Well, since I was diggin' through Fuji's site, I took a peek at Provia's
data sheet. Funny. They recommend the use of UV or 81A filters for
outdoor shooting. So before anyone complains again about some bluish
cast. Please RTFM ;-)
cheers,
caveman
P.S. I am quite pleased with the results of the
Then the film is NOT daylight balanced.
Very ODD.
Jco
-Original Message-
From: Caveman [mailto:[EMAIL PROTECTED]
Sent: Friday, May 30, 2003 11:50 AM
To: [EMAIL PROTECTED]
Subject: Provia 100F bluish color cast
Well, since I was diggin' through Fuji's site, I took a peek
- Original Message -
From: J. C. O'Connell
Subject: RE: Provia 100F bluish color cast
Then the film is NOT daylight balanced.
Very ODD.
Jco
-Original Message-
From: Caveman
Subject: Provia 100F bluish color cast
Well, since I was diggin' through Fuji's site, I
:
- Original Message -
From: J. C. O'Connell
Subject: RE: Provia 100F bluish color cast
Then the film is NOT daylight balanced.
Very ODD.
Jco
-Original Message-
From: Caveman
Subject: Provia 100F bluish color cast
Well, since I was diggin' through Fuji's site, I took a peek
Forgot to add that, if you're using a digicam, the whole color temp
discussion is pretty much meaningless. The camera will record whatever
colors it wants, and you'll just fix that later in Photoshop. This makes
the use of color balancing filters pretty much unnecessary. Which is a
Good Thing
-Original Message-
From: Caveman [mailto:[EMAIL PROTECTED]
Forgot to add that, if you're using a digicam, the whole color temp
discussion is pretty much meaningless. The camera will
record whatever
colors it wants, and you'll just fix that later in
Photoshop. This makes
the use
Depends on how you shoot. Raw shooters typically work this way, but
people who shoot in jpg generally take more care to get it right in
the camera, as it's more of a pain to fix a jpg in PS then applying a
color temp during raw conversion.
You could always use an imaging program that has a
-Original Message-
From: Harold Owen [mailto:[EMAIL PROTECTED]
Depends on how you shoot. Raw shooters typically work
this way, but
people who shoot in jpg generally take more care to get
it right in
the camera, as it's more of a pain to fix a jpg in PS
then applying a
color
]
To: [EMAIL PROTECTED]
Sent: Friday, May 30, 2003 13:21
Subject: Re: Provia 100F bluish color cast
The film may be sensitive to colour shifts due to dryer heat, It may be
a bit more UV sensitive than other films, which manifests itself as a
bluish colour cast, or it could just be that people
, May 30, 2003 17:30
Subject: Color correcting in Photoshop (was Provia 100F bluish color cast)
I second Herb's observation of ASF's digital ROC (and SHO and GEM). I have
found all three useful, probably as stated in order of usefulness. It works
great for correcting color temp problems almost
, i find that the Photoshop
Autocolors does an acceptable job.
Herb
Sometimes ,when i have the wrong WB set on the D1,will shooting horses in doors,i have
to
really
adjust,usually blue,the tint.
I find in this case that PS elements work
i believe that these are nearly identical tools in the two programs.
Herb
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, May 31, 2003 03:50
Subject: Re: Provia 100F bluish color cast
, i find that the Photoshop
Autocolors does
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