Hi Bjørn, thanks for the thoughtful explanation, which I suspected would
take longer than a second. ;)
The idea of compression into the ever-present-present of now is indeed an
interesting idea, an idea that is fundamental to our short-attention-span
intake of media. I think what through me off
Hi, the video documentation is an hour, the exact leap second is in
the middle, around 28:00, here's a link to the moment
https://www.youtube.com/watch?t=1677v=s6H7bKx9H5c
It's not that the event was spectacular or meant to be, it was as much
an anti-event of a blank screen disrupted by flashes of
Millennium project: red drawings: 1981-2015
All the red drawings are similar but different and
slowly evolving. One free exchange (shipping included) per year if desired.
Various red and colored ink washes, dyes, palimpsest, pigments;
photo-polymer, photo-linocuts, engraved, (derived from even
IDENTITY MY LOVE
http://www.alansondheim.org/sedid.jpg
1 pico yy 2 sed 's/*/*/g' yy zz; sed 's/*/*/g' zz yy;
sed 's/*/*/g' yy zz; pico zz 6 sed 's/*/*/g' yy zz;
sed 's/*/*/g' zz yy; sed 's/*/*/g' yy zz; pico zz 7
sed 's/*/*/g' yy zz; sed 's/*/*/g' zz yy; sed 's/*/*
/g' yy
just want to say that, yes, I can agree with this, and I'm thankful
for your words and references which puts some more flesh to the
concept, especially I like the reference to the pure structure and its
corruption which i think is at the core of the event, technically and
theoretically, which
