Funny we had a DOP refusing green gels recently though he did come round in the
end.
Howard
On 2 Apr 2014, at 05:55, Frank Rueter|OHUfx fr...@ohufx.com wrote:
Yeah, we shot everything on 800 which seems to be every DOPs' standard flavor.
I also had to fight with the gaffer to give me a
We are shooting a test with the Epic Dragon next week. I might do a
wedge with green and blue gels to have something in my back pocket
for the next onset argument :-D
On 4/2/14, 7:30 PM, Howard Jones wrote:
Funny we had a DOP refusing
Hahaha! That's classic Frank!
On my last project I was faced with a few of these lighting the should be
green bg.
[image: Inline image 1]
Really cool stuff, but thanks to Saint Méliès I've managed to convince them
it wouldn't work post wise.
As for Alexa's 800 ASA I have to say that it gives me
As far as I know, Avid systems (or at least their operators) expect all
values to be within 709-legal range (16-235). Thus, our default workflow
involves a slight range compression for output passes that are being
delivered to editorial, and these are then encoded using Nuke on OSX using
the
Pretty useful, indeed.
Thanks.
./Carlos
On Thu, Apr 3, 2014 at 2:41 AM, Nathan Rusch nathan_ru...@hotmail.com wrote:
Anyway, this is a little bit of a brain-dump, but hopefully some of it is
useful.
-Nathan
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