Ages. Nowadays, she is promoting 
the series Sonic Electronics taking place in London, various venues, where 
inviting different artists from the community influenced by noise, 
experimental, electronics and open source music.
http://netzzz.net/medial-ages-live/

Annastasia Freygang
buny operates the mic. there is found sound via buttons, polyrhythmics.
it’s a quest that starts in the body, works cycles.
anastasia freygang facilitates experiments with language.
with a background in site specific interventions both short and long term ( 
soft beach, l honneur de timur, anatums abode) her practice grew into actively 
proposing to orientate on acoustic and rhythmic planes ( sonic social events)
buny came about via sampler and diy spaces- tending to improvisation on the 
spot.
drawing on ragamash, a form of sampling where rhythms and timelines collide, 
buny is attuning to places and people doing stirring.
https://69pleasuredome69.bandcamp.com/
www.anastasia-freygang.com

Conny Prantera
The Seer is a multimedia live performance that combines spoken word, sound, 
theatre and video. The project is the creation of London based artist Conny 
Prantera and is constructed from a series of her poems, collages and paintings 
that narrate the life of a prophet echoing of Homeric myth, traditional 
folksong and dreamlike memories.
https://www.theseer.co.uk/
https://www.instagram.com/the_seer_2.0/
https://eyespiriteye.bandcamp.com/
https://www.youtube.com/@THE_SEER

TICKETS 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

DETAILS 
http://netzzz.net/women-in-sonic-electronics-happenstance-gallery-london/

If you want to unsubscribe, please email la...@netzzz.net





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[NetBehaviour] Women in Sonic/Electronics (WISE), Happenstance Gallery, London.

[lauraplanagracia via NetBehaviour]

Women in Sonic/Electronics

@ Happenstance Gallery

334 Old Street London EC1V 9DR


TICKETS £10 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

There is a discount code for £6 tickets - happenstancegallery.


Sunday, 24 March 2024

doors 14:30
Laura Netz 15:00
Conny Prantera 15:40
Annastasia Freygang 16:10
closing 16:50


Artists:

Laura Netz
Participant at hacking culture and noise scene has taken part in many 
international events, such as exhibitions, workshops, conferences, and 
concerts. In 2014, she released her first record at the [EdP069] Editora do 
Porto. In 2015, she launched her independent record label EAM 
Elektronische-art-and-music. She is well-known in London noise scene where she 
performs under the moniker Laura Netz / Medial Ages. Nowadays, she is promoting 
the series Sonic Electronics taking place in London, various venues, where 
inviting different artists from the community influenced by noise, 
experimental, electronics and open source music.

Anastasia Freygang
buny operates the mic. there is found sound via buttons, polyrhythmics.
it’s a quest that starts in the body, works cycles.
anastasia freygang facilitates experiments with language.
with a background in site specific interventions both short and long term ( 
soft beach, l honneur de timur, anatums abode) her practice grew into actively 
proposing to orientate on acoustic and rhythmic planes ( sonic social events)
buny came about via sampler and diy spaces- tending to improvisation on the 
spot.
drawing on ragamash, a form of sampling where rhythms and timelines collide, 
buny is attuning to places and people doing stirring.

Conny Prantera
The Seer is a multimedia live performance that combines spoken word, sound, 
theatre and video. The project is the creation of London based artist Conny 
Prantera and is constructed from a series of her poems, collages and paintings 
that narrate the life of a prophet echoing of Homeric myth, traditional 
folksong and dreamlike memories.


TICKETS 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

DETAILS 
http://netzzz.net/women-in-sonic-electronics-happenstance-gallery-london/

If you want to unsubscribe, please email la...@netzzz.net




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[NetBehaviour] Women in Sonic/Electronics

[lauraplanagracia via NetBehaviour]

Women in Sonic/Electronics

@ Happenstance Gallery

334 Old Street London EC1V 9DR


TICKETS £10 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

There is a discount code for £6 tickets - happenstancegallery.


Sunday, 24 March 2024

doors 14:30
Laura Netz 15:00
Conny Prantera 15:40
Annastasia Freygang 16:10
closing 16:50


Artists:

Laura Netz
Participant at hacking culture and noise scene has taken part in many 
international events, such as exhibitions, workshops, conferences, and 
concerts. In 2014, she released her first record at the [EdP069] Editora do 
Porto. In 2015, she launched her independent record label EAM 
Elektronische-art-and-music. She is well-known in London noise scene where she 
performs under the moniker Laura Netz / Medial Ages. Nowadays, she is promoting 
the series Sonic Electronics taking place in London, various venues, where 
inviting different artists from the community influenced by noise, 
experimental, electronics and open source music.

Anastasia Freygang
buny operates the mic. there is found sound via buttons, polyrhythmics.
it’s a quest that starts in the body, works cycles.
anastasia freygang facilitates experiments with language.
with a background in site specific interventions both short and long term ( 
soft beach, l honneur de timur, anatums abode) her practice grew into actively 
proposing to orientate on acoustic and rhythmic planes ( sonic social events)
buny came about via sampler and diy spaces- tending to improvisation on the 
spot.
drawing on ragamash, a form of sampling where rhythms and timelines collide, 
buny is attuning to places and people doing stirring.

Conny Prantera
The Seer is a multimedia live performance that combines spoken word, sound, 
theatre and video. The project is the creation of London based artist Conny 
Prantera and is constructed from a series of her poems, collages and paintings 
that narrate the life of a prophet echoing of Homeric myth, traditional 
folksong and dreamlike memories.


TICKETS 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

DETAILS 
http://netzzz.net/women-in-sonic-electronics-happenstance-gallery-london/

Contact email la...@netzzz.net





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[NetBehaviour] Women in Sonic/Electronics @ Happenstance Gallery - Sunday, 28 April 2024

[lauraplanagracia via NetBehaviour]

Women in Sonic/Electronics

@ Happenstance Gallery
334 Old Street London EC1V 9DR
soundcheck 13:00
doors 14:30

Sunday, 28 April 2024
Laura Netz 15:00
Maike Zimmerman 15:40
Hannah Kemp-Welch 16:10
closing 16:50

TICKETS: 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

Artists:

Laura Netz
Participant at hacking culture and noise scene has taken part in many 
international events, such as exhibitions, workshops, conferences, and 
concerts. Nowadays, she is promoting the series Sonic Electronics taking place 
in London, various venues, where inviting different artists from the community 
influenced by noise, experimental, electronics and open source music.
http://netzzz.net/medial-ages-live/

Maike Zimmerman
Maike Zimmermann is a media artist based in Berlin and London. Her artistic 
practice explores the intersection of moving image, sound, photography, and 
narrative concepts, primarily within the realms of live cinema, expanded 
cinema, video art, and site-specific works. Maike has received numerous awards, 
including grants from the Arts Council England, the DAAD Promos Travel 
Scholarship, the Bremer Filmbüro, as well as research grants from the Berlin 
Senate, Stiftung Kunstfonds, and project funding from the Bundesverband 
Bildender Künstlerinnen und Künstler e. V.
http://www.maike-z.com/

Hannah Kemp-Welch
Hannah is a sound artist, currently focused on radio art practices. She 
experiments with simple designs for DIY radios, and amateur broadcasting via 
citizen bands. During residencies at MoKS (Estonia) and Full of Noises (UK), 
she developed new designs for very-low-frequency radio recievers to listen to 
the Earth’s electromagnetic static.
https://www.sound-art-hannah.com/

TICKETS: 
https://www.eventbrite.com/e/women-in-sonicelectronics-tickets-822152960637

Contact/Unsubscribe to
la...@netzzz.net


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