[NetBehaviour] of thinking through years, the 'grasp' or the known'

2017-10-04 Thread Alan Sondheim



of thinking through years, the 'grasp' or the known'


http://www.alansondheim.org/found33.jpg
http://www.alansondheim.org/found16.jpg
http://www.alansondheim.org/found28.jpg

- - -

well, i wrote that in 1974, many years ago. well, that was 43
years ago to be exact.

well, it was almost half a century ago. a lot of things happen
in half a century. well, it feels a lot closer than that, just
yesterday or even today, today in the late morning or around
noon. on the other side of noon perhaps.

well, that's what happens. that's always what happens. and it
gives you pause.

it gives anyone pause.

it gives pause because it's that way, and you know implicitly,
that the interval will grow every day. well, it will keep on
growing, day after day.

other things will intervene. other things will come along, it
will become part of the usual course of history. well, by that i
mean that things recede, no matter what, that people die, new
people, new events, occur. it's always like that.

well, as you grow older, you get to see this happen, history
growing, everything forgotten, no matter what it is. and a half
century seems an inconceivable amount of time. there aren't even
that many century, it just seems to be overloaded, all of that.

then you move away from these things, don't you. you move away
because, well, it doesn't make sense to hold onto things, not
under these conditions. so you move away. well, that's not
entirely true, what is true is that you're moved away, you have
no choice in the matter. you're a witness to the moving.

well, there's no one you can talk to about this. that's true,
it's cone constantly narrowing, separating from all the others.
well, by death and experience. yes, and by enumeration as well,
these things which come along, pass by. we mourn people and
events no one else has ever heard of, no one else has been
there, not now, not ever.

well, this is the condition of the world, isn't it. or the
condition of the world as we know it, these passings which are
forms of universal decathecting, detaching, letting-go. well,
all of that happens of its own accord, we have no say in the
matter, then we'll be gone, soon, and we'll be part of this.
well we want our names at the very least to be there, at least
for a little while, on our passing.

and our things, the care we've taken or not taken with our
things, we want those to survive, to breathe just a little while
longer, isn't that the case.

well, i suppose it's the case, something else we have no control
over, something else that's already evaded us in a perverse form
of the future anterior, we can't grasp that.

we can't grasp anything, can we. or we can grasp things, just
for a short while, the shortest while, and the noise is always
there, always moving, the incredible granularity of the real,
and a kind of dust or sinter, we're there within it, there's no
escaping.

it's as if there's a calling or a calling-forth that we must
answer, that's an imperative, that leaves us choiceless, not
even the semblance of a choice. and that goes all the way back,
i close my eyes, clothe my eyes, and already there are
recessions, lapses, gaps in everything all the way back, 1974 or
the subduction of 1974 or any other year, the grasping too is
absorbed, vanquished, well, not vanquished, that movement
though, always continuing, even the vanquishing becomes a
whisper, a collocation of particles already separating, the buzz
of gravitational waves, dark matter, neutrino transformations,
anything we might name now, giving a name to something just as
the names are already disappearing, already the uncanniness of
unaccountable vanishings, and, well, that's one way to look at
it, and ways, and lookings, disappearing as well, soon almost a
century, corrosions of databases, sparks across any conceivable
form of storage, all those useless protocols. well, just think,
though, for the moment. that moment has already fled, what we're
part of is completely determined, not by anything, not even by
blind or mute mechanisms, not by automata or control, not by the
dreams of eternal life or wars spanning galaxies, or federations
across globular clusters, none of that. well, then it's
universal momentum, it happens, there's nothing outside of this
happening.

well, that's exactly it, there's nothing outside of it, nothing
inside of it, it doesn't matter where we're staying if we're
staying. well, or when for that matter.

well i remember, a few years back, neti neti, which i think of
as not this, not that, but now i think, momentum.

well, it doesn't matter what you think.

well, it doesn't matter at all, does it, it's always already
gone, this thought or that, this place or that, a splinter or
fold in a piece of paper, the suspension of a vase by a spring,
a sprig carried by a stranger, someone we have always known.

well, we have always known this, haven't we. we have always
known.

this is the 'grasp' or the 'known.'

- - -

supplement

then

well, sometimes you walk 

[NetBehaviour] on blockchain, etc. -

2017-10-04 Thread Alan Sondheim


might be relevant here?
https://blog.p2pfoundation.net/data-technologies-colonize-the-ontological-frontier/2017/10/04

(from Michel Bauwens on G+)
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[NetBehaviour] BLUE, Azure's new Song!

2017-10-04 Thread Alan Sondheim



BLUE,  Azure's new Song!


http://www.alansondheim.org/blue10.jpg
http://www.alansondheim.org/cccafe.mp3 version 1
http://www.alansondheim.org/cccafe2.mp3 version 2
http://www.alansondheim.org/blue26.jpg
http://www.alansondheim.org/blue11.jpg

vocals, song, Azure Carter
sarangi, Alan Sondheim


BLUE

Latenight at the C. C. Cafe
And the orkestra repeats
Over and over / Again sound the same
Someone gets up / Plays with them
This and that / No one says a word
Over and over / Sounds another
Gets up and sits down
Gets up and plays with them
And no one says a word
The orkestra goes on

Blue.  Says she can listen to this all night long
Blue.  Says she feels better now thank you very much
Play again blue.  Says I feel something coming on
Blue.  Says play again someones coming in

Blue.  Says she can listen to this all night long
Blue.  Says she feels better now thank you very much
Play again blue.  Says I feel something coming on
Blue.  Says play again someones coming in

Hir flesh wears what moves you
Hir clothes control hir movements
Hir clothes keep hir going
Hir clothes go with hir going
Its the usual / But how unusual
Hir clothes about transparent
But they keep hir moving
They keep hir going
Hir flesh keeps hir going
What a fine mess shes made

Blue.  Says she can listen to this all night long
Blue.  Says she feels better now thank you very much
Play again blue.  Says I feel something coming on
Blue.  Says play again someones coming in

Blue.  Says she can listen to this all night long
Blue.  Says she feels better now thank you very much
Play again blue.  Says I feel something coming on
Blue.  Says play again someones coming in



===


< i. i can't decide among these. azure and i wander. we were

i. i can't decide among these. azure and i wander. i was

< encyclopedia of witchcraft. i try to keep busy. the silence

encyclopedia of withcraft. i try to keep busy. the silence

< between the pond views. we were on an island in the pond.

between the pond views. we were on an island in the park.

< and walk out through the bay, when i could no longer walk
< i would not be in america. ii. i do not want to do this.
< where is the thing that will take us out of america. know

and walk down into the bay, when i could no longer walk i
would not be in america. ii. i do not want to do this.
where is the plane that will take us out of america. know

< untoward geography. there is no good thing that favors one

untoward geography. there is no purpose that favors one

< a singularity. azure and i are doing well, thank you. iv.

a singularity. azure and i are doing well, thank you.

< nowhere, return from nowhere to nowhere. we will change

nowhere, return nowhere to nowhere. we will change

< will walk in another direction. another direction is the
< same direction. we will wander. i will record everything

will walk in another direction. i will record everything

< again. we will walk and we will end up, here and now and

again. we will walk and we will end up, here, and now and

< we will wander, and we will call this 'and such it is.'

we will wonder, and we will call this 'and such it is.'



+++

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