i'm not an expert on this but interested in this topic too.
only thing i can say is that red say: "dont use our ACES profil for
production". there is a big thread about the why on the reduser forum,
thay say the ACES profil has to many erorrs and artifacts in the current
state.
Am 21.05.2012 23:44, schrieb Simon Björk:
As anyone who has used RED footage in production knows, the color
workflow is a bit of a nightmare. There are many options that each has
it's pros and cons. The problems we had earlier with gamma curves
(Redlog, Redspace etc), are now working quite well as we have both a
linear and a Cineon (RedLogFilm) output. But what about color space?
I've been using Redcolor2 for quite some time, but I'm looking at
using the Camera RGB option as it seems to have less artifacts. Is
anyone using this, and if so, how are you working with the footage?
Are you applying a lut that transforms the bleak colors into a more
pleasing image or are you just match grading as usual? Is anyone using
the ACES output that RED provides?
Thanks,
Simon
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