Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ...

2001-11-29 Thread Christian A. Gregory
Carrol, post modern emerges with both transformations in modern art and post-structuralist discourses. perhaps they merge in the 1960's with the situationists, guy deboard,et al, the involvement of Henri Lefebvre with a political-arts movement that rejected orthodoxy of all forms, defined

RE: Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ...

2001-11-29 Thread Brownson, Jamil
(polydirectional?) trajectories for discussion. jb -Original Message- From: Christian A. Gregory [mailto:[EMAIL PROTECTED]] Sent: Thursday, November 29, 2001 8:45 AM To: [EMAIL PROTECTED] Subject: [PEN-L:20136] Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ... Carrol

RE: RE: Modernism and Its Endless Returns to the Source , was Re: ...

2001-11-28 Thread Brownson, Jamil
: [PEN-L:20102] RE: Modernism and Its Endless Returns to the Source , was Re: ... I don't want to get into a debate about the meaning of words, but the way I see modernism is as follows. Modernists believe in progress, where things get better via the application of reason. Traditionalists or romantics

Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ...

2001-11-28 Thread Ian Murray
- Original Message - From: Brownson, Jamil [EMAIL PROTECTED] Here I have to voice my contempt for many second rate Anglo-American academics who jump on such a bandwagon start labeling categorizing, talking writing ABOUT things rather than participating in THE THING (PROCESS)

RE: Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ...

2001-11-28 Thread Brownson, Jamil
Touche, Ian, -Original Message- From: Ian Murray [mailto:[EMAIL PROTECTED]] Sent: Wednesday, November 28, 2001 3:37 PM To: [EMAIL PROTECTED] Subject: [PEN-L:20115] Re: RE: RE: Modernism and Its Endless Returns to the Source , was Re: ... - Original Message - From: Brownson