:[EMAIL PROTECTED]]On Behalf Of Doug Franklin
Sent: Thursday, December 20, 2001 7:49 PM
To: [EMAIL PROTECTED]
Subject: Re: Car Show Photo Suggestions ...
On Fri, 21 Dec 2001 11:00:35 +1100, Kevin Waterson wrote:
make sure your exposures are very close to ambient. The flash will help
clean up
:[EMAIL PROTECTED]]On Behalf Of Paul Stenquist
Sent: Thursday, December 20, 2001 11:23 PM
To: [EMAIL PROTECTED]
Subject: Re: Car Show Photo Suggestions ...
It would be very uneven lighting. You'd have to have two flashes, and
you'd still have some nasty reflections, Your best bet is to use
Paul Stenquist wrote:
make sure your exposures are very close to ambient. The flash will help
clean up the color, but you'll have some ugly highlights in glass and chrome.
What if an off camera flash was used so that you had the light coming in at
45 degrees, have a friend hold the flash or
On Fri, 21 Dec 2001 11:00:35 +1100, Kevin Waterson wrote:
make sure your exposures are very close to ambient. The flash will help
clean up the color, but you'll have some ugly highlights in glass and chrome.
What if an off camera flash was used so that you had the light coming in at
45
On 20 Dec 2001 at 17:10, [EMAIL PROTECTED] wrote:
I'm going to be doing some photography at the Washington, DC, Auto Show.
I usually shoot Fujichrome Provia 100 Pro color transparency film but would
like to shoot some color prints as well.
And suggestions for the best color print
Doug Franklin wrote:
You'll still get nasty reflections in many cases, they'll just be in a
different spot on the car. :-)
ok, what if we use some sort of diffuser, like flash though a white umbrella?
Would this do? I know its less portable, but I am curious.
Kind regards
Kevin
-
This
It would be very uneven lighting. You'd have to have two flashes, and
you'd still have some nasty reflections, Your best bet is to use the
lighting in the show area and adjust your filtration accordingly. If you
check with some local photographers who regularly shoot in that
exhibition hall, they
It's very difficult to light a car for flash photography. The studio
photogs use giant heavily diffused light boxes hung from the ceiling of
a big studio. The boxes have to be positioned just so to achieve
acceptable highlights, and they have to be augmented with various
reflectors and flags.
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