Mathieu Bouchard wrote:
On Mon, 12 Oct 2009, Miller Puckette wrote:
I've tried clapping into mics and cant get consistent results -- the
burst of air goes in all different directions and I could never get a
consistent sound into the mic at all.
...
i just looked up pop filter when seeing
Hi
the pop filter does not do anything against the hiss, it is just trying to
take away the plosives, like low frequency high power airstream, which
couses the membran of the microphone to react in not wished/calculated
ways.
so with the turbolence theory you are quiet on the right way.
On Tue, 13 Oct 2009, Justin Glenn Smith wrote:
Mathieu Bouchard wrote:
i just looked up pop filter when seeing that word in cgc's reply, and
it seems like it's a highpass filter, though it doesn't use those words
in the description I read, but I guess it from what they say about
clipping and
Pop filters are just meant to catch bursts of air, not sound. Plosive
vocal sounds, like "p" and "t", tend to send bursts of air into the
mic, which cause the same type of distortion you get in windy
conditions. Pop filters block this while having almost no effect on the
sound, so one does not
Hello,
I'm doing a hands clapping experiment and 'd like to use bonk~ to
detect the beats. I need bonk~ to be a precise as possible to detect
basic ryhtms (quarters, eights, semi-quavers, triolas).
The patch that I've made is working but I want to avoid any mistakes,
I have set the number of
hi,
I'd like to be able to adjust the settings of bonk~ to the (spectral)
features of the sound of clapping in your hands but the documentation
in bonk-help about the learning mode is a bit incomplete I think. For
example if I use the debounce message bonk~ stops outputting any
values... The
I've tried clapping into mics and cant get consistent results -- the
burst of air goes in all different directions and I could never get
a consistent sound into the mic at all. But if you can solve _that_
problem, I think gnd's idea should work OK.
cheers
Miller
On Mon, Oct 12, 2009 at
Try a large diaphragm dynamic mic like the Shure SM7 or old Beyer RE20 which
take fast transient high dB sounds well. Put a pop filter in front of the
mic and either compress the signal for a smoother envelope or gate it just
to get the attack of the clap.
On Mon, Oct 12, 2009 at 7:57 PM, Miller
