back to that again.
- Original Message -
From: Stephen Moore [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, August 25, 2003 10:24 AM
Subject: Re: PDN article
William Robb wrote:
I draw a very clear line between news/ journalism photos and
editorial/art photos, in much
T Rittenhouse [EMAIL PROTECTED] wrote:
I wondered why Schneider was singled out to be made an example of, the PDN
article makes that clear. A jealous competitor in the contest complained.
I don't know if the photographers who complained were competitors, but
there certainly seems to be some
But where do you draw the line?
Do you draw it at no editorializing? Just a bit?
And who decides if the content has effectively changed?
To me, that's the crux of the issue. Beauty is in the eye of the
beholder, and so is the meaning of a photo. Some leave less to the
imagination than
Cotty [EMAIL PROTECTED] wrote:
But where do you draw the line?
Do you draw it at no editorializing? Just a bit?
And who decides if the content has effectively changed?
To me, that's the crux of the issue. Beauty is in the eye of the
beholder, and so is the meaning of a photo. Some
-Original Message-
From: Mark Roberts [mailto:[EMAIL PROTECTED]
T Rittenhouse [EMAIL PROTECTED] wrote:
I wondered why Schneider was singled out to be made an
example of, the PDN
article makes that clear. A jealous competitor in the
contest complained.
I don't know
tom [EMAIL PROTECTED] wrote:
-Original Message-
From: Mark Roberts [mailto:[EMAIL PROTECTED]
T Rittenhouse [EMAIL PROTECTED] wrote:
I wondered why Schneider was singled out to be made an
example of, the PDN article makes that clear. A jealous
competitor in the contest complained
, if they smell a winner, will be more than happy to
make that little alteration for you, if you haven't done it yourself.
- Original Message -
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 22, 2003 10:59 AM
Subject: RE: PDN article
-Original Message
Treena wrote:
Speaking as a photojournalist and editor whose work is entered in contests
every year, the pressure to produce prizewinning photos is immense. The
photographers are usually awarded substantial bonuses for winning photos,
plus the paper in question (or its parent company) gets
22, 2003 12:58 PM
Subject: Re: PDN article
Treena wrote:
Speaking as a photojournalist and editor whose work is entered in
contests
every year, the pressure to produce prizewinning photos is immense. The
photographers are usually awarded substantial bonuses for winning
photos,
plus
-
From: Keith Whaley [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 22, 2003 12:58 PM
Subject: Re: PDN article
Treena wrote:
Speaking as a photojournalist and editor whose work is entered in
contests every year, the pressure to produce prizewinning photos
.
- Original Message -
From: Keith Whaley [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 22, 2003 2:39 PM
Subject: Re: PDN article
Treena wrote:
No, actually. I'm both at once. I'm the managing editor of two weeklies,
but
I shoot and write for dailies within the company
I knew one photographer who staged every
photo he took.
HCB?
Cheers,
Cotty
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Hi guys;
There's an article on Schneider and his lost POY awards at PDN
http://pdnonline.com
He was the guy that spoke at GFM.
Butch
Each man had only one genuine vocation - to find the way to himself.
Hermann Hess (Demian)
an example of, the PDN
article makes that clear. A jealous competitor in the contest complained.
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: Butch Black [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, August 21, 2003 5:08 PM
Subject: PDN
- Original Message -
From: T Rittenhouse
Subject: Re: PDN article
And from my point of view he did nothing that changed the meaning of the
photographs. Getting rid of a distracting background is a long long way
from
cloning in someone who wasn't there. I think this is all coming
- Original Message -
From: Doug Franklin
Subject: Re: PDN article
On Thu, 21 Aug 2003 20:56:14 -0600, William Robb wrote:
But where do you draw the line?
Do you draw it at no editorializing? Just a bit?
And who decides if the content has effectively changed?
To me, that's
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