Hello all.
   I've just enjoyed re-reading Francis Woods' excellent article, "In
   Praise of Old Pipes",  in the 2010 Vol 31  NPS Journal.
    There he refers to the "myth [which] holds that instruments inevitably
   deteriorate if they are not used. [...] what really wears them out is
   using them ".
   I quite see that the mechanical use of moving keys, sliding tunable
   parts, etc. causes wear, but would welcome comments on a probably very
   unscientific thought on the actual wood in instruments.
   (By the by, I realise mouth-blown woodwind deteriorates through the
   warming, wetting and drying and cooling effect, but feel that's not so
   relevant here.)
   I watched a demonstration recently of how the form of vibrations
   through an instrument can clearly be seen, by using sand on the
   soundboard of a rebec held horizontally, which neatly slid into
   patterns.
   Since all matter is made of particles, is it possible that the regular
   patterns of vibration may somehow arrange these particles in a way
   relating to these regular movements?
   Which in turn would affect its acoustic character, I assume.
   Best wishes,
   Richard.
   --


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