[EMAIL PROTECTED] 3/26/2004 5:41:35 PM
Maybe Michael Hoover or Yoshie can help us out, but I think that the
morality police
during the 30s pressured Hollywood not to show class conflict.
Michael Perelman
excuse tardy reply, placed above in to do file...
decline of class conflict in hollywood
Title: Message
Does anyone know of
work being done to analyze emergences/passings/dominance of various genres in
media/"pop culture" (content, scope, impacts, sponsors, target demographics,
revenues, linkages, methods of competitionetc) and the shifting SSA and
SSA requirements of Monopoly
With the cowboys, the railroad people, bankers, and owners of large estates were
often the bad guys.
--
Michael Perelman
Economics Department
California State University
Chico, CA 95929
Tel. 530-898-5321
E-Mail michael at ecst.csuchico.edu
With the cowboys, the railroad people, bankers, and owners of large
estates were often the bad guys.
--
Michael Perelman
Economics Department
California State University
Chico, CA 95929
Tel. 530-898-5321
E-Mail michael at ecst.csuchico.edu
Very perceptive. You can of course add us savage Indians
Maybe Michael Hoover or Yoshie can help us out, but I think that the morality police
during the 30s pressured Hollywood not to show class conflict.
Michael, a distant relative of the Warner Bros, both of whose grandfathers along with
many others in town, were offered a $50 partnership, and whose
Craven, Jim wrote:
In the case of the Reality shows, they are relatively cheap to
produce, focus on trappings of wealth (temporary) like being set in
exotic locales and big mansions, and of course utilize, celebrate,
preach, reward and reinforce: rat-race individualism, greed,
selfishness,
