Thanks for commenting, Frank. Interesting how this image is polarizing
opinion fairly strongly.
I posted that rope shot just now; title Sinews.
And thank you Ann, Jack, Igor and Paul. Appreciate the feedback!
On Mon, Jan 4, 2016 at 10:44 PM, knarf wrote:
> This just
This just doesn't feel like it's coming together for me. Can't really say why,
it's just not cohesive, not flowing, something's just not right to my eye.
Unlike Ann, this is my least favorite of your shots of Rachel posted on Flickr.
The other photos of her, on the other hand, are spectacular.
A pleasing composition, IMO. Well done.
Paul via phone
> On Jan 3, 2016, at 3:19 PM, Bruce Walker wrote:
>
>> On Sat, Jan 2, 2016 at 6:03 PM, Igor PDML-StR wrote:
>>
>> Bruce,
>>
>> It is nice that it is in B: one cannot see the blood dripping
t;pdml@pdml.net>
Sent: Sunday, January 3, 2016 12:19:59 PM
Subject: Re: PESO ~ Form and light #1
On Sat, Jan 2, 2016 at 6:03 PM, Igor PDML-StR <pdml...@komkon.org> wrote:
>
> Bruce,
>
> It is nice that it is in B: one cannot see the blood dripping from where
> the limbs w
I like this the best of the ones of Rachel that I see on your page - I
didn't like the glossiness of her skin in the
one where her expression is strong and the other straight on one is not
as interesting..
I'd have liked her front leg to have been less tight - but that's just
me being fussy
Bruce,
For the record: I am not expecting all body parts to fit into the photo.
I guess it is a strange combination of two limbs almost parallel to
each other that created this wierd perception.. Or maybe something else...
So, in short, - it is not that there are "intersections", but rather
On Sat, Jan 2, 2016 at 6:03 PM, Igor PDML-StR wrote:
>
> Bruce,
>
> It is nice that it is in B: one cannot see the blood dripping from where
> the limbs were sawed off. :-)
Tut, tut, Igor. How distressingly conventional of you. I have to
assume that this image from
First peso for 2016 and it's a b Weird! :)
https://www.flickr.com/photos/bruce_m_walker/24050939061/lightbox/
Model is Rachel Cornejo, a dancer (ballet and jazz), fitness
instructor, actor and model.
645z, DFA645 90mm f:2.8 Macro, f:4, 1/125th sec, 100 ISO.
One tall strip softbox left.
Bruce,
It is nice that it is in B: one cannot see the blood dripping from where
the limbs were sawed off. :-)
On a serious note, - I enjoy the facial expression in combination with the
upper body and how it was captured (light, etc.).
The well-lit "front" leg is the main distraction for me
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