I fully agree with Anthony, and as I have said before, I find it a little odd
that NSP should be the only instrument in existence for which there is one and
only one way of playing.
I would credit it with being less restricted than that!
Choyte is just a disparaging word for certain types of orna
--- On Sat, 21/5/11, Zack Arbios wrote:
Reminds me of the epic gulf between Seumas Macneill and Gordon Duncan.
For Adrian, "Other than that Mrs. Lincoln, how was the play?" (and I am
a great admirer of what I can see of your playing)
I enjoyed Emily's playing, although it far ecli
-- On Sat, 21/5/11, inky-adrian http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Reminds me of the epic gulf between Seumas Macneill and Gordon Duncan.
For Adrian, "Other than that Mrs. Lincoln, how was the play?" (and I am
a great admirer of what I can see of your playing)
I enjoyed Emily's playing, although it far eclipses my ability for any
forseeable future, but does pr
Going where angels fear to tread
I know Inky is defending the one true faith and all that, which I
respect, but when one falls back onto technique as the ultimate while
seeming to not hear amazing technique (even if one doesn't agree
philosophically with all of it) one's argumen
This is not Northumberland Smallpipe-playing. The player choytes. The
player slides into notes too. Staccato rules!
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Delightful, and what a weird and wonderful approach to the harp!
C
>-Original Message-
>From: lute-...@cs.dartmouth.edu
>[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Anthony Robb
>Sent: Thursday, May 19, 2011 11:29 PM
>To: Dartmouth NPS
>Subject: [NSP] Alice Burn
>
>
> Hello folks
>
