(that is where the real
challenge is...)
Peeezaaccdeee.
Eduardo Navas
http://navasse.net
http://netartreview.net
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involved. Sad but true.
Eduardo Navas
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Online at http://www.netartreview.net/monthly/0705_3.html
FEATURE.REVIEW: Reflections on Conceptual Art and its relation to New Media,
a month long conversation at Empyre
BY: Eduardo Navas
I was a guest speaker on Empyre during the month of April 2005. The
following text is a revision of two
INTERVIEW: Jose Luis Brea. The Critic Operator of the Web 2.0? by Ignacio
Nieto
http://newmediafix.net/daily/?p=405
http://newmediafix.net/
February 12, 2006
NMF's contributor, Ignacio Nieto interviews Jose Luis Brea who was formerly Dean
of the Fine Arts Academy of Cuenca and Director of
REVIEW (Focus on Santiago, Chile): The Hacker Aesthetic infiltrates the 7th
Biennale of video and New Media of Santiago by Eduardo Navas
http://newmediafix.net/daily/?p=3D467
The 7th Video and New Media Biennale of Santiago in Chile took place at the
Museum of Contemporary Art, in conjunction
To read this text with all the proper links, visit:
http://remixtheory.net/?p=174
The Three Basic Forms of Remix: a Point of Entry, by Eduardo Navas
Image source: Turbulence.org
Layout by Ludmil Trenkov
Duchamp source: Art History Birmington
Levine source: Artnet
(This text has been recently
[NMF] TEXT: Media Art - A Mixed History, book review by Horea AVRAM
http://newmediafix.net/daily/?p=1371
Media Art Histories, Edited by Oliver Grau;
Cambridge, Massachusetts, London, England: MIT Press, 2007.
More information: mediaarthistory.org
Media Art Histories, edited by Oliver Grau aims