[PD] PhD postion on the ERC-funded Intelligent Instruments project

[thor list]

Hello, and apologies for x-posting!

We are seeking applications for the first PhD position on the ERC-funded 
Intelligent Instruments research project hosted at the Iceland University of 
the Arts. This is a three-year fully-funded scholarship. The candidate will 
propose their own project under the rubric of Intelligent Instruments (see 
advert) and work in an exciting lab in the heart of Reykjavik, Iceland. 

Deadline is May 17th and the start date for the project is Sept 1st, 2021.

Further information here: https://www.lhi.is/en/intent 
<https://www.lhi.is/en/intent> 

Please share and forward this email or the above URL!

Looking forward to hear from you - happy to answer any questions at 
thor.magnus...@lhi.is <mailto:thor.magnus...@lhi.is> 

All best
Thor Magnusson
https://thormagnusson.github.io <https://thormagnusson.github.io/> 

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[PD] Survey on musical practice during Covid-19

[thor list]

Hi all,

[Apologies for cross-posting.]

How is Covid-19 changing musical instrument practice? At the University of 
Sussex we are running a survey exploring this question and we would be 
delighted if you would consider filling it out. We interpret the word 
‘instrument’ broadly and take it to include the voice and music software for 
example.

We are interested in everyone’s reply, no matter what background, education, 
practice, genre or style. Amateurs and new musicians are especially welcome, so 
please feel free to share with your friends, family and networks.

Filling out the survey will take between 15-30 minutes of your time, and it 
hopefully invites you to reflect upon the meaning of music in your life:

https://forms.gle/DXZUePc5kQUZ4kEa8 <https://forms.gle/DXZUePc5kQUZ4kEa8>

Best wishes,

Thor Magnusson and Mimi Haddon
University of Sussex, Brighton, United Kingdom___
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[PD] Sema: Summer Workshop in Live Coding and Machine Learning

[thor list]

Hi all,

Would you like to use machine learning as part of musical live coding? Would 
you like to create your own live coding language? 

This summer we are running a free week-long workshop that will take place 
online, starting June 29th. With online videos, daily one-hour Zoom sessions 
and follow-up online hangouts, we will get you up and running using our new 
technologies for using machine learning in live coding.

In the workshop we will use the new Sema system for live coding in the browser. 
Further information and registration here: 
http://www.emutelab.org/blog/Semaworkshop 
<http://www.emutelab.org/blog/Semaworkshop> 

The workshop is open to all, wherever you are whatever your experience and 
background is. We are seeking a diverse group of people in this workshop and we 
hope that our virtual workshop will enable people from all over the world to 
participate. The Zoom sessions take place at 3pm UK time, so in addition to 
Europe, this would hopefully enable people in Asia, Africa and the Americas to 
participate.

Looking forward to meet you this summer,
Francisco, Chris, and Thor

:: Sema is part of the MIMIC project: www.mimicproject.com 
<http://www.mimicproject.com/> and is funded by the UK Arts and Humanities 
Research Council ::

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[PD] Live Coding Language Design Survey

[thor list]

Hi all,

As part of our MIMIC project (Musically Intelligent Machines Interacting 
Creatively) we are running a survey in order to help us designing a domain 
specific live coding language for the application of machine listening and 
machine learning techniques to music creation.

We would be very interested in learing from your experience and views, and 
would be grateful if you would consider filling in the following survey:

https://goo.gl/forms/hTWMC9YhrnTgmRBT2

We will be sharing the tools that we build, and there is more information to 
come about that, but since we have just started the project and the website is 
not up yet, you can read about the project here:

https://gtr.ukri.org/projects?ref=AH%2FR002657%2F1

Looking forward to hearing from you,

Thor Magnusson and Chris Kiefer 
Experimental Music Technologies Lab
University of Sussex

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[PD] [PD-announce] Postdoc at Sussex

[thor list]

Hi all,

Some of you might be interested in this postdoc position at the University of 
Sussex in Brighton, UK:

http://www.sussex.ac.uk/about/jobs/postdoctoral-research-fellow-3462 
<http://www.sussex.ac.uk/about/jobs/postdoctoral-research-fellow-3462>

It’s a project that combines live coding, machine listening, and machine 
learning. 

Feel free to get in touch directly for further information,

Best
Thor

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[PD] Arts Research at the festival of Algorithmic and Mechanical Movement

[thor]

Dear all,

Many of you will have heard about the Festival of Algorithmic and Mechanical 
Movement (www.algomech.com <http://www.algomech.com/>) taking place in 
Sheffield in November.

We have just published the Call for Participation in the Arts Research Strand 
of the festival:

http://miptl.org/site/musical-instruments/arts-research-symposium-at-the-algomech-festival-call-for-proposals/
 
<http://miptl.org/site/musical-instruments/arts-research-symposium-at-the-algomech-festival-call-for-proposals/>

The call is for short papers or participation on two panels (on speculative 
hardware and fictive materialities, chaired by Derek Hales and maker culture, 
chaired by Amy Twigger Holroyd).

We are very excited that Godfried-Willem Raes of the Logos Foundation will be 
giving a keynote at the festival.

We hope some of you will be interested and look forward to receive your 
proposals.

AlgoMech - Alex, Chris, Thor.




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[PD] HELP UNSUBSCRIBE!!! UNSCUBSCRIBE ALREADY!!! Re: Pd-list Digest, Vol 135, Issue 35

[Thor Thorrific]

HELP
UNSUBSCRIBE
I HAVE TRIED TO UNSUBSCRIBE ALREADY
UNSUBSCRIBE ME  NOW


On 6/9/16, pd-list-requ...@lists.iem.at  wrote:
> Send Pd-list mailing list submissions to
>   pd-list@lists.iem.at
>
> To subscribe or unsubscribe via the World Wide Web, visit
>   https://lists.puredata.info/listinfo/pd-list
> or, via email, send a message with subject or body 'help' to
>   pd-list-requ...@lists.iem.at
>
> You can reach the person managing the list at
>   pd-list-ow...@lists.iem.at
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Pd-list digest..."
>
>
> Today's Topics:
>
>1. Re: deken install user experience (Dan Wilcox)
>2. Re: deken install user experience (Lucas Cordiviola)
>3. Re: deken install user experience (Lucas Cordiviola)
>4. Re: deken install user experience (patrice colet)
>
>
> --
>
> Message: 1
> Date: Thu, 9 Jun 2016 11:36:01 -0600
> From: Dan Wilcox 
> To: Max 
> Cc: pd-list@lists.iem.at
> Subject: Re: [PD] deken install user experience
> Message-ID: <2bc5638a-617b-4b51-8c87-82867bbdb...@gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Before the discussion on deken installing libraries for you goes super far,
> we talked about this curing Chris’ initial deken development and, regarding,
> auto-magically downloading dependencies:
>
> 1. Pd developer time is currently limited (Chris & IOhannes were basically
> spitballing at that point), so the focus instead was put more on getting the
> basics working, especially in binary lib upload, search, & install.
>
> 2. Auto-magic dependency was put into the “nice to have, but possibly a lot
> of work to get right” pile as opposed to “must have" pile. If it turns out
> to be trivial, then by all means someone can propose some code and we can
> try it out (deken has it’s own GitHub repo after all).
>
> 3. There is no easy way around the pd-extended kitchen sink -> pd vanilla
> barebones + libs transition, [declare] is the preferred way forward in that
> regard. At least I thought that was agreed upon...
>
> IMO the much bigger issue right now is that we don’t have full coverage of
> built external deken packages for all the main extended libraries for all
> platforms yet. If we (I am!) are worried about priority with limited
> resources, I feel this is much more important right now. We need a big push
> of people essentially updating these main libs to the pd-lib-builder
> makefile and then coordinating people on various platforms to build said
> libs and upload deken packages. The makefile can do that as a makefile
> target, so it’s relatively easy. After all, how can deken suggest a lib to
> install when there aren’t that many libs in deken to being with?
>
> One of the great things about deken is that it helps decentralize the
> kitchen sink. Now, we need everyone to grab a utensil and start scrubbing :)
>
> 
> Dan Wilcox
> @danomatika 
> danomatika.com 
> robotcowboy.com 
>> On Jun 9, 2016, at 4:00 AM, pd-list-requ...@lists.iem.at wrote:
>>
>> From: Max >
>> Subject: Re: [PD] deken install user experience
>> Date: June 9, 2016 at 3:00:27 AM MDT
>> To: Roman Haefeli >,
>> pd-list@lists.iem.at 
>>
>>
>> On 2016년 06월 09일 17:33, Roman Haefeli wrote:
>>> In my ideal world, I write a Pd project, make sure it properly declares
>>> what it needs and then people who want to run my project find a list in
>>> the documentation with the required externals (with no further
>>> explanation how to do that and where to install). After installing the
>>> externals from the list, my pd project runs on their box and is able to
>>> successfully load the libraries. We're not there yet, see above.
>>
>> Or even better:
>> the receipient opens the file, Pd realizes that it depends on not
>> installed libraries, prompts "should Pd install the missing libraries x,
>> y and z?" then she/he clicks yes or abort.
>
> -- next part --
> An HTML attachment was scrubbed...
> URL:
> 
>
> --
>
> Message: 2
> Date: Thu, 9 Jun 2016 18:13:55 +
> From: Lucas Cordiviola 
> To: "pd-list@lists.iem.at" 
> Subject: Re: [PD] deken install user experience
> Message-ID: 
> Content-Type: text/plain; charset="iso-8859-1"
>
>> Sorry if I missed this, but what is the point of displaying> incompatible
>> (wrong arch, wrong platform) Deken packages? What would be> harmed if
>> they'd be hidden completely? I 

[PD] ICLI 2016 - Registration open

[thor]

3rd International Conference on Live Interfaces
School of Media, Film and Music - University of Sussex, Brighton.

Dates: June 28th - July 2nd, 2016.
Website: www.liveinterfaces.org

Registration is now open for the International Conference on Live Interfaces in 
Brighton this summer. This biennial conference brings together people working 
with live interfaces in the performing arts, including music, the visual arts, 
dance, puppetry, robotics or games. The conference scope is highly 
interdisciplinary but with a focus on interface technologies of expression in 
the area of performance. Topics of liveness, immediacy, presence (and 
tele-presence), mediation, collaboration and timing or flow are engaged with 
and questioned in order to gain a deeper understanding of the role contemporary 
media technologies play in human expression.

The conference consists of paper presentations, performances, interactive 
installations, poster demonstrations, a doctoral colloquium and workshops. 
Works engaging with the principles and assumptions governing interaction 
design, including perspectives from art, philosophy, product design and 
engineering are specially invited.

Keynotes:
- Stuart Nolan (magician)
- Kristina Andersen (instrument maker)
- Roman Paska (puppeteer)

Workshops:
- Magnetic Resonator Piano (Andrew McPherson)
- The halldorophone (Halldor Ulfarsson)
- Sound and Space: Performing Music for Organ and Electronics (Lauren Redhead 
and Alistair Zaldua)
- A Practical and Theoretical Introduction to Chaotic Musical Systems (Tristan 
Clutterbuck, Tom Mudd and Dario Sanfilippo)
- Making High-Performance Embedded Instruments with Bela and Pure Data (Giulio 
Moro, Astrid Bin, Robert Jack, Christian Heinrichs and Andrew McPherson)
- Distributed Agency in Performance (Paul Stapleton, Simon Waters, Owen Green 
and Nicholas Ward)
- Interfacing the Txalaparta Workshop (Enrike Hurtado)

The conference, including performances and installations, will take place at 
the newly renovated Attenborough Centre for the Creative Arts. We will publish 
final performance, installations and paper programme when closer in time.

There is a doctoral colloquium on Wednesday 29th of June and a Brighton Modular 
Meet on Sunday, 3rd of July.

We look forward to welcome you to the University of Sussex for the ICLI 
conference this summer.

Best,
Thor

---
Thor Magnusson
Department of Music
School of Media, Film and Music
University of Sussex
http://www.sussex.ac.uk/profiles/164902
http://www.ixi-audio.net
https://twitter.com/thormagnusson
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[PD] ICLI Extension of Submission Deadline

[thor]

Hi all, apologies for x-posting


International Conference on Live Interfaces - new deadline for submissions: 
February 21st!

Due to popular requests we have decided to extend the deadlines for submissions 
for one week after the paper deadline: the new deadline for all submission 
categories is now midnight February 21st.

Please find original call below. We have some wonderful news about a fantastic 
newly acquired sound system in the Attenborough Centre where the performances, 
workshops and some of the paper sessions will be. ACCA will host afternoon 
performances and there will club nights in town. 

We can also confirm that Doctoral Colloquium organiser Joe Watson will be aided 
in this task by Sally Jane Norman, Professor of Performance Technologies and 
Sussex Humanities Lab co-director. This session will promote intensive exchange 
among practitioners and theorists selected from a wide array of 'live 
interface' research perspectives.

We are also excited to announce that the Meeting House will be open for 
workshop activities, so if people would be interested in running a workshop 
that would involve a newly refurbished church organ which can be remote 
controlled by MIDI, that could be an interesting option.

Please find the call pasted here below:

On the behalf of the ICLI organisation committee,
Thor Magnusson

---

International Conference on Live Interfaces

Call for Proposals

NOTE: Extension of Deadline: February 21st! - Due to popular demand, we have 
decided to extend the submission deadline for ALL CATEGORIES until midnight 
February 21st.

The third International Conference on Live Interfaces will be held on June 29th 
- July 3rd 2016 at the University of Sussex in Brighton, UK. The conference 
will bring together people working with live interfaces in the performing arts, 
including music, the visual arts, dance, puppetry, robotics or games.

The conference website: http://www.liveinterfaces.org 
<http://www.liveinterfaces.org/>

The conference scope is highly interdisciplinary but with a focus on expressive 
interface technologies for performance. Topics of liveness, immediacy, presence 
(and tele-presence), mediation, collaboration and timing or flow are engaged 
with and questioned in order to gain a deeper understanding of the role that 
contemporary media technologies play in human expression.

We wish to host work that will create a space of multiplicity, in order to 
investigate how disciplinary concerns inform different but overlapping 
approaches to interface design. The conference consists of paper presentations, 
performances, interactive installations, poster demonstrations, a doctoral 
colloquium and workshops. Works engaging with the principles and assumptions 
governing interaction design, including perspectives from art, philosophy, 
product design, and engineering are especially welcome.

We invite submissions that address critical and reflective approaches to key 
themes in the design and use of live interfaces. A wide range of approaches are 
encouraged by people from all possible backgrounds. The submission categories 
are the following:

Papers

5-8 pages. We are interested in submissions that address the conference topics 
listed below. The papers must consist of an original contribution to the field 
of artistic interfaces for live performance, describe its context, and 
demonstrate a rigorous research methodology. Paper authors may additionally 
present their work in the demo session.

Posters/Demos

3-6 pages. These are shorter artistic demonstrations of work or concepts. Space 
will be provided for posters and tables for demoing work. A link to an online 
video is required for posters and demos.

Doctoral Colloquium

2-6 pages. This could be in the form of a paper presentation, demonstration or 
a short performance. The doctoral colloquium will be an opportunity for 
researchers to present their work and meet other doctoral students in related 
fields, to discuss current research and approaches to practice-based research, 
and receive guidance from more experienced researchers. The day will include a 
session of short presentations in the morning, a symposium in the afternoon, 
and a short workshop in live interfaces in the early evening, finishing with 
food and drinks in the Digital Humanities Lab. The day is co-organised by a 
Sussex PhD researcher Joe Watson and Professor Sally Jane Norman, a co-director 
of the Sussex Humanities Lab.

Performances, Installations and Workshops

2-4 pages. Proposals should clearly articulate how the work or workshop 
develops the design, use or conceptualisation of live interfaces as related to 
one or more of the conference themes and should comprise: a) A description of 
the work (including duration), b) an image (where appropriate), c) a link to 
online examples of the work, d) a 150-word biography for each collaborator, and 
e) a technical rider (with stage layout, audiovisual setup, and equipment to be 
pr

[PD] ICLI 2016: Second Call for Participation

[thor]

International Conference on Live Interfaces

Call for Proposals

The third International Conference on Live Interfaces will be held on June 29th 
- July 3rd 2016 at the University of Sussex in Brighton, UK. The conference 
will bring together people working with live interfaces in the performing arts, 
including music, the visual arts, dance, puppetry, robotics or games.

The conference website:  
http://www.liveinterfaces.org 

The conference scope is highly interdisciplinary but with a focus on expressive 
interface technologies for performance. Topics of liveness, immediacy, presence 
(and tele-presence), mediation, collaboration and timing or flow are engaged 
with and questioned in order to gain a deeper understanding of the role that 
contemporary media technologies play in human expression.

We wish to host work that will create a space of multiplicity, in order to 
investigate how disciplinary concerns inform different but overlapping 
approaches to interface design. The conference consists of paper presentations, 
performances, interactive installations, poster demonstrations, a doctoral 
colloquium and workshops. Works engaging with the principles and assumptions 
governing interaction design, including perspectives from art, philosophy, 
product design, and engineering are especially welcome.

We invite submissions that address critical and reflective approaches to key 
themes in the design and use of live interfaces. A wide range of approaches are 
encouraged by people from all possible backgrounds. The submission categories 
are the following:

Papers
5-8 pages. We are interested in submissions that address the conference topics 
listed below. The papers must consist of an original contribution to the field 
of artistic interfaces for live performance, describe its context, and 
demonstrate a rigorous research methodology. Paper authors may additionally 
present their work in the demo session.

Posters/Demos
3-6 pages. These are shorter artistic demonstrations of work or concepts. Space 
will be provided for posters and tables for demoing work. A link to an online 
video is required for posters and demos.

Doctoral Colloquium
2-6 pages describing current work. The doctoral colloquium will be an 
opportunity for researchers to present their work and meet other doctoral 
students in related fields, to discuss current research and approaches to 
practice-based research, and receive guidance from more experienced 
researchers. The day will include a session of short presentations in the 
morning, a symposium in the afternoon, and a short workshop in live interfaces 
in the early evening, finishing with food and drinks in the Digital Humanities 
Lab.

Performances, Installations and Workshops
2-4 pages. Proposals should clearly articulate how the work or workshop 
develops the design, use or conceptualisation of live interfaces as related to 
one or more of the conference themes and should comprise: a) A description of 
the work (including duration), b) an image (where appropriate), c) a link to 
online examples of the work, d) a 150-word biography for each collaborator, and 
e) a technical rider (with stage layout, audiovisual setup, and equipment to be 
provided by the venue). Daytime and evening performances will be in concert 
halls on campus, and club performances will be in two live music venues in 
Brighton. Please indicate what setting would best suit the work. Installation 
proposals should include description of the space and set-up time required. 
Workshops proposals should specify the duration and number of people that can 
be accommodated. Workshops and installations will be located in spaces across 
the University of Sussex campus.
Technical specifications of venues are available on request.

The proceedings will be published online in collaboration with REFRAME Books 
 (MFM, University of Sussex). They 
will be Open Access, with Creative Commons attribution, and with an ISBN 
number. Each individual paper will receive a Digital Object Identifier 
 (DOI).

We are looking forward to receive your submission!

The ICLI 2016 team

Conference Themes
- New Performance Interfaces: prosthesis, extensions
- Human Computer interaction: human-machine relationships
- Automata, non-humans, AI: autonomy in artistic performance
- Space, sound, installations: performing with installations
- Theory, Digital Arts, Culture: Interface theory
- Computer games, game theory: gameplay as performance art
- Audiovisual and multimodal works: multimodal performances
Topics
Topics include, but are not restricted to:

- New interfaces for musical expression 
- Non-musical performance interfaces 
- Multimodal and multisensory media 
- Augmented stage technologies 
- Audiovisual performance 
- Biophysical sensors 
- Brain-computer interfaces 
- Artificial intelligence and ALife in 

[PD] ICLI 2016: Call for Papers, Performances and Projects

[thor]

The Third International Conference on Live Interfaces

Call for Proposals

The third International Conference on Live Interfaces will be held on June 29th 
- July 3rd 2016 at the University of Sussex in Brighton, UK. The conference 
will bring together people working with live interfaces in the performing arts, 
including music, the visual arts, dance, puppetry, robotics or games.

The conference website: http://www.liveinterfaces.org

The conference scope is highly interdisciplinary but with a focus on expressive 
interface technologies for performance. Topics of liveness, immediacy, presence 
(and tele-presence), mediation, collaboration and timing or flow are engaged 
with and questioned in order to gain a deeper understanding of the role that 
contemporary media technologies play in human expression.

We wish to host work that will create a space of multiplicity, in order to 
investigate how disciplinary concerns inform different but overlapping 
approaches to interface design. The conference consists of paper presentations, 
performances, interactive installations, poster demonstrations, a doctoral 
colloquium and workshops. Works engaging with the principles and assumptions 
governing interaction design, including perspectives from art, philosophy, 
product design, and engineering are especially welcome.

We invite submissions that address critical and reflective approaches to key 
themes in the design and use of live interfaces. A wide range of approaches are 
encouraged by people from all possible backgrounds. The submission categories 
are the following:

Papers

5-8 pages. We are interested in submissions that address the conference topics 
listed below. The papers must consist of an original contribution to the field 
of artistic interfaces for live performance, describe its context, and 
demonstrate a rigorous research methodology. Paper authors may additionally 
present their work in the demo session.

Posters/Demos

3-6 pages. These are shorter artistic demonstrations of work or concepts. Space 
will be provided for posters and tables for demoing work. A link to an online 
video is required for posters and demos.

Doctoral Colloquium

2-6 pages describing current work. The doctoral colloquium will be an 
opportunity for researchers to present their work and meet other doctoral 
students in related fields, to discuss current research and approaches to 
practice-based research, and receive guidance from more experienced 
researchers. The day will include a session of short presentations in the 
morning, a symposium in the afternoon, and a short workshop in live interfaces 
in the early evening, finishing with food and drinks in the Digital Humanities 
Lab.

Performances, Installations and Workshops

2-4 pages. Proposals should clearly articulate how the work or workshop 
develops the design, use or conceptualisation of live interfaces as related to 
one or more of the conference themes and should comprise: a) A description of 
the work (including duration), b) an image (where appropriate), c) a link to 
online examples of the work, d) a 150-word biography for each collaborator, and 
e) a technical rider (with stage layout, audiovisual setup, and equipment to be 
provided by the venue). Daytime and evening performances will be in concert 
halls on campus, and club performances will be in two live music venues in 
Brighton. Please indicate what setting would best suit the work. Installation 
proposals should include description of the space and set-up time required. 
Workshops proposals should specify the duration and number of people that can 
be accommodated. Workshops and installations will be located in spaces across 
the University of Sussex campus.

Technical specifications of venues are available on request.

The proceedings will be published online in collaboration with REFRAME Books 
(MFM, University of Sussex). They will be Open Access, with Creative Commons 
attribution, and with an ISBN number. Each individual paper will receive a 
Digital Object Identifier (DOI).

We are looking forward to receive your submission!

The ICLI 2016 team


-

Conference Themes

- New Performance Interfaces: prosthesis, extensions
- Human Computer interaction: human-machine relationships
- Automata, non-humans, AI: autonomy in artistic performance
- Space, sound, installations: performing with installations
- Theory, Digital Arts, Culture: Interface theory
- Computer games, game theory: gameplay as performance art
- Audiovisual and multimodal works: multimodal performances

Topics

Topics include, but are not restricted to:

- New interfaces for musical expression 
- Non-musical performance interfaces 
- Multimodal and multisensory media 
- Augmented stage technologies 
- Audiovisual performance 
- Biophysical sensors 
- Brain-computer interfaces 
- Artificial intelligence and ALife in interfaces 
- Notation for new interfaces 
- Live coding in music, video, 

[PD] Teaching Fellow in Music Technology at the University of Sussex

[thor]

Hi all (and apologies for x-posting)

We are excited to announce a vacant post in Music Production at the Music 
Department at the University of Sussex. The post involves practice based 
teaching (workshops, demonstrations, seminars, tutorials) at undergraduate and 
taught postgraduate levels. We are looking for a person who is aware of 
technical developments and professional practice in the field, and who can 
advise on necessary updating of equipment and modules. 

The post involves teaching key modules in both the department's Music and Music 
Technology degrees, such as Studio Recording and Music Production. The ideal 
candidate is someone with industry experience, interested in teaching and 
research, and an expert in music studios - comfortable and fluent teaching in 
them. 

Further information can be found on Sussex Jobs:
http://www.sussex.ac.uk/aboutus/jobs/429 
<http://www.sussex.ac.uk/aboutus/jobs/429>

If you have any enquiries about the post, please contact either
Dr Ed Hughes (Head of Music Department): 
http://www.sussex.ac.uk/profiles/156493 
<http://www.sussex.ac.uk/profiles/156493>, or
Dr Thor Magnusson (BA in Music Technology convenor): 
http://www.sussex.ac.uk/profiles/164902 
<http://www.sussex.ac.uk/profiles/164902>

All the best
Thor

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