Hello all, the hornet's nest is being stirred here! the problem is that the best keying arrangement for any one key will be compromised due to the arpeggios and runs in the different key signatures. Also, the keying arrangement would be different if the tune has arpeggios and no runs or vice-versa in just one key! Basically, in the keys of G and D, on standard 7 key chanter, there are two compromise: the low F'# key and D key, two uses of the right thumb, also, the top G to B key where one has to replace the left thumb on G to play the top B key or vice-versa. More to come later, it's late. Adrian
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