This a bit off topic but there is a good article by Art Adams

 

http://provideocoalition.com/index.php/aadams/story/alexa_iso_settings_t
he_least_you_need_to_know/

 

that explains the choice of 800 ISO as the Alexa sweet spot. I would
always try and get the DOP to shoot blue/green with a lower ISO to
reduce the noise, and even test the -3db (if they have enough light). It
is not always practical, but always worth trying to have the
conversation before the shoot. 

 

Neil Riley

 

________________________________

From: nuke-users-boun...@support.thefoundry.co.uk
[mailto:nuke-users-boun...@support.thefoundry.co.uk] On Behalf Of James
Etherington
Sent: 27 September 2011 12:23
To: Nuke user discussion
Subject: Re: [Nuke-users] Keying Issues with Alexa

 

Neat still gives better results for me. The new Denoise is generally
pretty good but makes it look a bit like shakes median filter.

Also it seems to get detail from the red and green channel and puts it
in the blue channel (which I think neat might do too) which can change
the colour values.

 

 

 

 

On Mon, Sep 26, 2011 at 8:56 PM, Randy Little <randyslit...@gmail.com>
wrote:

If you dont' have denoise tools I have some other chroma tricks that can
work in NUKE as long as you only use the Mask (as one should anyway) 

 

If you have Maya then you have Toxik andI have seen nothing that
denoises as well as the built in tool in Toxik.  that thing is amazing.
(well neat is about as good and works inside of nuke which is much nicer
obviously. )   I haven't had a chance to use nuke 6.3 and the new
denoise to compare yet.   Has anyone compared Nukex Denoise with Neat
video?


Randy S. Little
http://www.rslittle.com <http://reel.rslittle.com> 





On Mon, Sep 26, 2011 at 13:43, Howard Jones <mrhowardjo...@yahoo.com>
wrote:

800 asa too, tungsten balanced (which I think will add more noise to
blue). prores 4.4.4 but came out looking like 4.2.2 with so much noise I
thought I was back on 16mm high asa stock.

 

What ASA are people recommending, as low as you can go?

 

Howard

________________________________

From: Howard Jones <mrhowardjo...@yahoo.com>


To: Nuke user discussion <nuke-users@support.thefoundry.co.uk>

Sent: Monday, 26 September 2011, 20:28


Subject: Re: [Nuke-users] Keying Issues with Alexa

 

I've just had a terrible time with exactly that format - used the new
denoise tool which cleaned it up well but was very very noisey to begin
with - the blue channel was awful.

 

Howard

________________________________

From: Nick Guth <nick.g...@gmail.com>
To: Nuke user discussion <nuke-users@support.thefoundry.co.uk>
Sent: Friday, 23 September 2011, 1:56
Subject: Re: [Nuke-users] Keying Issues with Alexa

They were shot to AppleProRes444 (which is the Alexa native format).
It's straight from the camera in a .mov file format. They were converted
to DPX and are in the AlexaV3LogC colorspace in nuke. We also tried
pulling the raw .mov directly into Nuke, but have the exact same result.

 

--

Nick

On Thu, Sep 22, 2011 at 5:51 PM, Deke Kincaid <dekekinc...@gmail.com>
wrote:

What file format we're they shot to and which colorspace?

-deke


On Thu, Sep 22, 2011 at 17:44, Nick Guth <nick.g...@gmail.com> wrote:
> Read brought in using AlexaV3LogC.
> Has anyone had success with keying footage shot on the Alexa? It seems
to
> have a weird 422 look, but according to the documents it shoots 444.
We
> brought in the raw .mov from the camera and we're still getting poor
> results. I attached an example of the before and after (one click key
with
> primatte). Why is it keying the edges around highlights?
> Two of our shows are now shot on this camera and we're having a
difficult
> time getting positive results from it. If this was shot on RED it
wouldn't
> be a problem. Our work around for now is to roto everything and add
> selective keys to the roto for details, unfortunately TV schedules
don't
> allow for such detailed workarounds.
> Any help would be appreciated. Thanks!
>
>

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-- 
Nick Guth
motion . composite . design
www.nickguth.com


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