continued use of the left thumb from one note to another (c# and d#)
Does anyone know why the C# is usually next to the D on the right of the
chanter, and the D# next to the E on the left?
I know of one maker who reverses them, so you can play C#-D left pinky right
thumb and D#-E right thumb
On 29 May 2007, [EMAIL PROTECTED] wrote:
continued use of the left thumb from one note to another (c# and d#)
Does anyone know why the C# is usually next to the D on the right of
the chanter, and the D# next to the E on the left? I know of one maker
who reverses them, so you can play C#-D
player is
called on to play at 415, 392, or 466 as opposed to 440, they will use an
instrument built for that pitch rather than transpose.
Cheers,
Paul Gretton
-Original Message-
From: Ewan Barker [mailto:[EMAIL PROTECTED]
Sent: 28 May 2007 02:36
To: Paul Gretton
Subject: [NSP] Re: G Set
:36
To: Paul Gretton
Subject: [NSP] Re: G Set
This is a very bizarre response, Paul, to something put forward as a
sensible and reasonable suggestion. It is perfectly possible to play in
A. Playing in E might stretch the technique a bit, but it could be done
on slower tunes. (Of course, I do have a G
Hilarious John! Have you thought of doing stand-up? ;-)
Cheers,
Paul Gretton
-Original Message-
From: Rev John Clifford [mailto:[EMAIL PROTECTED]
Sent: 26 May 2007 21:01
To: Klaus Guhl
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: G Set
Klaus,
There is an alternative, and much cheaper
