[NetBehaviour] oilamina

2010-07-18 Thread Alan Sondheim
oilamina oilamina oil animals lamina oil main mail anal oil lama o in i loam moan alma ama lamas lamb lame lamp lava la ma la-ma lima mama {concurrent} {object-oriented} languages - body appearing to breath, creating me - http://www.alansondheim.org/ oilamina01.jpg - oilamina26.jpg the body ap

Re: [NetBehaviour] full/fill

2010-07-18 Thread Alan Sondheim
Same here. I think it's a kind of periphery that's responsible for keeping me alive, not doing away w/ myself. As if something marvelous were on the/a horizon - On Sun, 18 Jul 2010, James Morris wrote: > On 18 July 2010 05:53, Alan Sondheim wrote: >> >> >> full/full >> >> Ich sitze auf dem

Re: [NetBehaviour] brute force

2010-07-18 Thread Michael Szpakowski
Values for 13 & 14 are both 360360 same as value 15 Also, value 5 is missing. It's 60, the same as that for 6. There's something about the program that can't deal with different sets of numbers yielding the same result.. What you're computing here is the Least Common Multiple of each series of

[NetBehaviour] _“The Old Spice Guy”: Pre sencing & Synthapticism In Action_

2010-07-18 Thread mez breeze
_“The Old Spice Guy”: Presencing & Synthapticism In Action_ http://bit.ly/96Lakc - @netwurker In 2008, several articles at augmentology.com examined the concepts of Synthetic Presencing and Synthapticism. Both concepts are part of a theoretical framework that attempts to explain developing cultura

Re: [NetBehaviour] full/fill

2010-07-18 Thread James Morris
On 18 July 2010 05:53, Alan Sondheim wrote: > > > full/full > > Ich sitze auf dem Leben, wie der schelchte Reiter auf dem Ross. Ich > verdanke es nur der Gutmuetigkeit des Pferdes, dass ich jetzt gerade nicht > abgeworfen werde. > > I sit astride life like a bad rider on a horse; I only owe it to

Re: [NetBehaviour] take.music.for.example_006

2010-07-18 Thread don trust
margo.guryan::sunday.morning.(don.trust.loop.heavied.variable.speed.mix)© Original Message Subject: [NetBehaviour] take.music.for.example_006 From: "don trust" Date: Sun, July 18, 2010 9:29 am To: netbehaviour@netbehaviour.org margo.guryan::sunday.morninglee.h

[NetBehaviour] make art - call for projects "in-between design" - deadline 31st July

2010-07-18 Thread propaganda
sorry for xyz, please >> << _ __ _ _ ___|_| | |__| | _||_ | |_|_| | _| | _|__|_ | | || | | |___|_| | |_

[NetBehaviour] Homeless Internet Artist Getting a Job

2010-07-18 Thread karen blissett
Hi all, I would like to start to save enough money to start to buy my way into the online art elites. Can anyone advise me on how a homeless Internet artist such as myself might start to gather and distribute payments? In the meantime, for some work experience, I have signed up with Amazon's Mec

[NetBehaviour] take.music.for.example_006

2010-07-18 Thread don trust
margo.guryan::sunday.morninglee.hazzlewood::tulsa.sunday© ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour

[NetBehaviour] Video footage of Diffusion

2010-07-18 Thread Ruth Catlow
I would like to have visited the exhibition, curated by the excellent Norie Neumark, to experience this work by Neil Jenkins and Roger Mills. But we can get of a sense of it from the video footage at http://www.eartrumpet.org/images/diffusion.mov "Neil Jenkins and Roger Mills’ Diffusion (2010) dra

[NetBehaviour] grey) (area - space of contemporary and media art, Korčula, Croatia

2010-07-18 Thread info
grey) (area - space of contemporary and media art, Korčula, Croatia ::: program 2010 ::: 7 - 16 . 7 Dmitry Gelfand (Russia) and Evelina Domnitch (Belarus): Sonolevitaton live-performed installation 19 . 7 - 7 . 8 opening Monday 19th July 21 - 23 h Dalibor Martinis: TV news 04. 09. 1974. video

[NetBehaviour] OPEN CALL RESIDENCY 2010 / 2011

2010-07-18 Thread info
OPEN CALL RESIDENCY 2010 / 2011 WHO: Artists working in any media with a strong experimental practice. WHAT: Two residencies - 1 - 2 weeks per residency WHERE: APO33, Nantes, FRANCE WHEN: between October 2010 and July 2011. RESIDENCY: APO33 invites artists throughout the year to develop work in