From: [EMAIL PROTECTED]
Date: 2007/10/03 Wed PM 08:06:32 GMT
To: pdml@pdml.net
Subject: Re: Fine Art Paper for the Epson 2200 - any recommendations
In a message dated 10/3/2007 12:41:35 P.M. Pacific Daylight Time,
[EMAIL PROTECTED] writes:
The semi-gloss and lustre papers seem
--- mike wilson [EMAIL PROTECTED] wrote:
I usually clean glass with a ball of newsprint paper
slightly dampened with vinegar. Although I haven't
done much framing of inkjet prints, I have never
noticed any outgas residue.
I think I'll give that a try - so far the best stuff
I've found is
Mark Cassino wrote:
--- mike wilson [EMAIL PROTECTED] wrote:
I usually clean glass with a ball of newsprint paper
slightly dampened with vinegar. Although I haven't
done much framing of inkjet prints, I have never
noticed any outgas residue.
I think I'll give that a try - so far the best
In a message dated 10/2/2007 7:37:04 P.M. Pacific Daylight Time,
[EMAIL PROTECTED] writes:
Almost every print had out gassing residue on the
inside of the glass.
=
Could someone explain what this is? I may have experienced it with some of
my prints, and didn't realize it.
TIA,
Hi Marne -
The inks contain substances like glycol which permeate
the paper and then slowly evaporate. If the print is
matted and framed, the vapors can wind up being
deposited as a film on the inside of the glass. To be
honest, the film is usually less than obvious if you
are not looking for it
In a message dated 10/3/2007 12:41:35 P.M. Pacific Daylight Time,
[EMAIL PROTECTED] writes:
The semi-gloss and lustre papers seem to be most prone
to this problem, since these plastic 'papers' really
just hold the ink in them. Matte papers seem to be
less prone to outgassing, probably
On Oct 2, 2007, at 4:20 PM, Kenneth Waller wrote:
they also seem to out-gas behind glass for a long while
FWIW -
A while ago I read somewhere that it was recommended to place a
sheet of
paper over the newly printed image for a day or two. It supposedly
helps the
out-gassing
On Oct 1, 2007, at 11:28 PM, David Mann wrote:
On Oct 2, 2007, at 4:20 PM, Kenneth Waller wrote:
they also seem to out-gas behind glass for a long while
FWIW -
A while ago I read somewhere that it was recommended to place a
sheet of
paper over the newly printed image for a day or
Mark Roberts wrote:
Mark Cassino wrote:
Does anyone have recommendations regarding a good,
high quality, acid-free, archival, paper for use in an
Epson 2200?
I love Hahnemuehl Fine Art Pearl. I showed a couple of prints on that
paper to the people who came to GFM 2007 - one of which
Epson Ultra Premium Luster yields deep, dark blacks on the R2400 printer with
the corresponding ICC profile. It's probably the best of the papers designed
for use with the Photo Black ink set. However, I also like Enhanced Matte
(which has a new name that I've forgotten) and Velvet Fine Art.
Epson link on Framing tips - addresses out-gassing.
http://www.epson.com/cmc_upload/0/000/020/443/Gas%20Ghost%20P3.15692.pdf
Kenneth Waller
http://tinyurl.com/272u2f
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML,
Thanks, Ken.
A couple of years ago I did a 55 image show of snow
crystals - all images 12 x 12 in 18x20 frames. I had
everything printed a month in advance, and laid the
prints (premium semigloss paper) on sheets of brown
frame backing paper, figuring it would work well to
soak up the extra
--- Mark Roberts [EMAIL PROTECTED] wrote:
I love Hahnemuehl Fine Art Pearl. I showed a couple
of prints on that
paper to the people who came to GFM 2007 - one of
which was my Oak Tree
with Vines BW conversion - to very favorable
responses.
I'm going to try the new Ilford baryta paper
--- Mark Roberts [EMAIL PROTECTED] wrote:
I love Hahnemuehl Fine Art Pearl.
Thanks - I'll give the Mahemehl a try.
Hmmm - looks like I should disable spell check before
placing that order...
- MCC
--
Mark Cassino Photography
Kalamamazoo, MI
On Oct 3, 2007, at 7:04 AM, Godfrey DiGiorgi wrote:
That's interesting. I suppose the sheet of plain paper draws the
gases out. I'll have to try it.
I'd use it anyway, just to keep the dust off.
I just dug out the Epson document and put it on my website where you
can download it:
Does anyone have recommendations regarding a good,
high quality, acid-free, archival, paper for use in an
Epson 2200?
In the past I've printed color images on either Semi
Gloss or Premium Lustre papers, and those have been
OK. The only probelm with them is that there is a
gloss differential
Mark Cassino wrote:
Does anyone have recommendations regarding a good,
high quality, acid-free, archival, paper for use in an
Epson 2200?
I love Hahnemuehl Fine Art Pearl. I showed a couple of prints on that
paper to the people who came to GFM 2007 - one of which was my Oak Tree
with Vines BW
On Oct 1, 2007, at 3:40 PM, Mark Cassino wrote:
Does anyone have recommendations regarding a good,
high quality, acid-free, archival, paper for use in an
Epson 2200?
...
I generally do mono prints on Enhanced Mat / Pemium
Presentation paper. Color prints look fine on it as
well, with the MK
- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
Subject: Fine Art Paper for the Epson 2200 - any recommendations?
Does anyone have recommendations regarding a good,
high quality, acid-free, archival, paper for use in an
Epson 2200?
In the past I've printed color images on either Semi
19 matches
Mail list logo
