Re: White Jazz

1998-01-19 Thread bill mitchell
> >On Sun, 18 Jan 1998, Louis Proyect wrote: > >> Where are the Louis Armstrongs or Charlie Parkers of today? > Denis wrote: >Hip-hopping or DJ-ing in the 'hood, that's where. I've always felt that > Listen to marcus miller "tales" (1995). he attempts to stylise a link b/tw the old and the new

Re: White Jazz

1998-01-19 Thread Louis Proyect
Dennis Redmond: >This is part of a larger >and properly dialectical cultural shift in late capitalism, away from >specialized craft producers and towards cross-specialized artists, or more >precisely, from instrumental production to studio production. This puts the shift in technical, economic t

Re: White Jazz

1998-01-18 Thread Dennis R Redmond
On Sun, 18 Jan 1998, Louis Proyect wrote: > Where are the Louis Armstrongs or Charlie Parkers of today? Hip-hopping or DJ-ing in the 'hood, that's where. I've always felt that the lineage of jazz modernism, from Armstrong's solos to Parker's bebop tremolos to Coltrane's magnificent works of ja

Re: White Jazz

1998-01-18 Thread Louis Proyect
Dave Markland: > >This leads up to my second point. You mentioned a low-point in the Black >nationalist movement at the moment, reflected in neo-conservative, >unexciting jazz. However, you failed to mention bands like US3 (on Blue >Note records)or other acid jazz/hip hop. If jazz, defined as n

Re: White Jazz

1998-01-18 Thread Dave Markland
Lou: You seem to agree with the somewhat unexamined assertion that jazz has gone through several "stages" or "eras". While there is certainly more than a grain of truth in that, and while I certainly wouldn't want the term "semantics" to come up in such a discussion, it seems to me a sort of art

Re: White Jazz

1998-01-18 Thread Jay Hecht
In a message dated 98-01-18 00:16:08 EST, you write: << Most young black jazz musicians follow in the footsteps of Wynton Marsalis, whom some people regard as a neoconservative. He is the curator of the jazz program at Lincoln Center. His partner is Stanley Crouch, the author of "The Hanging

White Jazz

1998-01-18 Thread Louis Proyect
White jazz--those were the words that kept running through my head. Why? This evening I listened to three of America's finest jazz musicians tonight at Birdland: Paul Bley on piano, Gary Peacock on bass and Paul Motian on drums. And they all happen to be white. "White Jazz" is