[PD] [OT] Problem with http://wiki.puredata.info?

2010-12-20 Thread Lorenzo Sutton
Thought I'd mention this here as it may be of interest... a person was 
pointing out an not-so-nice error on http://wiki.puredata.info/en/

I wonder how much the Pdpedia pages are alive/maintained.

Lorenzo.

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Re: [PD] Web browser?

2010-12-20 Thread Marco Donnarumma
They are in moocow lib.

Sorry if it sounds obvious, Have you tried to initialize them with the lib
prefix?

[moocow/bytes2any]

M



This is fascinating, currently not running on my mac, however, missing
 [any2bytes] and [bytes2any] Does anyone know where I can find these two
 objects?

  Date: Sun, 19 Dec 2010 11:19:15 -0300
  Subject: Re: [PD] Web browser?
  From: santorcuat...@gmail.com
  To: timv...@gmail.com
  CC: jbtur...@hotmail.com; pd-list@iem.at
 
  t works perfect, sometimes takes a little, but very good, it is
  possible to obtain data from the web or have any form to connect with
  pd?, perhaps viaphp? ...
  This is getting very good.
 
  Greetings dear friends
 
 
  Jos?
 





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Re: [PD] Web browser?

2010-12-20 Thread brandt

hi jose


maybe that one?

your sincerely
der.brandt



Zitat von Jose Luis Santorcuato santorcuat...@gmail.com:


Hi List, me again!, hahaha, I write query by some message or object
that allows me to go to a website without having to leave pd, just
bang and open the browser or a popup in pd ... maybe Yves library?,
any alternative?

Best regards

José

--
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http://comunicacionnativa.blogspot.com/
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#N canvas 0 0 552 317 10;
#X obj 14 254 s pd-html;
#N canvas 468 0 450 300 html 1;
#X restore 385 259 pd html;
#X msg 88 152 editmode \$1;
#X msg 87 129 0;
#X msg 117 130 1;
#X msg 59 194 mouse \$1 \$2 \$3 \$4;
#X msg 59 174 10 10 0 1;
#X msg 15 100 obj 10 10 pddplink \$1 -box;
#X obj 7 38 symbol;
#X msg 8 14 http://puredata.info/;
#X text 185 91 puts a box named pdplink into the html window;
#X text 149 14 fill in the url;
#X text 183 142 switches on and off the editmode;
#X text 184 102 on a specified place;
#X text 177 189 moves the mouse to the place of the link;
#X text 176 199 an clicks;
#X text 99 221 after opening the web-browser the object will be cutted
;
#X msg 34 217 cut \$1 1;
#X obj 7 59 t b b s b b b b s b;
#X connect 2 0 0 0;
#X connect 3 0 2 0;
#X connect 4 0 2 0;
#X connect 5 0 0 0;
#X connect 6 0 5 0;
#X connect 7 0 0 0;
#X connect 8 0 18 0;
#X connect 9 0 8 0;
#X connect 17 0 0 0;
#X connect 18 2 17 0;
#X connect 18 3 6 0;
#X connect 18 4 4 0;
#X connect 18 5 6 0;
#X connect 18 6 3 0;
#X connect 18 7 7 0;
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Re: [PD] PD OOP?

2010-12-20 Thread Mathieu Bouchard

On Mon, 20 Dec 2010, Chris McCormick wrote:

Ah, sorry for the confusion. I meant it to say that sometimes 
constraining yourself, as with following the rules for writing haiku, 
can help creativity. For some artists, there is nothing scarier than a 
page with no words on it, or a canvas with no paint (or objects) on it. 
If you start with some rules about what you are allowed to put on the 
canvas, this can paradoxically enhance your creativity.


It's about making choices. Before an artwork is started, that artwork 
could be anything. Somehow the artist has to start with something in 
particular (can't go in all directions at once !). Elements that help 
define the artwork may additive (you put a box that suggests another 
box...) or subtractive (you state a rule that filters out some 
possibilities, or you set some kind of goal).


Well, that's how I see it... at this moment.

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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Mathieu Bouchard

On Fri, 17 Dec 2010, Marco Donnarumma wrote:

Piksel team just released a full video of my recent presentation in 
Norway for Piksel 2010. The talk focused on the current state of IT 
censorship technologies and a related sonification work titled Golden 
Shield Music (http://marcodonnarumma.com/works/golden-shield-music/).


Would a random selection of non-censorship IP addresses make the same 
patch sound recognisably different ?


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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Marco Donnarumma
Yes, although atm the score would keep the same time structure, notes
would be and sound different.

Should publish the patch when I'll have some time to fix few things.


M


On Mon, Dec 20, 2010 at 2:53 PM, Mathieu Bouchard ma...@artengine.ca wrote:
 On Fri, 17 Dec 2010, Marco Donnarumma wrote:

 Piksel team just released a full video of my recent presentation in Norway
 for Piksel 2010. The talk focused on the current state of IT censorship
 technologies and a related sonification work titled Golden Shield Music
 (http://marcodonnarumma.com/works/golden-shield-music/).

 Would a random selection of non-censorship IP addresses make the same patch
 sound recognisably different ?

  ___
 | Mathieu Bouchard  tél: +1.514.383.3801  Villeray, Montréal, QC



-- 
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher
Ongoing MSc by Research, University of Edinburgh, UK


PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net

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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Mathieu Bouchard

On Mon, 20 Dec 2010, Marco Donnarumma wrote:


Yes, although atm the score would keep the same time structure, notes
would be and sound different.


But I mean, how can one distinguish between sets of censorship IP 
addresses and non-censorship IP addresses, by ear ?


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Re: [PD] PD OOP?

2010-12-20 Thread Andy Farnell




I've read a few good things about creativity.

There's this one beautiful book I have on my shelf here.
It's called The creative process, edited by Brewster
Ghislen. It's a paperback that was 99p in a charity shop,
published by Mentor. These kind of treasures are rare
as pigs eggs. Get it if you see one. 

It's a collection of essays by Albert Einstein, 
Vincent van Gogh, Yasuo Kuniyoshi, Fredrich Nietzsche,
Cal Jung, Mary Wigman, AE Housman, WB Yeats, Henry
James, Henry Moore, Thomas Wolfe, DH Lawrence, Steven Spender
Paul Valery, Samuel Coleridge, Max Ernst, Julian Levi, Christian
Zervos, Harold Shapero, Roger Sessions, Henry Poincare, Rudyard
Kipling, JH Preston, Dorothy Canfield, Katherine Anne Porter,
Morton Prince, Herbert Spencer, RW Gerard.

All kinds of weird and wonderful things are thrust into the 
discussion, issues like family and formative experience, faith, 
habitat and sleep, diet, motivation, social and cultural 
relationships... Emotions like joy, frustration, anger, love, 
and, as they reflect deeper structures of Selfhood, Angst, 
Kirkegaardian despair, Destiny.

In spite of a relativist position the idea of a correct 
interpretation of creativity is destroyed. It would make 
the most hardened cognitive scientist take a step back and 
question deeply all they think they know. Turns out there are
as many kinds of creativity as there are minds. That's what makes
it creativity.

a.

On Mon, 20 Dec 2010 08:42:53 -0500 (EST)
Mathieu Bouchard ma...@artengine.ca wrote:

 On Mon, 20 Dec 2010, Chris McCormick wrote:
 
  Ah, sorry for the confusion. I meant it to say that sometimes 
  constraining yourself, as with following the rules for writing haiku, 
  can help creativity. For some artists, there is nothing scarier than a 
  page with no words on it, or a canvas with no paint (or objects) on it. 
  If you start with some rules about what you are allowed to put on the 
  canvas, this can paradoxically enhance your creativity.
 
 It's about making choices. Before an artwork is started, that artwork 
 could be anything. Somehow the artist has to start with something in 
 particular (can't go in all directions at once !). Elements that help 
 define the artwork may additive (you put a box that suggests another 
 box...) or subtractive (you state a rule that filters out some 
 possibilities, or you set some kind of goal).
 
 Well, that's how I see it... at this moment.
 
   ___
 | Mathieu Bouchard  tél: +1.514.383.3801  Villeray, Montréal, QC


-- 
Andy Farnell padawa...@obiwannabe.co.uk

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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Marco Donnarumma
@Matju: I guess you can't.
If the system would be based on a real time flows of IP censored and
non-ones, I think it would make more sense to code something which
could emphasize the difference. Perhaps this way it would be a
different work.

@Joao: Yes, indeed.
I tried to create a simple straight-forward conversion of data into
sound, without working at all on harmony, scales, etc. Also the design
of the synths is nothing too complex on purpose. I wanted the work to
focus mostly on the intervention itself and not on its outcome.
Although I myself don't think that's a nice piece of music, I didn't
expect that degree of musicality.


M



On Mon, Dec 20, 2010 at 3:36 PM, João Pais jmmmp...@googlemail.com wrote:
 funny, you said I don't want to make a nice music, but when I listened to
 the recording, I could only hear the nice music, and no IPs or chinese
 tentacles.

 On Fri, 17 Dec 2010, Marco Donnarumma wrote:

 Piksel team just released a full video of my recent presentation in
 Norway for Piksel 2010. The talk focused on the current state of IT
 censorship technologies and a related sonification work titled Golden
 Shield Music (http://marcodonnarumma.com/works/golden-shield-music/).

 Would a random selection of non-censorship IP addresses make the same
 patch sound recognisably different ?

  ___
 | Mathieu Bouchard  tél: +1.514.383.3801  Villeray, Montréal, QC


 --
 Friedenstr. 58
 10249 Berlin (Deutschland)
 Tel +49 30 42020091 | Mob +49 162 6843570
 Studio +49 30 69509190
 jmmmp...@googlemail.com | skype: jmmmpjmmmp





-- 
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher
Ongoing MSc by Research, University of Edinburgh, UK


PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net

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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Andy Farnell


Duh!? The censored ones will have the notes replaced
with rests.

On Mon, 20 Dec 2010 09:35:17 -0500 (EST)
Mathieu Bouchard ma...@artengine.ca wrote:

 On Mon, 20 Dec 2010, Marco Donnarumma wrote:
 
  Yes, although atm the score would keep the same time structure, notes
  would be and sound different.
 
 But I mean, how can one distinguish between sets of censorship IP 
 addresses and non-censorship IP addresses, by ear ?
 
   ___
 | Mathieu Bouchard  tél: +1.514.383.3801  Villeray, Montréal, QC


-- 
Andy Farnell padawa...@obiwannabe.co.uk

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Re: [PD] [PD-announce] Piksel video report: Sonification of IT censorship technologies

2010-12-20 Thread Mathieu Bouchard

On Mon, 20 Dec 2010, Marco Donnarumma wrote:

@Matju: I guess you can't. If the system would be based on a real time 
flows of IP censored and non-ones, I think it would make more sense to 
code something which could emphasize the difference. Perhaps this way it 
would be a different work.


Ok. Thus your music doesn't really have anything to do with censorship.

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Re: [PD] Building PD-x on OSX.5.8, macbookpro 4,1

2010-12-20 Thread ydego...@gmail.com

ola,

Mark Pasquesi wrote:

HC,

I've upgraded my 4,1 pro to 10.6.5.  Have upgraded Fink and Macports.  
No success with building gem yet for the 64-bit PD-extended.  If 
anyone has had luck, would be interested in how.


However, Pidip and Gem work great with the new 32 PD-extended.  Great 
work!


The tatiana patch for Pidip has the ffmpeg streamer proposed.  I will 
try linking that over the next few days, using the embedded linking, 
once I have holidays.




yes maybe it's still there but it's totally outdated,
as streaming with ffmpeg has been abandonned in pidip...

it has been replaced by theora/vorbis ogg streaming
to an icecast server using pdp_theonice~
[THEora ON ICEcast ]...
so replace this in the patch.

it works better, but with some strange behaviour in video/sound
synchronisation with pd,
it might still have some problems to transmit
audio correctly ( depends on your drivers ).

have fun!
sevy

ps : btw your message is almost 1Mb,
please send only useful bits.

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Re: [PD] Open sound control in windows

2010-12-20 Thread Jose Luis Santorcuato
Hi, this is strange because usually programs like blender,processing,
max work with this protocol, we want to send from a hardware or
software ?, if you send from hard enough that the output change to osc
... say what you want to connect and possibly send you the programming
Best regards

José

2010/12/20 Eldad Tsabary tazberry_d...@yahoo.ca:
 Hello all,
 Is there a way to send OSC messages from an external controller to PD in
 windows (since OSCulator only works on Mac OS)?
 GlovePIE is a nice alternative solution using midi messages, but the
 hierarchical arrangement of OSC messages is very useful.
 The only way I can think of is creating a PD subpatch that receives MIDI
 messages and translates them into OSC messages. Does anyone know of a better
 way (except getting a mac)?
 Thanks
 Eldad


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[PD] timing

2010-12-20 Thread Dietrich Pank
Hi list,

This is my first post here asking you for help.
I built for many years in NI Reaktor (and still do). For this reason I'm
used to handle basically 2 signal types:
Audio - always sample rate clocked
Event - any(!) time, even between samples
Now I need to get to know and used to the clock and trigger secrets in pd.
I want to work efficiently of course but also to be sample accurate if
needed.
Beside having fun with the great freedom and logic of puredata, my aim is to
be able to build hi quality audio stuff sooner or later...

While building an audio scope (for e.g. debugging) I got stuck in searching
sample exact message trigger.
I wanna ask you for suggestions tips about my approach. Have a look into
attached pd I prepared with comments here and there describing my thoughts
and problems.
There may be different ways to make audio scopes (I know there is one
build-in but it only displayed useless coarse vector lines) but some
questions I want to get answered anyhow:

my basic questions:
* is it possible to get/fire precise timed messages, e.g. Metro (at least)
Samplerate accurate?
* is it possible to get sample timed events/messages, e.g. threshold what is
far to coarse! (see attached pd)
 * regarding changing block~ size:
- my patch only accepts 64 - why?
- why does the $0-audioscope show extreme high amplitude when block~ size is
64 ?
 - makes it sense at all changing block~ size in order to get better message
timing? Or what is it for...


manuals, links, mails or commented pd patches - anything is welcome.

regards
Dietrich
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Re: [PD] [Pdmtl] Open sound control in windows

2010-12-20 Thread Michal Seta
Hi Eldad,

On Mon, Dec 20, 2010 at 4:32 PM, Eldad Tsabary tazberry_d...@yahoo.ca wrote:
 Does anyone know of a better way (except getting a mac)?

What is the controller?  Linux may be an option (0$ cost) but may
involve jumping through hoops (depending on the hardware controller
used).  Run a custom setup off a USB key if you don't want to touch
any Windows partitions.

./MiS

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Re: [PD] [Pdmtl] Open sound control in windows

2010-12-20 Thread Michal Seta
On Mon, Dec 20, 2010 at 4:42 PM, Alexandre Quessy alexan...@quessy.net wrote:
 Well, you could write a Python script that uses python-pypm (portmidi
 bindings) and python-txosc. (OSC for Twisted)

And if you want to avoid the Twisted dependency (and additional
cruft?) you can go for pyOSC which is, AFAIK, a fairly thorought OSC
implementation

https://trac.v2.nl/wiki/pyOSC

./MiS

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Re: [PD] timing

2010-12-20 Thread Mathieu Bouchard

On Tue, 21 Dec 2010, Dietrich Pank wrote:


Audio - always sample rate clocked
Event - any(!) time, even between samples
Now I need to get to know and used to the clock and trigger secrets in 
pd. I want to work efficiently of course but also to be sample accurate 
if needed. 


There are three ways to get sample-accurate events :

  1. carry the event as part of a signal at the same rate as the audio.
 between apps, this could mean, for example, that you'd use an extra
 channel in jack for those events.

  2. carry the event as a message, then as the last step, convert it to a
 (sample-rate) signal for objects that can use that (for example, use
 a [vline~] plugged into [*~]'s right inlet)

  3. with objects (or aspects of objects) that just don't support
 sample-rate changes, you can use [block~ 1] if you can't find any
 sample-rate equivalent.

I made abstractions [lop2~] and [hip2~] as signal-rate versions of [lop~] 
and [hip~].



- my patch only accepts 64 - why?


If you use FFT, your patch has to know the block size, as a [fft~]-[ifft~] 
pair is like [*~] by the block size.


- why does the $0-audioscope show extreme high amplitude when block~ 
size is 64 ?


Does it double amplitude when you halve the block size, or does it double 
amplitude when you quadruple the block size, or some other pattern ? 
(which ?)


Does it do the opposite thing when you use bigger block sizes ?

- makes it sense at all changing block~ size in order to get better 
message timing? Or what is it for...


It's for several things :

  1. decrease to get more resolution

  2. increase to get more efficiency (of cpu)

  3. change to control the [fft~] window size (which is not controllable
 by its own parameters, unlike [fiddle~]'s window size)

  4. when converting between different sampling rates, change
 proportionally to sample rate, to avoid having to split/merge blocks
 (this rarely matters at all)

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[PD] problems with pdp_theonice~

2010-12-20 Thread Ben Baker-Smith
I'm attempting to use pdp_theonice~ to stream theora video to an icecast
server. I'm having trouble getting this working - it seems to connect ok as
long as there is audio and video being sent to pdp_theonice~ but I can't
view the stream with vlc or an embedded html5 player (which I've been able
to do when streaming video from other sources to this same icecast server).
oggcast~ works just fine.

Does anyone have a simple patch that they know works for streaming theora
video to icecast with pdp_theonice~?

I've checked out the giss examples, but these are way more complicated than
I need, and hard to debug. Also, they crash when I try to connect (probably
because no audio or video is making it to pdp_theonice~, as my tests have
shown that pd crashes when you try to connect without audio and video).

I am on Ubuntu 10.04 with Pd-extended 0.42.5.

Thanks!

Ben Baker-Smith
--
http://bitsynthesis.com

p.s. alternately.. if there's another way of streaming theora without
pdp_theonice~ (using 3rd party software or otherwise) I'd be interested to
know this as well.
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