> Am 05.10.2017 um 06:41 schrieb Keith Sanborn :
>
> The displacements in artistic labor are at once predictable—at least in « the
> West »—and often merely generation. What interests me more is what you might
> call the grandfather effect. Where a new generation goes in search of an
> artisti
is has happened. And so I celebrate (and
perhaps overestimate) my
bewilderment.
Amis’s term “ new thought rhythms” seemed to capture something Mcluhanist
(medium is the message)
in the generative (as well as generational) gulf which as a father I feel as at
last I am being confronted
(day
m that insurmountable differences between warring musical
> schools often get flattened out over time, so that twenty years later people
> can't understand what all the fighting was about. But that's another story.
>
> --Dave.
>
>
>> On Oct 4, 2017, at 5:58 AM
--Dave.
> On Oct 4, 2017, at 5:58 AM, David Garcia
> wrote:
>
>
> New "thought rhythms'- announce the fact that Rock (including Punk) is dead.
>
> The old rhymes of largely white indy (largely white) guitar bands superseded
> by Hip Hop and Grime..
> As my
There is an interesting little book "Censorship Now!!" by Ian Svenonius,
shedding some filtered light on the topic:
...
As the yuppies took on a long—term project to “gentrify” American
cities and remake them in their own image, the indie groups, typically
the scions of NPR listeners (affluent,
On 4 Oct 2017, at 5:58, David Garcia wrote:
Don’t try to dig what we all s-s-say.
Funny you should mention that. Some time back I saw some squib go by in
which one of The Who said that rock is dead, and that that kind of
creative energy has been flowing into rap. I'd like to think it was
To
New "thought rhythms'- announce the fact that Rock (including Punk) is dead.
The old rhymes of largely white indy (largely white) guitar bands superseded by
Hip Hop and Grime..
As my kids grow up I realise that though I can hear that the UK movement Grime
and US Hip Hop
are powe
