aimcompute wrote:
I stopped using it all winter and used Provia 100F pushed 2 stops
to get the easiest shooting conditions for the relatively low light.
If you haven't yet, try the new Provia 400F: it's gorgeous, and goes to
800 without any fuss at all, and survives pretty well at 1600. I
scanning easier.
Tom C.
- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, May 13, 2001 10:52 AM
Subject: Re: Avoid Velvia
I have similar problems scanning dense slides. For me, I find Velvia to
be
more of a specialty film. I have seen way too
- Original Message -
From: aimcompute
Subject: Re: Avoid Velvia
That's funny. Velvia has long been my film of choice for
scenics. I like
the extra color punch. For me it somehow makes the picture
seem more
realistic, not less (I know I am certainly in the minority
Joseph Tainter wrote (in hope of starting a flame war or, at the very
least, a robust discussion):
Avoid Velvia.
I doubt that I'll use Velvia again. Or if I do, it will be infrequently.
This comes in spite of the fact that my May PUG entry was shot on
Velvia. I shoot a lot of flowers
I too ahoot less and less Velvia, and more and more E100VS, but not
for scanning reasons.
I have the older and cheaper Minolta, the Dimage Dual (ie. first
edition). For me, scanning has worked well when I shoot Velvia at ISO
32.
Jostein
- Original Message -
From: Bruce Dayton [EMAIL
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