I have a photo of a Gull on the wing somewhere, taken on film. Pentax
LX w f1.7x converter, and F 70-210 f4~5.6 racked out to 357mm, wide open
(which is roughly f11). So a long slowish lens shooting a moving bird
in the air, I was pretty pleased with it. The image was fairly sharp,
but it
http://dougbrewer.posterous.com/two-shots-of-ted
i'm outta control here; two peso's in a couple days
stop me before I post again
enjoy
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Bob Sullivan wrote:
Tom,
Very pubic and recognizable places,
hmmm...
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DagT wrote:
http://www.thrane.name/page3/page7/files/page7-1000-full.html
K20D, da*16-5...@16mm, 1/90s, f/8, ISO200
DagT
http://www.thrane.name/
That is terrific!
Chris
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Ann Sanfedele wrote:
My oldest (in terms of years known) and one of two of my very dearest
closest long term friends passed away on Friday ...
Sad news Ann, we're thinking of you.
Chris
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Some beautiful shots there, Ted!
I especially like the first shot of the three elk in the field. The two
off to the left look like they might be getting a few things squared
away between them.
Must have been fun to watch!
-- Walt
On 10/6/2010 8:11 PM, Theodore Beilby wrote:
On 10/7/2010 4:31 AM, Stan Halpin wrote:
I occasionally receive multiple copies of your messages Boris,
typically four copies. I've always assumed that those were messages
that you think are really important, and so you send multiple copies
to insure that we pay attention. ;-) Or that you just
On 10/6/2010 11:45 PM, David J Brooks wrote:
A month later *Nikon put on their website in a statement* that the D2H
is prone to failure of the AF board, and they will fix the problem
even if the camera is out of the warranty period.
Mark!
Boris
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I can see why you'd be pleased with that! I can't imagine even
trying to focus on a bird's eye zoomed out that far. I have a 2x
teleconverter that I bought specifically for shooting birds, but haven't
yet gotten used to using that much reach. After shooting for months
with the 50-200 kit
On 10/6/2010 7:26 PM, Chris Mitchell wrote:
That's very useful Boris, thanks. I use Jalbum for all of my galleries and
was going to give this a try. I will now.
You're right about the customisation - my experience is that they develop
things quickly.
Cheers, Chris
Chris, please hold your
On 10/6/2010 8:46 PM, Igor Roshchin wrote:
... and the journalisti (?) needs to learn how to
a) conduct interviews (as opposed to reading questions from the paper
and collecting the answers, acknowledging ye, ye, that's interesting),
and
b) to speak properly when not reading the questions
At least no shoes were thrown.
-- Walt
On 10/7/2010 12:53 AM, Boris Liberman wrote:
Igor, the guy is Israeli, it is typical interviewing behavior here.
So, welcome to Middle East, my friend ;-).
Boris
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On Oct 6, 2010, at 6:11 PM, Theodore Beilby wrote:
http://beilbyfinearts.blogspot.com/2010/10/boxley-valley-and-steel-creek.html
I am so embarrassed.
With that set, you should be. Don't you understand the Japanese concept of
wabi? The required flaw, or imperfection, in an artwork? You
On 10/6/2010 10:51 PM, frank theriault wrote:
Oddly, lots of messengers smoke. I used to smoke. It's quite an art
smoking whilst riding fast. You've kind of got to keep your head up,
tilt a bit to the right and hang the cigarette just so out the
corner of your mouth. That way smoke and ashes
On Wed, 06 Oct 2010 07:48 -0400, Matthew Hunt m...@pobox.com wrote:
On Wed, Oct 6, 2010 at 1:12 AM, Boris Liberman bori...@gmail.com wrote:
If you receive this message more than once please reply. Otherwise, you
don't /really/ have to bother.
Give me a ping, Boris. One ping only,
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