Hello,
Here is a link to Liam O'Flynn discussing the topic of styles.
http://www.youtube.com/watch?v=EQU84O8xZlEfeature=related
and for those who follow LBPS and Paul Roberts winning piece this will
be doubly of interest
I enjoy listening to this musician cresting stories on his pipes --
oops --- creating having problems with seing at the moment
Dave
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There are many tunes, especially slip jigs, and quite a few Peacocks,
which as written, end on a note that implies we're about to go back to
the beginning and start again, but isn't really in itself an endi-
...
Many players stop there on the last time through, and don't play the
Richard
I'm not going to answer your question directly, but draw your attention
to the difference in aesthetic between Harmonic Direction and Harmonic
Proportion. And rather than elaborate here now, add that I have
pondered this long and hard and given the results of my ponderings
Hello Richard
I have to bow to Matt's much greater academic knowledge on this one but
I still offer a lesser mortal's thoughts:
The old guys I played with were dance driven and would invariably
resolve tunes in the manner you describe.
As far as my own preference is concerned I
And, bowing to Anthony's greater experience of kirn suppers, this
lesser mortal's thoughts are pretty much the same as his about ending
such tunes - dancers expect an ending, listeners can happily sit in the
air. Felton Lonnen for ex. would IMO be awful with a 'resolution' on
the
I know there have been some books published in the past that include
tune arrangements for Northumbrian pipes and other instruments though as
someone who is normally a solo player I haven't taken much
notice..until now.
I need to encourage an 11 year old flautist and 12 year old cellist
Hi Ian -- I think there are some books by Derek Hobbs on the NSP site
cheers
Dave S
On 6/18/2011 6:59 PM, Ian Lawther wrote:
I know there have been some books published in the past that include
tune arrangements for Northumbrian pipes and other instruments though
as someone who is normally a
On 18 Jun 2011, Ian Lawther wrote:
tune arrangements for Northumbrian pipes and other instruments
http://www.rossleighmusic.co.uk/
Those who use them seem to think highly of them.
Aren't there a couple of LBPS books of such duets etc as well?
Hope this helps
Julia
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Having done a lot of dancing and playing for dancing, allow me to
suggest that the decision might depend on whether or not there are a
bunch of sweaty people out there in front of you saying, That didn't
sound like the end of the tune. Should I bow/curtsie? Or keep
dancing? If
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