On 16 February 2011 06:23, Darren Addy pixelsmi...@gmail.com wrote:
Thanks for the additional comments.
By popular demand:
: )
Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/
Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/
Great
I wish I could help, Bruce, but I don't know enough about the variety of
inkjet papers to know which comes closes to gelatin silver prints. Nor do I
know a lot about gelatin silver prints. Maybe one day the Karsh exhibit will
come to Chicago, and I'll be able to see what you're talking about.
- Original Message -
From: John Sessoms jsessoms...@nc.rr.com
I want to be Milt when I grow up!
Certainly it's work worth emulating, but why wait until you grow up?
Better to approach it while you can still look at it with the eyes of a
child.
I was expressing more of a
That is fun, Frank. The man holding ceiling of the train car really makes
the shot! Excellent. Cheers, Christine
- Original Message -
From: frank theriault knarftheria...@gmail.com
To: Pentax-Discuss Mail List PDML@pdml.net
Sent: Tuesday, February 15, 2011 5:43 AM
Subject: PESO -
On 15/2/11, Godfrey DiGiorgi, discombobulated, unleashed:
The art of presenting photographs is at least as complex and deep as
the art of making photographs.
Mark.
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
-- http://www.cottysnaps.com
On 15/2/11, frank theriault, discombobulated, unleashed:
I hate you.
The hate is mutual
;-)))
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
-- http://www.cottysnaps.com
_
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On 2/15/2011 9:08 PM, John Sessoms wrote:
Time works in a very peculiar manner.
From age 6 to 60 is an unimaginably long time looking at it from the
beginning, yet looking back it's passed in the blink of an eye.
John, I can agree with you up to the extent of my nearly 40 years of age
On 2/15/2011 5:46 PM, Godfrey DiGiorgi wrote:
thanks for commenting, Boris.
All compositions are questionable. That is to say, any composition (or
framing in the case of photographs) can be questioned. Whether or not
it suits whatever you and/or the photographer had in mind is what the
On 2/16/2011 5:15 AM, Godfrey DiGiorgi wrote:
The art of presenting photographs is at least as complex and deep as
the art of making photographs.
H(M)AR(K)! /wink/
Nowadigitaldays it begins with suggesting to a photog to make A3 size
prints of their shots and then all the fun observing their
One black and white for me, please ;-).
On 2/15/2011 9:23 PM, Darren Addy wrote:
Thanks for the additional comments.
By popular demand:
: )
Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/
Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/
On 2/15/2011 9:20 PM, John Sessoms wrote:
Lifts are something men put inside their shoes to make them appear
taller.
Like in Tom Cruise, I presume /grin/.
Boris
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On 2/15/2011 9:54 PM, John Sessoms wrote:
The grain elevator is also one of the iconic images of the North
American prairie (the continent including Canada) - the grain elevator
against the big sky with the limitless landscape stretching beyond it.
It's one of those ideas where I'm still trying
On 2/15/2011 8:51 PM, Bob W wrote:
a good friend of mine is a structural engineer, one of the people
responsible for the cranes that litter the London skyline. In a conversation
at the weekend he mentioned that while drilling the piles for one of his
current buildings they hit concrete that
On 2/15/2011 8:33 PM, frank theriault wrote:
No, no confusion at all. In this part of the world a grain elevator
is just as you say it is. The West (where we grow most of our wheat)
used to have one in every town. Not so much any more due to the way
commodities are shipped and (not)
On 2/16/2011 2:13 AM, Tim Øsleby wrote:
There is a weak connection. The calender project may evolve into a
spin of project. A collective photo book about the big things in life;
birth and death, and between. The idea is to reflect about how
precious and fragile life is. The book might never
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