Software of the Spectacle.

Final Cut Pro X means Apple has abandoned professional artists

by Flick Harrison

Guy Debord said that the main function of our society is now the 
production of spectacle. The spectacle alienates us from life and each 
other. Facebook, for instance, transforms our relationships into images 
of those relationships, mediated by Facebook’s own hidden desires.

Fifteen years of engagement with the Final-Cut-Pro-using professional 
class is, at best, a good self-funding, street-cred foundation for the 
new consumer version of FCP, called FCP-X. It could be compared to the 
free itunes app of yesteryear which slowly led us to the Itunes Store 
and thence to the app store, iphone and ipad.

Since Photoshop or thereabouts, the line between artist / consumer / 
producer has blurred for many reasons. Web 2.0 was a major result / 
acceleration of that, when the content between ads suddenly became 
user-generated instead of professionally-produced. Popping out a 
lower-cost, easier-to-use version of FCP should goose the whole 
production stream in that direction, not only helping fill the 
million-channel universe with consumer-produced stuff but driving the 
wages of pros down.

http://blog.flickharrison.com/2011/07/software-of-the-spectacle/
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