Power Trip (Dir. Paul Devlin):
<http://www.powertripthemovie.com/index2.html>

***** Synopsis

Starring Piers Lewis, Michael Scholey, Dennis Bakke

In an environment of pervasive corruption, assassination, and street
rioting, the story of chaotic post-Soviet transition is told through
culture clash, electricity disconnections and blackouts.

AES Corp., the massive American "global power company," has purchased
the privatized electricity distribution company in Tbilisi, capital of
the former Soviet Republic of Georgia. AES manager Piers Lewis must now
train the formerly communist populace that, in this new world, customers
pay for their electricity. The Georgians meanwhile, from pensioners to
the Energy Minister, devise ever more clever ways to get it free.

Amidst hot tempers and high drama, Lewis balances his love for the
Georgian people with the hardships his company creates for them, as they
struggle to build a nation from the rubble of Soviet collapse.

<http://www.powertripthemovie.com/synopsis.html> *****

*****   MOVIE REVIEW | 'POWER TRIP'
American Know-How Can't Prevail Nohow
By STEPHEN HOLDEN
Published: December 10, 2003

Paul Devlin
In "Power Trip," Piers Lewis, left, of AES, confronts angry Georgians.

RELATED ARTICLE
Nancy Ramsey, "A Documentary Records a Fierce Struggle for Power,
Electric and
Otherwise" (Dec. 10, 2003):
<http://movies2.nytimes.com/2003/12/10/movies/10POWE.html>

Power Trip," Paul Devlin's superbly balanced and organized documentary
about the politics of electricity in the former Soviet Republic of
Georgia, offers a cautionary reminder that the basic services we take
for granted in the United States are often luxuries elsewhere. It also
underscores what became painfully evident at the height of the Enron
scandal: political power and the distribution of energy are intimately
connected.

That scandal gave Americans a nasty little taste of the politics of
energy when electrical bills skyrocketed in California; the recent
blackout in the Northeast also sent an ominous signal that our overtaxed
power grid was susceptible to breakdown.

Those troubles are nothing compared to the dire situation in Georgia.
The recent ouster of its president, Eduard A. Shevardnadze, only
underscores what the movie reveals about the systemic corruption of his
regime. At the same time the perspective of the film is too
sophisticated to demonize any one figure.

The movie's vision of a country teetering on the brink of chaos is seen
largely through the eyes of Piers Lewis, a good-humored British-born
project director for AES-Telasi, the company that was created in late
1990's when the AES Corporation of Arlington, Va., acquired the Georgian
power authority, Telasi.

AES officials had no idea what they were facing. The story of the
company's struggle to become efficient and profitable plays like an
absurdist political farce. When Georgia was a constituent of the Soviet
Union, electrical power was state controlled and free. When the Soviet
Union collapsed, Georgia slid into chaos and civil war, and utility
services crumbled. Desperate for electricity, the citizens improvised
crude wiring systems to steal power.

The movie opens with a succinct sketch of Georgia's unhappy history with
its neighbors, then picks up its story shortly after the formation of of
AES-Telasi. Outraged to find monthly utility bills (about $24) amounting
to half their incomes, the people rebelled by refusing to pay.
Noncompliance was as high as 90 percent.

Faced with mounting losses, AES adopted a get-tough policy in which
whole neighborhoods were blacked out until bills were paid, prompting
street demonstrations. The well-meaning company invested millions to
build new power lines and establish a secure metering system.

When the airport at the capital city, Tbilisi, wouldn't pay its electric
bill, AES cut its power until it paid. Other large industries with
government connections also refused to pay.

Ultimately the fate of AES-Telasi, revealed at the end of the movie, was
determined as much by American events like the Enron scandal as by
Georgian resistance.

"Power Trip," which opens today at Film Forum in New York, is a skillful
assemblage of newsreel clips, cartoons ridiculing the American
interlopers, television commercials and interviews with power officials
and ordinary Georgians. It gives new and darker meaning to that comfy
adage "We're all connected."

POWER TRIP

Produced, directed and edited by Paul Devlin; in English and Georgian,
with English subtitles; directors of photography, Mr. Devlin and Valery
Odikadze. At Film Forum, 209 West Houston Street, South Village. Running
time: 86 minutes. This film is not rated.

<http://www.powertripthemovie.com/archive/reviews/NYTimes/NYTimes.html>
   *****

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