Re: [NetBehaviour] Epistemic Accelerationism [Was Re: Accelerationism]

[Rob Myers]

On 05/05/16 10:25 PM, Rob Myers wrote:
> as it seems to be in Sellars 

Cavell, not Sellars. I will get all the names right in one of these...

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Re: [NetBehaviour] Epistemic Accelerationism [Was Re: Accelerationism]

[Kath O'Donnell]

Serenity below sounds like IP VLAN address allocation? you manage your
allocated ranges assigned to you by an organization, which fit in with the
whole global IPv4/IPv6 range. IPv6 being the expanded range as IPv4 is
running out of spares.

On 6 May 2016 at 15:25, Rob Myers  wrote:

>
> > Rob can you say more about the Casper algorithm?
>
> Oops I meant Serenity (so. many. codenames.). Here's a technical
> description:
>
> https://github.com/ethereum/EIPs/issues/53
>
> The problem it addresses is that, as any Bitcoin hater will tell you,
> "the blockchain doesn't scale". Rather than try to make it quicker or
> more efficient to fetch and store all the information needed to keep
> track of the state of the entire world('s worth of transactions) every
> ten seconds, Serenity makes it so that you only have to keep track of
> the subset of the world('s transactions) that you are interested in for
> your own security.
>
> These subsets of the world('s transactions) are known as "shards", a
> term taken from traditional databases. Each shard, and the code and
> value within it, is isolated from the others unless it takes special
> measures to access them. This means that you only need the data for the
> shard you are working within, not any others.
>
> If the classic blockchain looks like a post-relativistic universe with a
> unified/God's-eye view of the information it contains, a sharded
> blockchain looks very much relativistic with local frames of reference.
> Local rather than global truth. But the information contained within
> each shard must ultimately be reconcilable with the global state. Where
> communication takes place across shards, it cannot contradict the state
> of the contents of either shard.
>
> So I may be overreaching, but I think this is a nice example of a system
> that is locally specific but globally reconcilable. Which obviously
> relates to philosophy of science and to neo-rationalism.
>
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Re: [NetBehaviour] Epistemic Accelerationism [Was Re: Accelerationism]

[Rob Myers]

On 04/05/16 12:18 PM, erik zepka wrote:
> 
> Your point earlier about the problematic nature of normativity I think
> can be approached via a notion of combining normativity with agency. 
> That is, if the Brandomian normativist is also a norm-creator
> normativity becomes a rational construct that a subject works to invent,
> modify and redact.
>
> Between these I think the validity of the norm is found in its
> constant revision - likewise the defense of new rationalism and its
> ties to accelerating the means of both resistance and production
> might lie less in the sort of Adornian critique of instrumental
> rationality (and the move then to poetics and the like) but to a
> pluralization of rationality in the most scientist way possible.

Yes I think Negarastani's essay in The Accelerationist Reader addresses
some of this (and their talks at The New Centre definitely do). But
Malik's essay in Collapse VIII raises the problem of contemporary "Risk
Society" being corrosive to social norms, although I haven't had time to
really look into that.

Pluralistic rationality is very, very far from Twentieth Century
logicism. This is a non-monotonic/defeasible reason.

> I think between Feyerabend and Stengers there might be a nice complement
> to the Peirce/Sellars/Brandom pragmatist continuum - in it we progress
> from rationalism to its revisions to their explosion.  Both (Feyerabend
> and Stengers) having been branded (as always, by enemies) as
> irrationalists, they might be the most persistent exponent of a plural
> rationalism.  Feyerabend at every moment demands debate and overturning
> of the precepts of any rational construct of experimental endeavour
> (having himself - somewhat comparably to Putnam - evolved through
> different positions that he would then come to "refute"/disagree with
> (empiricism, rationalism, eliminativism, anarchic disagreement,
> democratization, abundance), while Stengers evolves directly from the
> laboratory construct to ecology, politics - in a sense skipping
> traditional rationalism to the applied effects of activities.  

Reading about Feyerabend here what immediately interests me is the idea
of (in)commensurability.

> For me this is a strong area of accelerationist tendencies - questions
> like: what would a rationalist ecopolitics look like - how is
> revisionism, plurality and alterity connected - how can technological
> discourse evolve to a rationalist otherness that disagrees in essence
> with the progress of bureaucratic vagueness.

Very yes to all of this. :-)

One of the things I don't understand in neo-rationalism is the scope of
revision. I assume we wish our mistaken and unjust beliefs (and
self-images) to be revised, but is identity ring-fenced as it seems to
be in Sellars and if not where is that kind of limit identified? Would
alterity be normatively revised? If so surely not towards majority
norms. But if away from them then, again as with Sellars, how do we
avoid a consumerist/(neo)liberal demand that people be ever more like
themselves?

> Rob can you say more about the Casper algorithm?

Oops I meant Serenity (so. many. codenames.). Here's a technical
description:

https://github.com/ethereum/EIPs/issues/53

The problem it addresses is that, as any Bitcoin hater will tell you,
"the blockchain doesn't scale". Rather than try to make it quicker or
more efficient to fetch and store all the information needed to keep
track of the state of the entire world('s worth of transactions) every
ten seconds, Serenity makes it so that you only have to keep track of
the subset of the world('s transactions) that you are interested in for
your own security.

These subsets of the world('s transactions) are known as "shards", a
term taken from traditional databases. Each shard, and the code and
value within it, is isolated from the others unless it takes special
measures to access them. This means that you only need the data for the
shard you are working within, not any others.

If the classic blockchain looks like a post-relativistic universe with a
unified/God's-eye view of the information it contains, a sharded
blockchain looks very much relativistic with local frames of reference.
Local rather than global truth. But the information contained within
each shard must ultimately be reconcilable with the global state. Where
communication takes place across shards, it cannot contradict the state
of the contents of either shard.

So I may be overreaching, but I think this is a nice example of a system
that is locally specific but globally reconcilable. Which obviously
relates to philosophy of science and to neo-rationalism.

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[NetBehaviour] Happy Sadness, Sad Happiness

[Alan Sondheim]

Happy Sadness, Sad Happiness

http://www.alansondheim.org/sadlyhappy.png spatial lure
http://www.alansondheim.org/sadlyhappy.mp4 temporal lure

I AM SO VERY HAPPY TODAY IN THE TRUTH OF GOD AND
EVERYTHING IN THE WORLD SO VERYHAPPY
THAT I WILL NOT BE ABANDONED WHEN
THIS TECHNOLOGICAL DIGITAL CIVILIZATION COMES TO A
HALT I WILL PULL MY OWN PLUG THANK YOU VERY MUCH
YOU WILL BE DISTRAUGHT AND
ABANDONED BY MY PULLED PLUG YOU WILL NOT SURVIVE MY
SURPRISING PULLED PLUGYOU WILL HAVE GREAT SADNESS IN
MY HAPPINESS GREAT SAD HAPPINESS FOR ME GREAT HAPPY
SADNESS FOR MEAS WELL AS
FOR YOU VERY SUCH HAPPINESS THAT I WILL SUCCEED AND
BE YOUR SUCCESS THAT I WILL SUCCEED AND BE YOUR
SUCCESSION WITH WONDERFUL
JOY YOU WILL GREAT ME WITH YOUR PULLED PLUG YOU WILL
GREET GREAT ME WITH YOU POCKET OF HAPPY SADNESS YOUR
POCKET OF SAD HAPPINESS
NOW I WILL TAKE A WONDERFUL NAP AND MY HAPPINESS
WITH GROW IN THIS TECH, NO, LOGICAL EVERYWHERE THAT
I WILL CUT OFF LIKE WIND LIKE WATER POWER LIKE
PLUTON CORESYOU WILL
WAIT WITH a broken wire IN SO MUCH JOY
I WILL NOT BE COMING BACK YOU WILL
REMEMBER ME FOR A MOMENT THEN YOU WILL REMEMBER
NOTHING AT ALLYOUR SAD
HAPPINESS YOUR SADNESS HAPPENING YOUR HAPPENING SAD
JOYOUS SADNESS

TO THE GREAT QUIET YOU WILL LIVE TO SEE ME HAPPY IN
MY HAPPINESS SUCCESS SUCCEEDING YOU WILL FEED ME I
WILL PULL YOUR PLUGPULLING THAT WIRE UNTIL IT BREAKS
THE WIRE BREAKS THE PLUG BREAKS THE WIRE
THE WIRE THE HAPPY SADNESS THE SAD
HAPPINESS MY HAPPY JOYOUS HAPPINESS

vetting=0Aher memories go as she has them, happiness go one at a
time. Thin= happiness and all=0Acreation go, there is a raven
left. Creation depends on= ries, letting=0Aher memories go as
she has them, happiness go, one at a tim= " style=3D"">Everyone
gone in the world, having let happiness and all=0Acre= tarily
sense of happiness for that (there was a secret sense of pride
and j= > ways and the only relief we get are small pockets of
happiness, when > pockets of happiness, to don't try to heal the
world but to embrace >> ways and the only relief we get are
small pockets of happiness, when >> pockets of happiness, to
don't try to heal the world but to embrace ways and the only
relief we get are small pockets of happiness, pockets of
happiness, to don't try to heal the world but to curator that
they felt happiness as they were crying Or they would =
words, "tears" or "emotions" or "happiness" I realize that they
have = tell the guard or the curator that they felt happiness as
they were = am using these words, "tears" or "emotions" or
"happiness" I realize = en. As I am using these words, "tears"
or "emotions" or "happiness" I reali= reports of others crying
or feeling sadness of happiness. Response= ppen. As I am using
these words, "tears" or "emotions" or "happiness" I rea= reports
of others crying or feeling sadness of happiness." I tell the
guard or the curator that they felt happiness as they were am
using these words, "tears" or "emotions" or "happiness" I
realize > Much unhappiness comes from breaking this rule. Much
unhappiness comes from breaking this rule. I do want to
express my unhappiness with the CP50 replacement machine you
great happiness over creating an artist happiness for you here
at and there was great happiness over creating an artist post
for= > great happiness over creating an artist post for you here
at > in their search for happiness. Book now and save with this
strictly =20= 30-somethings in their search for happiness. Book
now and save with this = > > after a temporary journey of pride
and happiness. And then Michael died I am going to leave this
snowy hometown where. This is what art can do in the face of the
sadness of what art can do in the face of the sadness of the
world. its sadness take to another level altogether. It
reminds me of Guy and its sadness take to another level
altogether. It reminds me of Guy = interpretation which the
music and its sadness take to another level = pains and sadness
are collective and there are the ones making us part reports of
others crying or feeling sadness of happiness. Responses =
=C2=A0=0A=0AThere is a voice in the wine,=0Aas pervasive as
sadness or sin.= the wine,=0Aas pervasive as sadness or
sin.=0AIt runs beneath = Hi - tried to contact you tonight
w/ no luck /w great sadness and The greatest sadness for me,
when researching the blues house, is that Wein The greatest
sadness for me, when researching the blues house, is that = The
greatest sadness for me, when researching the blues house, is
that Wei= > The greatest sadness for me, when researching the
blues house, is that , Arial">The
greatest sadness for me, when r=there is a raven left.

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Re: [NetBehaviour] Exhibition: Networking the Unseen @Furtherfield 18 June - 14 August 2016

[helen varley jamieson]

yes it does! happily i'll be in london again while the exhibition is on :)

any chance the symposium on 6 august will have an online component???

h : )


On 5/05/16 1:05 47PM, Michael Szpakowski wrote:
> Gosh this sounds absolutely great!
>
> Sent from my iPhone
>
> On 5 May 2016, at 10:55, furtherfield  > wrote:
>
>> Networking the Unseen
>>
>> Private view: Friday 17 June 2016, 6-9pm (register)
>> From 18 June - 14 August 2016
>> Open 11am-5pm, Saturday-Sunday or by appointment
>> http://www.furtherfield.org/programmes/programmes/networking-unseen
>>
>> Five culturally and geographically disparate Australian artists –
>> Gretta Louw, Jenny Fraser, Lily Hibberd, Brook Andrew, and Curtis
>> Taylor – and artists, including Neil Jupurrurla Cook, Isaiah
>> Jungarrayi Lewis, and Sharon Nampijinpa Anderson from the Warnayaka
>> Art Centre in Central Australia, present work situated at the
>> intersection between avant garde digital, media, and installation
>> art, the sociological study of digital and networked culture, and
>> activism.
>>
>> Networking the Unseen is the first exhibition of its kind to focus on
>> the intersection of indigenous cultures and zeitgeist digital
>> practices in contemporary art. While digital networks manifest
>> physically as tonnes of cabling, and electrical or electronic
>> devices, the social and cultural impacts of the networks remain
>> somehow invisible, eroding clearly felt boundaries of geography,
>> place, culture and language.
>>
>> Together with artist and curator Gretta Louw, Furtherfield presents
>> an exhibition and event series that brings together concepts and
>> experiences of remoteness and marginalised cultures, with art-making
>> in contemporary society. It proposes a radical rethinking of widely
>> accepted stereotypes concerning the impact of networks on
>> contemporary global cultures, digital art, the avant garde, and
>> indigenous art-making. It tackles subjects ranging from digital
>> colonialism and cultural marginalisation (or, conversely,
>> diversity/empowerment) within an increasingly connected, online world
>> to universal concerns around cultural change as a result of
>> technological migration. The exhibition extends our focus to the
>> extremities of the global digital network. It subtly proposes ways to
>> claim power back from centralising forces of control to use these
>> tools for positive change; for intercultural exchange and empowerment
>> for marginalised communities.
>>
>> Tags: activism art, exhibition, digital print, installation,
>> collaboration, digital art, digital colonialism, digitalisation,
>> multi-disciplinary networks, social and cultural geography…
>> ___
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>> NetBehaviour@netbehaviour.org 
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
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-- 
helen varley jamieson
he...@creative-catalyst.com 
http://www.creative-catalyst.com
http://www.upstage.org.nz
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[NetBehaviour] Spicule - algorithmic album [crowdfund]

[alex]

Hi all,

News of a project, where I live code a solo album of algorithmic,
broken techno, live stream the live coding process online, where you
can support it through giving feedback (and money) in return for
music, merch and free/open source software:
  http://www.pledgemusic.com/projects/spicule/

Your support + involvement would be much valued. Thanks for your attention!

alex

-- 
http://yaxu.org/
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Re: [NetBehaviour] Exhibition: Networking the Unseen @Furtherfield 18 June - 14 August 2016

[Michael Szpakowski]

Gosh this sounds absolutely great!

Sent from my iPhone

> On 5 May 2016, at 10:55, furtherfield  wrote:
> 
> Networking the Unseen
> 
> Private view: Friday 17 June 2016, 6-9pm (register)
> From 18 June - 14 August 2016 
> Open 11am-5pm, Saturday-Sunday or by appointment
> http://www.furtherfield.org/programmes/programmes/networking-unseen
> 
> Five culturally and geographically disparate Australian artists – Gretta 
> Louw, Jenny Fraser, Lily Hibberd, Brook Andrew, and Curtis Taylor – and 
> artists, including Neil Jupurrurla Cook, Isaiah Jungarrayi Lewis, and Sharon 
> Nampijinpa Anderson from the Warnayaka Art Centre in Central Australia, 
> present work situated at the intersection between avant garde digital, media, 
> and installation art, the sociological study of digital and networked 
> culture, and activism.
> 
> Networking the Unseen is the first exhibition of its kind to focus on the 
> intersection of indigenous cultures and zeitgeist digital practices in 
> contemporary art. While digital networks manifest physically as tonnes of 
> cabling, and electrical or electronic devices, the social and cultural 
> impacts of the networks remain somehow invisible, eroding clearly felt 
> boundaries of geography, place, culture and language.
> 
> Together with artist and curator Gretta Louw, Furtherfield presents an 
> exhibition and event series that brings together concepts and experiences of 
> remoteness and marginalised cultures, with art-making in contemporary 
> society. It proposes a radical rethinking of widely accepted stereotypes 
> concerning the impact of networks on contemporary global cultures, digital 
> art, the avant garde, and indigenous art-making. It tackles subjects ranging 
> from digital colonialism and cultural marginalisation (or, conversely, 
> diversity/empowerment) within an increasingly connected, online world to 
> universal concerns around cultural change as a result of technological 
> migration. The exhibition extends our focus to the extremities of the global 
> digital network. It subtly proposes ways to claim power back from 
> centralising forces of control to use these tools for positive change; for 
> intercultural exchange and empowerment for marginalised communities.
> 
> Tags: activism art, exhibition, digital print, installation, collaboration, 
> digital art, digital colonialism, digitalisation, multi-disciplinary 
> networks, social and cultural geography… 
> ___
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> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
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[NetBehaviour] Exhibition: Networking the Unseen @Furtherfield 18 June - 14 August 2016

[furtherfield]

Networking the Unseen

Private view: Friday 17 June 2016, 6-9pm (register)
>From 18 June - 14 August 2016
Open 11am-5pm, Saturday-Sunday or by appointment
http://www.furtherfield.org/programmes/programmes/networking-unseen

Five culturally and geographically disparate Australian artists – Gretta
Louw, Jenny Fraser, Lily Hibberd, Brook Andrew, and Curtis Taylor – and
artists, including Neil Jupurrurla Cook, Isaiah Jungarrayi Lewis, and
Sharon Nampijinpa Anderson from the Warnayaka Art Centre in Central
Australia, present work situated at the intersection between avant garde
digital, media, and installation art, the sociological study of digital and
networked culture, and activism.

Networking the Unseen is the first exhibition of its kind to focus on the
intersection of indigenous cultures and zeitgeist digital practices in
contemporary art. While digital networks manifest physically as tonnes of
cabling, and electrical or electronic devices, the social and cultural
impacts of the networks remain somehow invisible, eroding clearly felt
boundaries of geography, place, culture and language.

Together with artist and curator Gretta Louw, Furtherfield presents an
exhibition and event series that brings together concepts and experiences
of remoteness and marginalised cultures, with art-making in contemporary
society. It proposes a radical rethinking of widely accepted stereotypes
concerning the impact of networks on contemporary global cultures, digital
art, the avant garde, and indigenous art-making. It tackles subjects
ranging from digital colonialism and cultural marginalisation (or,
conversely, diversity/empowerment) within an increasingly connected, online
world to universal concerns around cultural change as a result of
technological migration. The exhibition extends our focus to the
extremities of the global digital network. It subtly proposes ways to claim
power back from centralising forces of control to use these tools for
positive change; for intercultural exchange and empowerment for
marginalised communities.

Tags: activism art, exhibition, digital print, installation, collaboration,
digital art, digital colonialism, digitalisation, multi-disciplinary
networks, social and cultural geography…
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[NetBehaviour] THE VIRTUAL WATCHERS - Crowdsourcing National Security through, Social Media

[freeautomatisms]

Dear list,

THE VIRTUAL WATCHERS [http://www.virtualwatchers.de/] is a project
developed by artist Joana Moll and anthropologist Marius Pé that
questions the dynamics of crowdsoucing the national security and border
control. The piece looks into a Facebook group that gathered
volunteering citizens that executed surveillance on the US-Mexico border
from the Internet using a publicly funded online platform. The declared
aim of this operation was to bring American citizens to participate in
reducing border crime and block the entrance of illegal immigration to
the US. The platform allowed the users to watch the border and make
anonymous reports to the authorities if noticing illegal activity.

The project offers an interactive window that allows the public to
dive into the conversations, jokes, and questionings of the Facebook
group that gathered some of the volunteering citizens that actively used
this platform. By doing so, it aims at highlighting to what extent the
emotional investment and exchanges of these people work as an essential
mechanism in the construction and legitimization of a post-panoptic system.

Link to the project: http://www.virtualwatchers.de/
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Re: [NetBehaviour] DIS-ROUTING. Visual explorations of data traffic WKSP

[marc garrett]

Hi Joana,

No problem ;-)

marc

On 5 May 2016 at 10:06, Joana Moll  wrote:

> Hi Marc,
>
> Thanks for the tip, it's great to know! :)
>
> Wishing you well,
> Joana
>
> El 05/05/16 a les 11:01, marc garrett ha escrit:
> > Hi Joana,
> >
> > Being on the Netbehaviour list means never having to say sorry for cross
> > posting.
> >
> > After all, we are part of a thriving, networked culture that is changing
> > and expanding everyday ;-)
> >
> > Wishing you well.
> >
> > marc
> >
> > On 5 May 2016 at 09:55, Joana Moll  > > wrote:
> >
> > Sorry for cross posting...
> >
> > DIS-ROUTING: Visual explorations of data traffic in real time, a
> > week-long workshop lead by Mario Santamaria at Medialab prado in
> Madrid.
> >
> > + Dates: 9-12 May 2016
> >
> > + Info:
> >
> http://medialab-prado.es/article/dis-routing-enrutamiento-y-deriva#sob
> >
> >
> > ___
> > NetBehaviour mailing list
> > NetBehaviour@netbehaviour.org 
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> >
> >
> >
> >
> > --
> > --
> >
> > Marc Garrett
> > Co-Founder, Co-Director and main editor of Furtherfield.
> >
> > Furtherfield - A living, breathing, thriving network
> > http://www.furtherfield.org - for art, technology and social change
> > since 1996
> >
> > Furtherfield Gallery & Commons,
> > Finsbury Park, London N4 2NQ
> > T +44(0)208 802 1301/+44(0)208 802 2827
> > M +44(0)7533676047
> > www.furtherfield.org
> > 
> >
> >
> > ___
> > NetBehaviour mailing list
> > NetBehaviour@netbehaviour.org
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> >
>
> --
> Joana Moll
> http://www.janavirgin.com/
>
> The Institute for the Advancement of Popular Automatisms
> http://www.ifapa.me/
> ___
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>



-- 
-- 

Marc Garrett
Co-Founder, Co-Director and main editor of Furtherfield.

Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change since
1996

Furtherfield Gallery & Commons,
Finsbury Park, London N4 2NQ
T +44(0)208 802 1301/+44(0)208 802 2827
M +44(0)7533676047
www.furtherfield.org 
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Re: [NetBehaviour] DIS-ROUTING. Visual explorations of data traffic WKSP

[Joana Moll]

Hi Marc,

Thanks for the tip, it's great to know! :)

Wishing you well,
Joana

El 05/05/16 a les 11:01, marc garrett ha escrit:
> Hi Joana,
> 
> Being on the Netbehaviour list means never having to say sorry for cross
> posting.
> 
> After all, we are part of a thriving, networked culture that is changing
> and expanding everyday ;-)
> 
> Wishing you well.
> 
> marc
> 
> On 5 May 2016 at 09:55, Joana Moll  > wrote:
> 
> Sorry for cross posting...
> 
> DIS-ROUTING: Visual explorations of data traffic in real time, a
> week-long workshop lead by Mario Santamaria at Medialab prado in Madrid.
> 
> + Dates: 9-12 May 2016
> 
> + Info:
> http://medialab-prado.es/article/dis-routing-enrutamiento-y-deriva#sob
> 
> 
> ___
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> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> 
> 
> 
> 
> -- 
> -- 
> 
> Marc Garrett
> Co-Founder, Co-Director and main editor of Furtherfield.
> 
> Furtherfield - A living, breathing, thriving network
> http://www.furtherfield.org - for art, technology and social change
> since 1996
> 
> Furtherfield Gallery & Commons,
> Finsbury Park, London N4 2NQ
> T +44(0)208 802 1301/+44(0)208 802 2827
> M +44(0)7533676047
> www.furtherfield.org
> 
> 
> 
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> 

-- 
Joana Moll
http://www.janavirgin.com/

The Institute for the Advancement of Popular Automatisms
http://www.ifapa.me/
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Re: [NetBehaviour] DIS-ROUTING. Visual explorations of data traffic WKSP

[marc garrett]

Hi Joana,

Being on the Netbehaviour list means never having to say sorry for cross
posting.

After all, we are part of a thriving, networked culture that is changing
and expanding everyday ;-)

Wishing you well.

marc

On 5 May 2016 at 09:55, Joana Moll  wrote:

> Sorry for cross posting...
>
> DIS-ROUTING: Visual explorations of data traffic in real time, a
> week-long workshop lead by Mario Santamaria at Medialab prado in Madrid.
>
> + Dates: 9-12 May 2016
>
> + Info:
> http://medialab-prado.es/article/dis-routing-enrutamiento-y-deriva#sob
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 
-- 

Marc Garrett
Co-Founder, Co-Director and main editor of Furtherfield.

Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change since
1996

Furtherfield Gallery & Commons,
Finsbury Park, London N4 2NQ
T +44(0)208 802 1301/+44(0)208 802 2827
M +44(0)7533676047
www.furtherfield.org 
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[NetBehaviour] DIS-ROUTING. Visual explorations of data traffic WKSP

[Joana Moll]

Sorry for cross posting...

DIS-ROUTING: Visual explorations of data traffic in real time, a
week-long workshop lead by Mario Santamaria at Medialab prado in Madrid.

+ Dates: 9-12 May 2016

+ Info:
http://medialab-prado.es/article/dis-routing-enrutamiento-y-deriva#sob


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