+1
I wanted to contribute that the recent scholarly work of HCI researchers such
as Os Keyes et al’s “A Mulching Proposal” and AI researcher Joy Buolamwini et
al’s “Gender Shades,” etc., exist in the space of serious research and savvy
presentation that contains inherent critiques of their
tredi digitofagico~ estao capturados pela ubiquidade das ferramentas,
estao cada vez mais nas ruas, estao de maos dadas com o software livre
chorando pitombas, estao germinando apos digeridas :)
Em 2019-06-27 07:27, Rachel O' Dwyer escreveu:
> What characterises media art interventions in the
Hi Rachel,
A bit more
detail
Hi everyone,
I really appreciate all the replies both on and off the list.
I hadn't made a connection between this post and the very popular
discussion of net-time and I’m very interested to hear that Transmediale is
exploring the persistence of networks.
One of the most inspiring books I've
Hello Rachel,
I love your questions. Personally, I just submitted my PhD thesis which had
some similar research goals. While I love the construct of "the network"
and "the exploit" -- I feel they are dated/need revision in today's
landscape of platform politics. In addition I think the flat
Hi Rachel,
I've written a contribution to an upcoming Critical Makers Reader for the
Institute of Network Cultures that may be of interest. It relates to my PhD
artist and activist led research (in final year of write-up) of local authority
databases, processes of urban regeneration, and an
So interesting.
I also find this so interesting because in the light of fakeness, Tactical
Media is harder, in the sense of the intervention/provocation to response that
was done with RTMark/YesMen back in the time I was active. I think that
the new Washington Post, after the Times
Hi Rachel,
snip -
I’m currently writing about various tactical and activist practices in the
wireless space, including artistic interventions, software-defined radio
communities who are reverse-engineering, hacking, sniffing and jamming
signals, communities and activists who are building communal
Hi Rachel,
I'm not sure it's exactly what you have in mind. But just in case it
helps, you could take a look at some of the artists and art activist
projects that made up the second day of the Pirate Care conference last
week:
What characterises media art interventions in the context of ‘surveillance
capitalism’, platforms and the gig economy? Are these practices still
meaningful or, as F.A.T. Lab claimed in 2015, have they lost political
significance in the face of global platforms?
Can we still speak about
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