Our
pipes alone, among other bagpipes, have the capability of producing
truly detached notes
In other words, they can do what the others can't. However they can also do
what the others can, so they are potentially richer. Why make them,
complementarily, as restricted as the others?
I think
[mailto:[EMAIL PROTECTED]
Sent: 16 September 2008 23:15
To: nsp@cs.dartmouth.edu
Subject: [NSP] Re: Etymology of the 'C' word - 2
Chris wrote:
I understand what you're saying, Matt, but I don't think comparison
with the GHB tradition is directly relevant.
An extremely interesting posting, Chris
of its kind in the
world'' !
Bill
-Original Message-
From: Philip Gruar [mailto:[EMAIL PROTECTED]
Sent: 16 September 2008 23:15
To: nsp@cs.dartmouth.edu
Subject: [NSP] Re: Etymology of the 'C' word - 2
Chris wrote:
I understand what you're saying, Matt, but I don't
@cs.dartmouth.edu
Subject: [NSP] Re: Etymology of the 'C' word - 2
I understand what you're saying, Matt, but I don't think comparison with
the GHB tradition is directly relevant. The system of gracing for GHB
may have been imposed by the army for the last hundred years or so and
become accepted
On 16 Sep 2008, at 14:06, Gibbons, John wrote:
The question is whether choyting is *morally* wrong.
Undesirable, certainly, but not actually illegal, as is stated in the
item below which I noticed recently during a visit to a town well
known for its piping activities.
Francis
Atkinson and Joe Hutton all played from the same
rule book, yet each had an individual style.
Chris
-Original Message-
From: Matt Seattle [mailto:[EMAIL PROTECTED]
Sent: 16 September 2008 09:49
To: [EMAIL PROTECTED]
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: Etymology of the 'C
: Francis Wood [mailto:[EMAIL PROTECTED]
Sent: 16 September 2008 15:25
To: Chris Ormston; NSP Mailing List
Subject: [NSP] Re: Etymology of the 'C' word - 2
Well said, Chris.
I'd add that, even without the traditional examples, the instrument
itself is a good teacher. All musical instruments have
